Michael Gray's Blog

May 6, 2021

 PROMO VIDEO FOR THE BOOKwith thanks to the Is It Rolling...

 PROMO VIDEO FOR THE BOOK

with thanks to the Is It Rolling, Bob? podcast interviews with me for most of the chat




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Published on May 06, 2021 00:42

April 30, 2021

 LAST DAY TO GET A UNIQUE, NUMBERED 1st EDITION HARDBACK....

 LAST DAY TO GET A UNIQUE, NUMBERED 1st EDITION HARDBACK...

... of my first new Dylan book for 15 years: "Outtakes On Bob Dylan: Selected Writings 1967-2021"; available direct from the UK publisher:

http://www.route-online.com/all-books...


_______________________

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Published on April 30, 2021 01:23

April 4, 2021

   I really don't keep this blog any longer, but just in ...

 

  I really don't keep this blog any longer, but just in case you visit it in 2021, let me make sure you know about this new book. It's over 350 pages and is a UK hardback compiling a series of essays and articles of mine, some published (everywhere from Rolling Stone to the Weekend Telegraph, from Melody Maker to ISIS and from Sight & Sound to the Japan Times and Canadian Folklore canadien)  -  plus some never previously published work, including a massive essay on Rough And Rowdy Ways.  If you order direct from the publisher at http://www.route-online.com/all-books... BEFORE THE END OF APRIL 2021 you will receive an individually numbered copy. The book will not be available through bookshops or other online outlets until much later in the year. This is my first book about Bob Dylan since the updated Bob Dylan Encyclopedia 13 years ago!

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Published on April 04, 2021 04:30

January 25, 2019

rather late but here's my list of...BOOKS READ IN 2018 ...

