Reshma K. Barshikar's Blog

Are you tired of listening to lyrics like, ‘Baby, I’m sorry (I’m not sorry)

Baby, I’m sorry (I’m not sorry)’. I am. It’s not like I’ve got anything against the current wave of pop music, but there’s a reason I reach for Joan Baez and Fiona Apple, Cohen and Oasis. Sometimes you want to listen to someone tell you a story, or transport you to a feeling you’re unable to express. So imagine my absolute delight at stumbling upon this little gem, and then finding out she’s a singer from Delhi. So put on your headphones, close your eyes, and listen to this ditty by Dot. I must have listened to this song about ten times today already…

A little bit about Dot:

This singer songwriter has quite obviously grown up with a multitude of influences and probably owes a fair bit of that to her father Amit Saigal, the founder of the seminal Rock Street Journal, India’s oldest music magazine. Her voice cuts through auto tune like a bell and aches for a Spanish guitar and a duet with Dean Martin. I imagine her needing no props while she sits behind her piano and belts out number after number like she was born to my summer vacation. This is music to be heard live, and I for one can’t wait for her to come to Mumbai. .

 

Another singer that’s been blowing up my Instagram of late is Illina Hats, a young teenage musician based out of Mumbai and currently studying in Singapore. Her full voice belies her age and finds me reaching for old Beyonce records. Here she is singing Tori Kelli’s Unbreakable Smile:

 

Unbreakable Smile – @torikelly ✨ one of my favourite recording EVERR, link in bio if you haven’t seen it already! More like this coming soon?

A post shared by Ilina Hats (@ilina_hats) on Nov 7, 2017 at 5:49am PST

What kills me is how much so many of these musicians have to struggle to get noticed. Despite the pervasive nature of social media, we’re more likely to watch a comedy skit by AIB rather than a young singer songwriter do her thing. Yes, open mic nights dot the Mumbai and Delhi fringe scene but techno, as Dot rightly says, is still the music of choice. Singer Songwriters need to be heard to get their due and no one seems to want to actually listen these days. I can’t think of any other reason why this following tune only has 34,614 views. It is my absolute current favorite and there’s no reason why it shouldn’t be burning the charts. This is a cover of the song Zephyretta (originally sung by an Indian band Them Clones) by Sanjeeta Bhattacharya. Her voice is addictive and I dare you to not listen to this on loop. It will probably take you to some of your favorite places, mine is a summer binge watching Buffy. This is indie music at it’s best. Reminds me of Grouper and all things good.

 

Catch her live at The Finch on the 17th and 18th of November. https://in.bookmyshow.com/events/sanjeeta-bhattacharya-live-at-the-finch/ET00063830

Our final song on today’s list is by another unheard band, Paloma & Adil, courtesy of Friday Night Originals, a fantastic music platform that allows musicians/songwriters/bands to showcase and promote their original compositions. This duo create electronic mood music perfect for that sundowner and this song has a guitar riff that will have you closing your eyes and bobbing your head.

 

 

And, you’re welcome.

Dear aspiring writer,

The one question I have been asked repeatedly in the last few years, especially by Investment Bankers and Private Equity collegues, is ‘how did I switch?’ But ‘how’ is not the real inquiry. Because ‘how’ is easy. You just do.  It’s just a smokescreen for the real questions, the ones the subconscious really wants to hear.  How do you actually write? Where do I find the jobs? How do I get published? How do you measure success? How many times were YOU rejected? What do you say when people ask you, ‘ what do you do now?’ and of course, the most important, the one they often don’t want to hear the answer to, ‘How did you let go of the money?’ Because you do let go, theres no two ways about it. You’ll never have that level of income security again. 

We won’t spend too much time discussing the ‘why’ because if you’re thinking of switching careers to writing, you already have your why and everyones ‘why’ is different. You came here for the ‘how’.

How do you begin?

