Christopher Hellstrom
Goodreads Author
Born
in Brooklyn, The United States
January 05, 1973
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Neal_Stephenson, Thomas_Pynchon, Robert Silverberg, Cordwainer Smith ,
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Member Since
June 2011
URL
https://www.goodreads.com/christopherhellstrom
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| Reread and immersed myself in the old Bradbury Theatre show for the related chapters. Bradbury was an American original. He wrote about the future with such nostalgia, which is what I think people secretly want. The future as the past, but just with ...more | |
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This Year: 365 Songs Annotated: A Book of Days:
"The 🐐"
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“Fall in love and stay in love. Explode. Don’t intellectualize. Get passionate about ideas. Cram your head full of images. Stay in the library. Stay off the internet and all that crap. Read all the great books. Read all the great poetry. See all the great films. Fill your life with metaphors. And then explode.”
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Christopher Hellstrom
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wow that is awesome. Could you merge the revised edition of Fresh Kills so it is the one that shows? The revised one is there it is just not te first
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“I have this -- here’s this thing where it’s going to sound sappy to you. I have this unbelievably like five-year-old’s belief that art is just absolutely magic. And that good art can do things that nothing else in the solar system can do. And that the good stuff will survive, and get read, and that in the great winnowing process, the shit will sink and the good stuff will rise.”
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“Your battles inspired me - not the obvious material battles but those that were fought and won behind your forehead.”
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“The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.”
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“You don’t understand,” getting mad. “You guys, you’re like Puritans are about the Bible. So hung up with words, words. You know where that play exists, not in that file cabinet, not in any paperback you’re looking for, but—” a hand emerged from the veil of shower-steam to indicate his suspended head—“in here. That’s what I’m for. To give the spirit flesh. The words, who cares? They’re rote noises to hold line bashes with, to get past the bone barrier around an actor’s memory, right? But the reality is in this head. Mine. I’m the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of my mouth, eyes, sometimes other orifices also.”
― The Crying of Lot 49
― The Crying of Lot 49
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