David Farland's Blog
June 7, 2013
The Golden Queen is up for $0.99
For a limited time, The Golden Queen is available for $0.99--all proceeds going toward Ben's medical expenses. If you are interested in purchasing it, please get it on Tuesday, June 11th, which will help boost its rankings online. You can get it on Barnes and Noble and Amazon.
Also, every time you share, tweet, pin, facebook, or blog about this offer, you can be entered to win a signed hardcover of Nightingale. Just send an email to HelpBenWolverton@gmail.com with the post's link or copy and paste it into the message. Please send a separate message for each share. (So if you tweet it and facebook it, send two emails--one for the tweet and one for the facebook post.)
June 5, 2013
Daily Kick Writing Tip: Finding Your Talent
Very often as a writer, I will find myself reading a tale by another author and saying, “My, I wish that I had her talent.” I’m sure that most of you feel the same at times.
I know that I’d be a much better writer if I only had Orson Scott Card’s gift for eliciting powerful emotions, Stephen King’s talent for creating contemporary voices, Shannon Hale’s ability to develop gorgeous metaphors, Lucius Shepard’s lyricism, Kevin J. Anderson’s special touch when dealing with mythic characters, Brandon Sanderson’s work ethic and ability to surprise, Dan Well’s gift for coming up with great ideas, and so on.
You get the picture. Sometimes we feel down in the dumps because we don’t have someone else’s talent, and time after time I’ve seen young authors give up writing without ever recognizing their own unique strengths.
Even the best of us get down in the dumps. Most authors will, at one time or another, get publicly hammered for their incompetence. I recall when Stephen King first began to break out. Many a jealous author and critic talked about his lack of skills, his bland prose, and wondered why in the world people were buying his books—in droves. It wasn’t until a reviewer recognized that he was a “modern Shakespeare” with his ability to capture of the voice of the common man that he began to get any respect at all.
I heard similar talk about J.K. Rowling from people who didn’t recognize that she was a genius at audience analysis. John Grisham was hammered for his lack of style by idiots who didn’t see how brilliantly he can plot. Stephenie Meyer has a fantastic gift for arousing emotions that resonate with her targeted audience.
Do you see a pattern? With most popular writers, the author develops a wide fan base, entrancing millions of readers, long before a critic ever sings his or her praise.
The truth is that when we see glittering prose—by an author whose poetic sensibilities allows them to seemingly create the world anew—we often are so enamored by the style that we ignore the fact that the author’s story is terrible in every other way that matters.
Meanwhile, fine storytellers go unsung.
There are so many ways for a writer to be great as a stylist and storyteller that many a new author never fully appreciates or even recognizes his or her own talents.
Don’t give up on yourself. Discover what your own gifts are and learn to use them.
I know that I’d be a much better writer if I only had Orson Scott Card’s gift for eliciting powerful emotions, Stephen King’s talent for creating contemporary voices, Shannon Hale’s ability to develop gorgeous metaphors, Lucius Shepard’s lyricism, Kevin J. Anderson’s special touch when dealing with mythic characters, Brandon Sanderson’s work ethic and ability to surprise, Dan Well’s gift for coming up with great ideas, and so on.
You get the picture. Sometimes we feel down in the dumps because we don’t have someone else’s talent, and time after time I’ve seen young authors give up writing without ever recognizing their own unique strengths.
Even the best of us get down in the dumps. Most authors will, at one time or another, get publicly hammered for their incompetence. I recall when Stephen King first began to break out. Many a jealous author and critic talked about his lack of skills, his bland prose, and wondered why in the world people were buying his books—in droves. It wasn’t until a reviewer recognized that he was a “modern Shakespeare” with his ability to capture of the voice of the common man that he began to get any respect at all.
I heard similar talk about J.K. Rowling from people who didn’t recognize that she was a genius at audience analysis. John Grisham was hammered for his lack of style by idiots who didn’t see how brilliantly he can plot. Stephenie Meyer has a fantastic gift for arousing emotions that resonate with her targeted audience.
Do you see a pattern? With most popular writers, the author develops a wide fan base, entrancing millions of readers, long before a critic ever sings his or her praise.
The truth is that when we see glittering prose—by an author whose poetic sensibilities allows them to seemingly create the world anew—we often are so enamored by the style that we ignore the fact that the author’s story is terrible in every other way that matters.
Meanwhile, fine storytellers go unsung.
There are so many ways for a writer to be great as a stylist and storyteller that many a new author never fully appreciates or even recognizes his or her own talents.
Don’t give up on yourself. Discover what your own gifts are and learn to use them.
May 8, 2013
Fiction River
One of my short stories was recently published in Fiction River: Unnatural Worlds. You can check out that anthology right here: http://www.amazon.com/Fiction-River-U.... The story I wrote for it is based off my New York Times best-selling Runelords series, but takes place 1,000 years before the current novels.
Here is a list of writers who contributed to Fiction River:
Esther M. Friesner (Author), Kellen Knolan (Author), Devon Monk (Author), Irette Y. Patterson (Author), Annie Reed (Author), Ray Vukcevich (Author), Jane Yolen (Author), Richard Bowes (Author), Leah Cutter (Author),Kristine Kathryn Rusch (Author, Editor, Series Editor), Dean Wesley Smith (Author, Editor, Series Editor)
And here is a description of the book:
From a funeral procession in Asia to an ancestral estate deep in the heart of a vaguely Victorian forest to a carriage accident in the vast universe of The Runelords, Unnatural Worlds takes readers on a journey to the far side of the imagination. Funny, heartbreaking, frightening, but most importantly, memorable, the original stories in this anthology go places few writers dare reach. Unnatural Worlds marks the perfect start to this brand-new anthology series.
Right now I am working on finishing my Runelords series (which is in the process being made into a movie,) and my young adult fantasy Nightingale series.
Here is a list of writers who contributed to Fiction River:
Esther M. Friesner (Author), Kellen Knolan (Author), Devon Monk (Author), Irette Y. Patterson (Author), Annie Reed (Author), Ray Vukcevich (Author), Jane Yolen (Author), Richard Bowes (Author), Leah Cutter (Author),Kristine Kathryn Rusch (Author, Editor, Series Editor), Dean Wesley Smith (Author, Editor, Series Editor)
And here is a description of the book:
From a funeral procession in Asia to an ancestral estate deep in the heart of a vaguely Victorian forest to a carriage accident in the vast universe of The Runelords, Unnatural Worlds takes readers on a journey to the far side of the imagination. Funny, heartbreaking, frightening, but most importantly, memorable, the original stories in this anthology go places few writers dare reach. Unnatural Worlds marks the perfect start to this brand-new anthology series.
Right now I am working on finishing my Runelords series (which is in the process being made into a movie,) and my young adult fantasy Nightingale series.