Start saving

You want to switch careers? The first thing you do is to start saving. Because, ideally,  you need to take time off to figure out what you want to write. Do you want to become a journalist? A novelist? A freelance writer? A style blogger? The world really is your oyster when you start from scratch. If you are a banker, then it’s quite likely you’re burnt out. You can’t figure out  what you want to achieve when you’re working, because the immensity of quitting overshadows what you’re going to do once you quit. At least it did for me. I knew I needed ‘me’ time. I wanted to travel extensively and I didn’t want a damocles sword hanging over my head. All of this means time and time is a variable of money. I had enough saved (thank god for the mandatory one lakh investment I had to do every year of my working life), so that even after investing ridiculous amounts on art that I shouldn’t have, I was able to survive two years without a regular income. I was also lucky enough to be rooming with my boyfriend at the time; he was quite happy to shoulder the rent. I gave up my apartment a few months before I quit to ensure I could start saving well in advance. Assume it’s going to be at least two, ideally three, years before you see any money flowing into your bank account. It’s been three years since I quit and while I make enough money to take care of my travel needs and myself, I am lucky that the said boyfriend, now husband, can shoulder the rent. There’s a reason why Woolf called it, the luxury of one’s own room. You need time and space to write. If you’re single, go home to your parents. Use this time to get to know them, because you can write from anywhere and you save on rent. This is no time for hubris. Remember, switching careers is a luxury that comes at a hefty price, mostly your pride.

But, I have a family…

It’s going to be harder but the rules don’t change. You just need the most important person in your life to be on your side and shoulder the burden. And you need to save that much longer. And it’s unlikely, you’re going to be able to take two years off to travel like I did, but that doesn’t mean you cannot write. Start writing now, an hour a Sunday that you can then stretch to two hours, perhaps when your children are sleeping.

Start writing

So you want to write? Then start writing before you quit. You are not going to be able to finish that book while you’re holding down an IB job, but what makes you think you can write 4 hours a day if you can’t spend a Sunday writing for an hour? See how long you can write for? Does it come naturally? Most importantly,  you need to know if you like the idea of writing rather than writing itself? But more than anything, are you any good at telling stories? Writing is an activity that can be learnt, storytelling is a calling. I tell stories all day, even if I’m not writing. In fact, I am a story teller first and a writer second. Some days, I wish I could write by thinking, I wish the words would materialise on paper,  that some little gnome comes in later and fills the spaces with flourishes I might have missed so I can just get on with the story. I dream stories. All writing is story telling be it fiction or non-fiction. Even non-fiction writers are telling someone else’s story. If you want to be a food writer, you are telling a story about a dish, where it came from, how it felt, who made it, why you ate it, the end. The easiest way to start? Blogging. I was lucky enough to have a friend, Afsha Khan, who let me write about books on a website- The Caterpillar Cafe, which soon became my writing haven. There’s nothing like a friend who will read your work, always.

Take an intensive creative class

Again, I was lucky to have a lovely mother-in-law that gave me a Gotham Fiction writing course as a gift. At Rs 16,000 a pop, they don’t come cheap. But they are an excellent investment. The class teaches you the basics of writing no matter which format you choose to pursue. It gives you weekly exercises to ensure you write and, most importantly, it exposes you to criticism- the writers frenemy. Every writing class has a criticism aspect to it where you either read out your work or put it up online for other people to critique. The first time is a epiphanic process. Anonymous online critics don’t lie and they don’t exaggerate;  there is no need. Your friends like your work? Of course they do. The real test is if someone who doesn’t know you from Adam, likes your work. They owe you no love. If you get bad criticism, you need to take it on the chin and work harder. Writing is hard work, there is no sudden flash of brilliance where you channel Virginia Woolfe and bring out a novel overnight.

If you can afford it, don’t stop with one class. I have been to intensive dialogue writing workshops, plot building workshops and query letter writing workshops.  I love workshops, but only the serious ones. I have no time for the celebrity author who plans to spend an hour with you for Rs 2000 and tells you to write something beginning with the word-‘I remember’, thereafter choosing one to read from the lot. That’s not a workshop, that’s just an indulgence and not worth it. You learn nothing in an hour. My dialogue work shops comprise an 8 hour session where my writing is put to work and everyone get’s their work read out loud. There is however lot to be learnt from a published author talking about their writing style or their work ethic as well as one day workshops held at literary festivals.