rather late but here's my list of...BOOKS READ IN 2018
A READING DIARY: A Year Of Favourite Books, Alberto Manguel, 2004many gemlike quotations & a nice restrained chattiness, but he's often precious, and a bit of a name-dropper.
THE SECRET LIFE OF COWS, Rosamund Young, 2017 edn Credible & creditable close long-term observation of cows allowed to live relatively free lives, yielding much about their quirks, feelings, behaviour, differences, and levels of trust in the author and her partners. No word about their responses to being taken for slaughter by the same people though.
STATION ELEVEN, Emily St.John Mandel, 2014 A surprising delight: elegaic, well-written and unusually kindly novel while telling, very thoughtfully, a tale of dystopian cataclysm; I was sorry to come to the end of it.
KIM, Rudyard Kipling, 1901 Strongly written - with British Empire confidence yet huge respect for, and knowledge of, such variegated Indian life - and though its long, slow beginning tries the patience (and no modern child would persevere) it becomes beguiling and includes too few of the depictions of landscape he does superbly.
RECENT HISTORY, Anthony Giardina, 2001 Well-written novel in which a sensitive, observant suburban youth grows up to be a drip.
MURDER, MAYHEM & MUSIC HALL: The Dark Side of Victorian London, Barry Anthony, 2015 Thoroughly researched, entertaining account centred on theatre-world scandals & crime.
DOGS FROM ALL ANGLES, Nina Scott-Langley & K.R.G.Browne, 1936Largely hilarious commentaries (sometimes wildly inaccurate, eg re Bedlington Terriers) & quaint angular drawings.
HALF AN INCH OF WATER, Percival Everett, 2015 Short stories (a form I've never liked) in each of which a decent, laconic man living in a sparse western-state landscape that is described in spare prose either solves or fails to solve a problem handed to him by someone he hardly knows.
EUROPE BY RAIL: The Definitive Guide, Nicky Gardner & Susanne Kries, 2017 Strikingly well-written, thoughtful guidebook not only to train routes but to countries, cities and landscapes.
THE ENGLISH PATIENT, Michael Ondaatje, 1992 A major WW2 novel I'd never read. It's framed with great originality and in prose of reverberating intensity.
MAGPIE MURDERS, Anthony Horowitz, 2016 A whodunnit about whodunnits predictably more concerned to be clever than to be plausible (postmodernitis). Plus a horribly smug narrator; is this a deliberate attack on people in publishing, or does he think this woman's ok?: hard to tell. Tosh.
THE HOUSE OF MIRTH, Edith Wharton, 1905 In the end a sad story but so sharply witty in its observations of society I found myself thinking it made Jane Austen seem myopic.
THE DEATH OF THE HEART, Elizabeth Bowen, 1938 Penetrating scrutiny of: a self-suffocating upper middle class 1930s London couple and their obliviousness to their soon-to-vanish servants; a naive teenager; lower middle class seaside life; and the wretchedness of a redundant ex-soldier's poverty & social isolation.
MARCH VIOLETS, Philip Kerr, 1989 Serviceable detective novel set in Nazi Germany; hopeless about women characters (and this is not defensible on period-attitude grounds because he uses a noticeably more modern voice on other topics).
ORLEY FARM, Anthony Trollope, 1862 For much of this long novel I felt that it might well be a great 19th Century novel that somehow no-one ever mentioned, but in the end it failed at a couple of hurdles, especially in its surprising insipidity as the young romantic heroine eventual gains the lover of her choice; but a fine novel all the same, full of characters, a decent & dramatic plot and a particularly moving scene of between a loving father and daughter.
A CRIME IN THE NEIGHBORHOOD, Suzanne Berne, 1997 Strong portrait of an American suburb in the early 1970s; well plotted, shifting our view of the child-narrator cleverly as it goes; I appreciated it more after discussing it later than during the reading.
THE SINGER'S GUN, Emily St.John Mandel, 2010 Such a compelling story of crime, conflicted loyalties and love - modern and brilliant (and very different from 'Station Eleven') from a real writer. So many strata above workaday crime fiction like the Philip Kerr. She's a major find.
THE HEAT OF THE DAY, Elizabeth Bowen, 1948 Patchy but important novel of WWII London, exploring issues of identity, loyalty and trust, with passages of improbable dialogue and a habit of awkardly arranged sentence structure, yet the most superb, hyperreal, inspired description of the psychology of Londoners in the Blitz.
THE DISCOVERY OF SLOWNESS, Sten Nadolny, 1983 [English translation by Ralph Freedman 1987] Beguiling, admirable novel not quite like anything I've ever read; a fond and ingenious partly fictional portrait of Sir John Franklin from boyhood to death; sorry I reached the end.
A SHILLING FOR CANDLES, Josephine Tey, 1936 Whodunit; useful display of the class snobberies of England between the wars.
SO LONG, SEE YOU TOMORROW, William Maxwell, 1979 A beautiful novel of sensitive intelligence, compassion and sense of place (rural Illinois 1920s-70s); reminded me in these ways of The Other Side of The Bridge by Mary Lawson.
