Arthur Dong

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November 2019


A San Francisco Chinatown native, Arthur Dong is an Oscar®-nominee, and a Peabody and Sundance award-winning filmmaker, author, and curator whose work centers on Asian American and LGBTQ stories.

Arthur is the recipient of an American Book Award, the Art Deco Society Historic Preservation Award, and the Independent Publisher's IPPY Award for his first book, "Forbidden City, USA: Chinatown Nightclubs, 1936-1970." His latest book, "Hollywood Chinese: The Chinese in American Feature Films" (Angel City Press), won the Asian/Pacific American Award for Literature and has been selected a "Critic's Choice" by the Los Angeles Times and one of "13 Smart Must-Read Books on Race and Hate" by the Advocate.

Arthur's films about Asian American history and
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Average rating: 4.34 · 53 ratings · 10 reviews · 3 distinct works
Forbidden City, USA: Chinat...

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4.37 avg rating — 38 ratings — published 2014 — 2 editions
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Hollywood Chinese: The Chin...

4.27 avg rating — 15 ratings — published 2019 — 3 editions
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Hollywood Chinese: The Arth...

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0.00 avg rating — 0 ratings — published 2009
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Fifth Chinese Dau...
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The World of Nancy Kwan by Nancy Kwan
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The Golden Screen by Jeff Yang
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Hollywood Pride by Alonso Duralde
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Corky Lee's Asian America by Corky Lee
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Arthur Dong has read
Hollywood Pride by Alonso Duralde
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Corky Lee's Asian America by Corky Lee
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Daughter of the Dragon by Yunte Huang
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Not Your China Doll by Katie Gee Salisbury
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Last Night at the Telegraph Club by Malinda Lo
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Last Night at the Telegraph Club by Malinda Lo
Last Night at the Telegraph Club
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“Since the beginning of cinema, Chinese and Chinese American screen characters in Hollywood have evolved from yellow-faced and exoticized caricatures such as Myrna Loy’s portrayal of the daughter of Fu Manchu in the 1932 film, "The Mask of Fu Manchu," to complex and multifaceted representations like those in the 2019 film, “The Farewell," with a cast headed by Awkwafina. That progress didn’t happen overnight, which is an important through line in "Hollywood Chinese," and the recent snubbing of Oscar recognition for ‘The Farewell’ serves as a reminder that there is still work to be done in order to achieve a truly equitable film industry.”
Arthur Dong, Hollywood Chinese: The Chinese in American Feature Films

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