Read

Because you’re saving money and not going out, you have more time to read. If you’re in your notice period, then take the novel to work and read during your lunch hour; there is no classier ‘Up yours to the establishment’ than that. I speak to people who want to switch careers at least twice a month and more than half of them don’t read. I tell them, off the bat, you not going to be able to write. Reading is not confined to novels or books. Reading comprises everything, magazines, comics, even the Harvard Business Review. But reading helps you fill your writing tool box, especially when you start off. Because your own voice is still hiding beneath layers of corporate bull shit and its going to take some time to become original. Until then, fall back on the masters. Don’t worry about being original right now. Just write. You want to copy JK Rowling? Go for it. After three chapters you’ll probably find you sound nothing like her.

How do you get published?

Getting Articles Published

The chicken and egg of all chicken and egg situations. This is the question I get asked most at book launches or readings or on my Linked In page. Editors want to see prior published work but no one will publish you if you haven’t been published before and you can’t get published because no one will publish you because you haven’t been published before etc etc. How do you break this increadibly obtuse cycle? There are two ways:

First way: You wow a published friend. That’s what I did. I managed to get the attention of a lovely well published friend of mine, Sonia Faliero, who, after she was pleasantly surprised by a sample piece I wrote, made a small introduction to an editor of a Indian Travel Magazine.  The editor loved the sample piece too, and I had my first published piece in about a month. I forget to add something else, I cheated a little.  I began my career as a writer at The Hindu Business Line and so arm twisted one of my old bosses to give me one more chance. So I had another piece. That along with my sample pieces and my travel blog, I am a terrible blogger, became my portfolio. But you need to have sample pieces you love that showcase your work in the best light possible. I showed the same sample piece to my co-founder, Afsha Khan, and she loved it too. Her exact words were, ‘wow, you can actually write.’ Once she said that, I knew I was going to be ok.

I bet you have a question now? Why won’t anyone help me.  None of my published friends help me. There’s a reason. Now that I am published, I don’t share my contacts with all and sundry until I know the person can write because I have a reputation on the line as well. So sample pieces are critical. We are not in competition. Your writing is only as good as your ideas backed by your execution. If your sample piece is great, there is no reason a friend or acquaintance won’t share a contact. But her/his neck is on the line too, especially if you don’t follow through. Because editors are not our friends, we work for them.

Once you get your first piece, you need to be relentless.Use your banking skills. Remember that we’ve been trained like no one else. We have worked twenty hour days, 140 hour weeks, and known months without a social life and days without sleep. And for what? For someone else. Now you’re doing it for yourself. Bankers are the among the most efficient and hardworking people I know; we are disciplined, relentless and never take no for an answer. Don’t lose that; it’s going to be your best friend when you quit and stay at home to write and are pitching every day to get a story idea accepted. Working on your writing pitch is no different to pitching for a deal; it’s way cooler.

You do need to understand the freelance publishing world. What is a Story Idea? How do you pitch? Whom do you approach? That’s another post. A short cut is to take a small freelancing workshop. This is a great place to meet editors and get their email addresses. A quick rule of thumb- an editor will jump at an article he or she likes. If he or she hasn’t responded in a week, they don’t like it. Pitch it elsewhere.

Second way: If you happen to be a fabulous blogger, then just blog away. If you’re any good and if you are disciplined, you are going to be the next Miss Malini or Miss Pioneer Woman. You ain’t gonna need no editor contact. That just sounded terrible, didn’t it? That’s me trying on a voice for size. It didn’t work. But you get my drift. The likes of Akanksha Redhu and Miss Bubbles don’t need Vogue but Vogue will come running to them nevertheless. If you want to know more about blogging, you need to study them and not me.

Getting a novel published

I had no help here, and unless you know the editor of any of the publishing houses incredibly well and by that I mean, you see them every week and their daughter calls you ‘maasi’, you are going to have none either. That’s why we have literary agents. Thank god for the literary agents. So if you have a novel, write it. Finish it. And see about getting an agent. If you’ve come this far -to my site, all you need is to go to the personal notes section and find my agent’s number. That’s how easy it is to contact an agent. Once you do, it’s like anything else. If an agent loves your work, she or he will be calling you in the next one day asking for your first three chapters. If you don’t have them ready to go, they will be pissed off. Don’t piss them off. Keep everything at hand. That’s all there is to it.

