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Jennifer Zilm

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Canada
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July 2011

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Jennifer Zilm comes from a long line of charismatic hillbillies. She has done time in libraries, archives, bible colleges and social housing. Her most recent book, ReLit Award nominee First-Time Listener was published by Guernica Editions in fall 2022. Her second collection The Missing Field (Guernica Editions, 2018) was shortlisted for the 2019 Pat Lowther Memorial Award. Her first book Waiting Room (BookThug, 2016) was shortlisted for the Robert Kroetsch Award for Innovative Poetry. Zilm is also the author of two chapbooks: The whole and broken yellows (Frog Hollow, 2013) and October Notebook (Dancing Girl Press, 2015). Zilm has been a finalist for many contests, including The Malahat Review‘s Far Horizons Award and Arc Poetry Magazine's ...more

Average rating: 4.51 · 81 ratings · 23 reviews · 6 distinct works
Waiting Room

4.51 avg rating — 35 ratings — published 2016 — 3 editions
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The Whole and Broken Yellow...

4.80 avg rating — 15 ratings — published 2013
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First-Time Listener (297) (...

4.21 avg rating — 14 ratings
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The Missing Field (255) (Es...

4.25 avg rating — 12 ratings
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October Notebook: of night ...

it was amazing 5.00 avg rating — 5 ratings — published 2015 — 2 editions
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emblem of minutes

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More books by Jennifer Zilm…

Poet’s Corner Reading

w/ Tawahum Bige

Wed, October 19 at 7:30 a hybrid event — online
AND in person at Fairleigh Dickinson University. 
register here or come in the flesh to 842 Cambie St, Vancouver, BC

books are 2 for 1!
Y2K Compliant!

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Published on October 18, 2022 14:15
Cathedrals of the...
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The End of the Affair by Graham Greene
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The Left Hand of Darkness by Ursula K. Le Guin
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Pedro Páramo by Juan Rulfo
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The Trial by Franz Kafka
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My Brilliant Friend by Elena Ferrante
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Things Fall Apart by Chinua Achebe
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Nervous Conditions by Tsitsi Dangarembga
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C.D. Wright
“Nobody reads poetry, we are told at every inopportune moment. I read poetry. I am somebody. I am the people, too. It can be allowed that an industrious quantity of contemporary American poetry is consciously written for a hermetic constituency; the bulk is written for the bourgeoisie, leaving a lean cut for labor. Only the hermetically aimed has a snowball's chance in hell of reaching its intended ears. One proceeds from this realization. A staggering figure of vibrant, intelligent people can and do live without poetry, especially without the poetry of their time. This figure includes the unemployed, the rank and file, the union brass, banker, scientist, lawyer, doctor, architect, pilot, and priest. It also includes most academics, most of the faculty of the humanities, most allegedly literary editors and most allegedly literary critics. They do so--go forward in their lives, toward their great reward, in an engulfing absence of poetry--without being perceived or perceiving themselves as hobbled or deficient in any significant way. It is nearly true, though I am often reminded of a Transtromer broadside I saw in a crummy office building in San Francisco:



We got dressed and showed the house

You live well the visitor said

The slum must be inside you.



If I wanted to understand a culture, my own for instance, and if I thought such an understanding were the basis for a lifelong inquiry, I would turn to poetry first. For it is my confirmed bias that the poets remain the most 'stunned by existence,' the most determined to redeem the world in words..”
― C.D. Wright, Cooling Time: An American Poetry Vigil

Anne Carson
“You remember too much,
my mother said to me recently.
Why hold onto all that? And I said,
Where can I put it down?”
― Anne Carson, Glass, Irony and God

Maggie Nelson
“Fifteen days after we are born, we begin to discriminate between colors. For the rest of our lives, barring blunted or blinded sight, we find ourselves face-to-face with all these phenomena at once, and we call the whole shimmering mess “color.” You might even say that it is the business of the eye to make colored forms out of what is essentially shimmering. This is how we “get around” in the world. Some might also call it the source of our suffering.”
― Maggie Nelson, Bluets

Marcel Proust
“Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.”
― Marcel Proust, Time Regained

“She reminded me that I could write stories,/
could be struck by lightning & live.”
― Jen Currin, School

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Jennifer Ryan wrote: "oh jennifer oh jennifer are you hollowing out, or winnowing away? no, that's not blue jennifer, it's brown. that's not green, it's brown. that one is brown too. sheesh! they might as well just call..."

there are plenty of other islands and they all brown and littered with unburnt passports, if you can believe that


message 3: by Gort (last edited Apr 30, 2019 11:15AM)

Gort oh jennifer oh jennifer are you hollowing out, or winnowing away? no, that's not blue jennifer, it's brown. that's not green, it's brown. that one is brown too. sheesh! they might as well just call you jennifer brown


Jennifer Cullene wrote: "I was so fascinated by the poetry read on CIUT radio. Thanks so much Jennifer for tuning us into this."

You're welcome, Cullene.


Cullene Bryant I was so fascinated by the poetry read on CIUT radio. Thanks so much Jennifer for tuning us into this.


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