Brian M. Stableford
Born
in Shipley, Yorkshire, England, The United Kingdom
July 25, 1948
Died
February 24, 2024
Genre
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The Empire of Fear
27 editions
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published
1988
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The Halcyon Drift (Hooded Swan, #1)
21 editions
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published
1972
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Rhapsody in Black (Hooded Swan, #2)
by
16 editions
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published
1973
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Journey to the Center (Asgard, #1)
19 editions
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published
1982
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The Paradise Game (Hooded Swan #4)
14 editions
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published
1974
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The Florians (Daedalus Mission, #1)
11 editions
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published
1976
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Architects of Emortality (Emortality, #4)
8 editions
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published
1999
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The Werewolves of London (David Lydyard, #1)
8 editions
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published
1990
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The Fenris Device (Hooded Swan, #5)
13 editions
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published
1974
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Promised Land (Hooded Swan, #3)
by
12 editions
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published
1974
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“It doesn't have to be this way...Whatever else is lost, the knowledge isn't. Just because things get out of hand, just because things get smashed, just because everything comes apart, it doesn't mean that it always has to be that way, now and forever. Whether it's care that does it or sheer blind luck, things can work, things can grow, things can change and still stay together. If only they get enough chances, things can work out in the end. We're here, aren't we? In all our awesome complexity, we're here, even though we started out as nothing but ambitious dirt, nothing but clever clay. And in the end, one way or another, we'll find a way to get it all together, to make things work. That's life, May. That's what real life is all about.”
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“All his life, Sherlock Holmes had believed that when one had eliminated the impossible, whatever remained —however improbable— must be the truth. Now he understood that when the impossible was too intractable to be eliminated, one had to revise one's opinion of the limits of the possible.”
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“The Empire was in a state of irreversible decline, and what the future held was not a war to end war which would secure Anglo-Saxon hegemony for all time but a great orgy of stupid butchery which would test almost to destruction every optimistic philosophy of progress which could be rallied against its apocalyptic implications, whether religious, political or technophilic. The crucifixion of Oscar Wilde by the rampant spirit of imperial vanity proved to be the prelude to the crucifixion of an entire generation, sent to die in the muddied fields of northern France.”
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