Rejection

There’s a lot of it. If the agent doesn’t get back to you, and most of the time, they won’t. Get used to it. Just because one person didn’t like it, does’t mean they all will. You only need one agent to like it. Once they like it, they are relentless, they will work for you because no agent signs you if they don’t think you have it to be published. Because they only make money if you get published. And while most agents are darlings, if they are anything like mine, they are forces to reckon with.  I got rejected ten times, maybe more; I started to lose count after a while. But fear not, persevere and you will get there eventually. Or you may not. How do you know when to quit? I don’t know the answer to that. Maybe you don’t. Maybe you self publish. There are no gate keepers in self publishing. If you believe in your work, then do everything you can to get it out there. Let the readers be the judge. Also, take a short course on social media so that you can PR the hell out of the thing.

What about the money and all the judgement that comes without it?

There is everything from none to tons, depending on what you are willing to write. On an average, a magazine or newspaper writer gets paid Rs 1 – Rs 3 a word. Once you get established and editors like your work, you might be able to ask for more. This is different from doing content work, which you can do on the side to supplement your income. It won’t give you the high of seeing your byline in the Mint Lounge or the National Geographic Traveller but it will pay for your drinks and maybe even your rent.

There’s also part time work. I teach part time, and that is starting to pay off. I plan to teach more, it’s a career I have stumbled upon and developed, and one which I think is going to be almost as fulfilling as writing. Teaching is a great part time job, especially teaching your craft if you’ve managed to get the hang of it.

Book advances are tiny for the debut author and range from Rs 50000 to Rs 2 lacs for a novel that you spent two years writing. I know it’s harsh. But if you become successful and the next Amish, well all that change. But my husband, bless his soul, keeps telling me something. Don’t do it for the money, he says. If you are a banker and have had your entire self worth dictated by how much you make and you measure success by how much you make, this can be heart breaking, gut wrenching and emotionally draining. But you need to change your measurements of success if you want to be in the writing business. Another inspiring friend, Nayantara Sood, posted something the other day – Change the Game, don’t let the game change you. Mcnamara follows that with, make the money, don’t let the money make you. This sounds terribly flighty and even somewhat romantic, it’s not. It’s a very practical stance to take if you want to survive. I am still struggling with it, but everyday gets better. My measurements of success are changing. You need to stand on your own two legs, but if your crutch is well and able to hold you up for a while, use it until you can make it on your own. It’s tough to shed your old life and your old ideas, especially when people around you are going to judge you by those yardsticks whether you like it or not. The judgements hurt but everything changes when the book comes out. My husband said it would. ‘They’ll all shut up when you’re published,’ he said. It’s true. But don’t wait for that, because then the goalpost just moves, like in all careers. I am now worried about my next book. All that matters is what the people you hold terribly dear to you, and you can count them on one hand, think. If you happen to get them, and most importantly yourself, on your side, then as Kipling says,

“Yours is the Earth and everything that’s in it,”.

I hope this helps.

Warm regards and all the luck in the world,

Reshma

 

Everything you need to know about the banning of Perumal Murugan’s ‘One Part Woman’.

I am angry. I have spent the last two weeks arguing and debating the incessant hounding of the Tamil writer Perumal Murugan and banning of his novel – ‘One Part Woman’. I have been defending something I never thought I would have to- freedom of imagination, and in the process realised that almost no one has actually read the book. I have just returned from the Jaipur Literature festival where Perumal Murugan’s name was mentioned all of twice, not because they don’t care, but because he is a regional writer fairly unknown in English literary circles until recently. So here is an FAQ, if you like, to help you decide whether you should be offended at all. Read more here

‘No, not tonight darling. I need to sleep with Jeff Bridges,’ I said to my husband before I turned to my phone and pressed play. Then I heard a noise. A husband’s grunt speaks a thousand words; there would be no room in this bed for Jeff tonight. The affair began on the 2nd of February, the Monday after the Superbowl when I typically sit down with my cup of overpriced coffee and stream the ads. Don’t judge me; I know you read Twilight. There he was, the Dude from  The Big Lebowski and an Oscar winning actor chanting someone to sleep with the help of a Tibetan bowl, albeit holding the handle the wrong way or so said hundreds of trolls below the ad. It didn’t matter; he had me at ‘Om’. This is the man who rocked Barbara Streisand to sleep after all. The ad ends with the following URL: dreamingwithjeff.com.  