MR. NORRIS CHANGES TRAINS, Christopher Isherwood, 1935 Another I'd never read before. Disliked, early on, the exaggerated portrayal of Norris and the sordid allusions to S&M, but grew to admire this short, distinctive novel. Scrupulous portrait of German Weimar Republic life.
BLIND CORNER, Dornford Yates, 1927 A preposterous adventure yarn by a favourite author of my father's, typifying what Alan Bennett calls "that school of Snobbery with Violence that runs like a thread of good-class tweed through [British] twentieth-century literature."
INTO THE WATER, Paula Watkins, 2017 It's 90 years later and the crime thriller is more real, but though it's a page-turner, no one character is half as vivid or convincing as the narrator in her terrific 'The Girl On The Train'.
ALL THE LIGHT WE CANNOT SEE, Anthony Doerr, 2014 Unlike the characters trapped in WWII, I wanted it to never end: the best book about the coming of war and war itself that I have ever read; a beautiful and great novel.
CHASING THE MONSOON, Alexander Frater, 1990 I'm re-reading this after many years (having now been to India, though only once). The copious background research is too often introduced clunkily, but it's otherwise entertaining and quite funny; there are also large chunks of autobiography about his own childhood on a similarly rainy island in Vanuatu.
ABOUT GRACE, Anthony Doerr, 2005 Had to read this, his first novel; not as outstanding as t'other, but a very unusual, compelling book, suffused with a special sadness throughout.
WHEN A CROCODILE EATS THE SUN, Peter Godwin, 2006 Shaky start but becomes a well-written, convincing insider's account of watching Mugabe's Zimbabwe descend into violence, cruelty, stupidity and waste: an account that blends very skilfully and articulately a detailed picture of his own white family life with the shameful detail of national disintegration.
TWO CARAVANS, Marina Lewycka, 2007 A lovely book: clever, multi-faceted and funny, but at the same time a vivid education in the gruesome exploitation of immigrant workers in today's UK.
ALWAYS OTHER VOICES: Writings on Bob Dylan in the 21st Century, Stephen Scobie, 2018 An attractive mixed bag, featuring Stephen's distinctively appealing voice on many topics.
SMALL ISLAND, Andrea Levy, 2004 Starts so badly I almost gave it up; so glad I didn't. She has no style but the story she tells is so multi-layered, so wide-ranging (Jamaica, India in WWII, London 1948) and uses many character-narrators, all of whom work well except the first. An important synthesis of many cultural strands told with sympathy for all sides. Bit soulless, though.
THE CLEARING, Tim Gautreaux, 2003 He's a great writer, and this is as memorable a novel as 'The Next Step In The Dance' (1999). He makes a world so vividly realised here, in such detail and yet with an elegaic sweep; so atmospheric yet so specific. A novel of such violence yet so much humanity, a time and place of tough realism created with unerring poetic prose.
THE SHIPPING NEWS, Annie Proulx, 1993 A masterpiece. Straight in to my (unwritten) list of Best 5 Novels Ever Read. Came to the end with the greatest possible reluctance. Cast adrift, bereft, without it.
AFRICA EXPLORED: Europeans in the Dark Continent 1769-1889. Christopher Hibbert, 1982 Efficiently told, well summarised accounts, yet in some detail, of the extraordinary people who made these dangerous explorations and the equally extraordinary people they encountered.
THE TRANSLATION OF THE BONES, Francesca Kay, 2011 A beautifully written and very English, very Roman Catholic novel mesmerised by the language of liturgy, set mostly in a barely-present London but terrific on parent-child love.
MY NAME IS LUCY BARTON, Elizabeth Strout, 2016 A short and very American novel that took me by surprise: I spent the first 75% or so finding it thin and insubstantial (and the wide high praise for it inexplicable) and then suddenly I found it very moving indeed.
THE GREEN YEARS, A.J. Cronin, 1944 Having only read 'The Citadel' (and that many years ago), and aware that Cronin has fallen heavily from literary favour in recent decades, I loved and admired this exceptionally well-written, compelling coming-of-age novel set in a time-past Scottish town.
THE BREAKER, Minette Walters, 1998 Whodunit that begins ok but plummets horribly: dodgy, flat characterisation and toe-curlingly bad dialogue, especially when her characters are being friendly or flirtatious. It makes Agatha Christie seem literary.
THE ACCIDENTAL, Ali Smith, 2006 Rapturous.
RED BIRDS, Mohammed Hanif, 2018 Starts badly with an uncertain narrative tone, achieves a clever and inspired central 150-page portrait of the mad relationship between foreign wars and the refugee camps & rehabilitation programmes those wars create... and then a final 70-odd pages so exasperatingly pointless and silly you wonder why Hanif didn't just delete them.
THE VANISHING ACT OF ESME LENNOX, Maggie O'Farrell, 2006 Moving novel written with beautiful clarity and with a glorious main character whose life is ruined but not quite crushed by her family and the mores of the age in which she grew up.

