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K.F. Germaine
Goodreads Author
Born
in Portland, OR, The United States
Twitter
Genre
Influences
Bill Watterson, Roald Dahl, Dean Koontz, and the lovely Tina Fey.
Member Since
November 2014
URL
https://www.goodreads.com/kfgermaine
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Devious Minds (Devious Minds, #1)
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published
2015
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4 editions
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Trash
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published
2014
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3 editions
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Untitled (Devious Minds, #2)
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* Note: these are all the books on Goodreads for this author. To add more, click here.
Devious Minds 2
Hi all,
I just wanted to drop a note that I hope to have Devious Minds #2 published in the spring of next year. I'm know it's been a while since my last work, but writing is not my full-time gig and life has other plans sometimes. I hope to bring you a humorous love-story worthy of Syd and Grey.
Thanks for your patience,
KF
I just wanted to drop a note that I hope to have Devious Minds #2 published in the spring of next year. I'm know it's been a while since my last work, but writing is not my full-time gig and life has other plans sometimes. I hope to bring you a humorous love-story worthy of Syd and Grey.
Thanks for your patience,
KF
“Their vaginas were just ships passing in the night, stopping to pick up every dirty sailor.”
― Devious Minds
― Devious Minds
“I didn't spend the last six weeks trying to make her
life a living hell just to watch her walk away.”
― Devious Minds
life a living hell just to watch her walk away.”
― Devious Minds
Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
| What's the Name o...: SOLVED. New Adult Contemporary Romance. The hero and heroine are college students and they play pranks on each other. they are enemies first then start liking each other. [s] | 6 | 33 | Jun 11, 2020 02:06PM |
“A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyze a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insects.”
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“Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
“Laughter and tears are both responses to frustration and exhaustion. I myself prefer to laugh, since there is less cleaning up to do afterward.”
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“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
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