Read more here

Imagine this, if you can. This is your first international festival, nay, your first festival period. And your first book launch at any festival and you find yourself at a police station in Karachi, with the moderator Arshia Sattar, while you should be on a podium launching your book. After we huffed and puffed and blew right through the frazzled organiser, we managed to launch the novel in the space of fifteen minutes. The wonderful Zakia Sarwar moderated it and compared me Virgina Woolfe at one point, which has, of course, become THE high point of my career. Enjoy!

 

The Karachi Literature Festival was surreal, sublime and altogether overwhelming. Apart from the launch event of Fade Into Red I was extremely proud to be on this panel with the gorgeous Mira Sethi, Shandana Minhas and Dr Framji Minawalla. We discussed husbands and writing, money and ideas as well as the role women have played for centuries as storytellers. I hope you enjoy listening to it as much as I do.

 

After what felt like an inordinate amount of time cleaning up my study, I was able to finally write about my workspace for Arun Kale at Astray, a gorgeous new website that focuses on creative people in India. Here’s what finally transpired. Pictures courtesy of my husband, Nikhil Barshikar.

“All my work tends to have its own soundtrack, especially the novels,” says Reshma. “This helps when I lose track of the voice or the feeling I want to evoke in the book. For instance, at the moment I have Grouper’s ‘Heavy Water’ on loop. When I listen to it, I am instantly transported to a scene in my head that sums up the tone of my novel; it’s like a reset button.”

Read more here

 

SESSION DETAILS
7th Feb – Book Launch of Fade Into Red


Book Launch:     Fade Into Red by Reshma K. Barshikar
Date:                   Saturday, 7 February 2015
Time:                  11.15 a.m. to 11.45 a.m.
Venue:                Room 007
Speakers:            Reshma K. Barshikar and Zakia Sarwar
Moderator:         Arshia Sattar



8th Feb – Book Signing
3- 4 pm – Book Signing Session of Fade Into Red at Liberty Book Stall

 
8th Feb- Panel Discussion


Session:                The Legacy of Scheherazade: Women and Fiction
Date:                    Sunday, 8 February 2015
Time:                   5.00 p.m. – 6.00 p.m.
Venue:                 Room 007
Speakers:            Bina Shah, Shandana Minhas, Reshma K. Barshikar, and Mira Sethi
Moderator:          Framji Minwalla


All details available on website http://www.karachiliteraturefestival.org/klf-programme

National Geographic Traveller, April 2014 Print Edition

In June 1757, the Battle of Plassey was raging on the banks of the Bhagirathi River. Siraj-ud-Daula, soon to be the last independent Nawab of Bengal, was a tired man. His uncle Mir Jafar was behaving suspiciously and the forces of the British East India Company, led by Robert Clive, were nipping at his heels. Who could blame the Nawab for agreeing when a beguiling snake whispered to him, “Saab, their ammunition is wet, they will not fight tonight. Let the men rest…” By dawn, he had lost Bengal and the usurping of Hindustan had begun.

It is widely believed the snake was sent by Nabkissen, later known as Raja Nabakrishna Deb. He was the Persian tutor of the young Warren Hastings (who’d served as a volunteer in Clive’s army earlier that year) and owner of the house in Kolkata’s Black Town that I am standing outside. I’m a little shamefaced as I listen to my guide Ritwick because I don’t know anything about this man who changed our nation’s history.

Read more here

By: Reshma Krishnan Barshikar | Photographs by: Manjit Singh Hoonjan

Notwithstanding their enduring popularity, the epics have garnered an astonishing number of renditions in the last few years with the most celebrated ones being Jaya by Devdutt Pattanaik and Namita Gokhale’s retelling for young adults. Never was there a story more shrouded in grey and fraught with moral ambiguity than the Mahabharata. It is both the source text of Mahatma Gandhi ’s ‘spiritual dictionary’— The Bhagwad Gita, as well as a tale where a teacher asks for a thumb as payment from a student, a mother requests her sons to share a wife and a parrot carries a packet of semen that is eaten by a fish who gives birth to a girl child. All the while we’re rooting for five boys who seem to have been dealt a losing hand, quite literally in one instance. But what about the ‘100’ who lost? Many have wondered about the other side to this story and that is the crux of V Raghunathan’s Duryodhana.

Read more here