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Published on January 25, 2019 04:54

June 28, 2018

UPDATES ON MY AUTUMN TOUR:photo �� Andrea Orlandip { marg...

UPDATES ON MY AUTUMN TOUR:
photo �� Andrea Orlandi

p { margin-left: 1.25in; text-indent: -1.25in; margin-bottom: 0.08in; direction: ltr; color: rgb(0, 0, 10); line-height: 150%; text-align: left; }p.western { font-family: "Tms Rmn", "Times New Roman", serif; font-size: 12pt; }p.cjk { font-family: "Times New Roman"; font-size: 12pt; }p.ctl { font-family: "Tms Rmn", "Times New Roman"; font-size: 10pt; }a:visited { color: rgb(128, 0, 128); }a.western:visited { }a.cjk:visited { }a.ctl:visited { }a:link { color: rgb(0, 0, 255); }I've added four November UK dates to my tour: in Inverness and on the Isle of Man on "Bob Dylan, Literature & the Poetry of the Blues" and two on "Searching For Blind Willie McTell: A Biographer in the Deep South": one in Peel, Isle of Man and the other in London. Here's the current list:p { margin-left: 1.25in; text-indent: -1.25in; margin-bottom: 0.08in; direction: ltr; color: rgb(0, 0, 10); line-height: 150%; text-align: left; }p.western { font-family: "Tms Rmn", "Times New Roman", serif; font-size: 12pt; }p.cjk { font-family: "Times New Roman"; font-size: 12pt; }p.ctl { font-family: "Tms Rmn", "Times New Roman"; font-size: 10pt; }a:visited { color: rgb(128, 0, 128); }a.western:visited { }a.cjk:visited { }a.ctl:visited { }a:link { color: rgb(0, 0, 255); }


Tuesday October 30, 7.45pm
RIVERFRONT ARTS CENTRE, NEWPORT, SOUTH WALES
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Riverfront Arts Centre
Bristol Packet Wharf
Newport NP20 1HG South Wales
box office: 01633 656757
https://tinyurl.com/bobdylanbooking
tickets ��13 (includes ��1 booking fee) on sale now

Thursday Nov 1, 7.30pm
QUEENS HALL, HEXHAM, NORTHUMBERLAND
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Queens Hall Theatre & Arts Centre
Beaumont Street, Hexham NE46 3LS
box office: 01434 652477, or online here:
https://www.queenshall.co.uk/events/bob-dylan-literature-poetry-blues
www.queenshall.co.uk
tickets ��10 (��8 concessions) on sale now
Sunday Nov 4, 5pm
ORAN MOR, GLASGOW
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Byres Rd,
Glasgow, G12 8QX
box office: 0141 357 6200, or online here:
https://tinyurl.com/dylaneventticketsoran-mor
https://oran-mor.co.uk/
tickets ��10 (+ ��1.50 fee) on sale now
Monday Nov 5, 7.30pm
ONE TOUCH THEATRE, EDEN COURT, INVERNESS
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Bishops Road, Inverness, IV3 5SA
https://www.eden-court.co.uk/
Box Office: 01463 234 234
or online: details tba
tickets ��10 (+ ��1 fee) on sale soon 
Thursday Nov 8, 9pm
ARTHUR'S BLUES & JAZZ CLUB, DUBLIN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
28 Thomas Street
D08 VF83 Dublin
(01) 402 0914
www.arthurspub.ie
for tickets in advance:
https://www.eventbrite.ie/e/bob-dylan-literature-the-poetry-of-the-blues-tickets-46827691887
tickets ���15
Saturday Nov 10, 6pmEDGE HILL ARTS CENTRE, nr LIVERPOOL
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Edge Hill University, St Helens Rd
Ormskirk Lancs. L39 4QP
https://www.edgehill.ac.uk./artscentre/
box office: 01695 584480 or https://tinyurl.com/edgehilldylan
tickets ��5 (free to EHU students) on sale now
Sunday Nov 11, 7.30pm
THE INSTITUTE, LAXEY, ISLE OF MAN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
New Road, Laxey, Isle of Man IM4 7BD
07624 414299
http://theinstitute.im
but for tickets phone 07624 204320 or e-mail
bluejohnmedia@hotmail.co.uk
online booking details to come
tickets ��12
Monday Nov 12, 7.30pm
CENTENARY CENTRE, PEEL, ISLE OF MAN
SEARCHING FOR BLIND WILLIE McTELL:A Biographer in the Deep South (incl. tracks & possibly footage)
plus guest artist John Gregory performing selected McTell songs (guitar & vocals)
(The Atholl Room) 22 Atholl St, Peel IM5 1BD
http://www.centenarycentre.com/
but for tickets phone 07624 204320 or e-mail
bluejohnmedia@hotmail.co.uk
online booking details to come
tickets ��10
Wednesday Nov 14, 5pm
GOLDSMITHS COLLEGE, LONDON
SEARCHING FOR BLIND WILLIE McTELL:
A Biographer in the Deep South
(possibly including audio gems)
GoldsmithsCollege, University of London
New Cross, London SE14 6NW
https://www.gold.ac.uk/
room details tba in September
free admission ________
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Published on June 28, 2018 02:58

UPDATES ON MY AUTUMN TOUR:photo © Andrea Orlandip { margi...

UPDATES ON MY AUTUMN TOUR:
photo © Andrea Orlandi

p { margin-left: 1.25in; text-indent: -1.25in; margin-bottom: 0.08in; direction: ltr; color: rgb(0, 0, 10); line-height: 150%; text-align: left; }p.western { font-family: "Tms Rmn", "Times New Roman", serif; font-size: 12pt; }p.cjk { font-family: "Times New Roman"; font-size: 12pt; }p.ctl { font-family: "Tms Rmn", "Times New Roman"; font-size: 10pt; }a:visited { color: rgb(128, 0, 128); }a.western:visited { }a.cjk:visited { }a.ctl:visited { }a:link { color: rgb(0, 0, 255); }I've added four November UK dates to my tour: in Inverness and on the Isle of Man on "Bob Dylan, Literature & the Poetry of the Blues" and two on "Searching For Blind Willie McTell: A Biographer in the Deep South": one in Peel, Isle of Man and the other in London. Here's the current list:p { margin-left: 1.25in; text-indent: -1.25in; margin-bottom: 0.08in; direction: ltr; color: rgb(0, 0, 10); line-height: 150%; text-align: left; }p.western { font-family: "Tms Rmn", "Times New Roman", serif; font-size: 12pt; }p.cjk { font-family: "Times New Roman"; font-size: 12pt; }p.ctl { font-family: "Tms Rmn", "Times New Roman"; font-size: 10pt; }a:visited { color: rgb(128, 0, 128); }a.western:visited { }a.cjk:visited { }a.ctl:visited { }a:link { color: rgb(0, 0, 255); }


Tuesday October 30, 7.45pm
RIVERFRONT ARTS CENTRE, NEWPORT, SOUTH WALES
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Riverfront Arts Centre
Bristol Packet Wharf
Newport NP20 1HG South Wales
box office: 01633 656757
https://tinyurl.com/bobdylanbooking
tickets £13 (includes £1 booking fee) on sale now

Thursday Nov 1, 7.30pm
QUEENS HALL, HEXHAM, NORTHUMBERLAND
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Queens Hall Theatre & Arts Centre
Beaumont Street, Hexham NE46 3LS
box office: 01434 652477, or online here:
https://www.queenshall.co.uk/events/bob-dylan-literature-poetry-blues
www.queenshall.co.uk
tickets £10 (£8 concessions) on sale now
Sunday Nov 4, 5pm
ORAN MOR, GLASGOW
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Byres Rd,
Glasgow, G12 8QX
box office: 0141 357 6200, or online here:
https://tinyurl.com/dylaneventticketsoran-mor
https://oran-mor.co.uk/
tickets £10 (+ £1.50 fee) on sale now
Monday Nov 5, 7.30pm
ONE TOUCH THEATRE, EDEN COURT, INVERNESS
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Bishops Road, Inverness, IV3 5SA
https://www.eden-court.co.uk/
Box Office: 01463 234 234
or online: details tba
tickets £10 (+ £1 fee) on sale soon 
Thursday Nov 8, 9pm
ARTHUR'S BLUES & JAZZ CLUB, DUBLIN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
28 Thomas Street
D08 VF83 Dublin
(01) 402 0914
www.arthurspub.ie
for tickets in advance:
https://www.eventbrite.ie/e/bob-dylan-literature-the-poetry-of-the-blues-tickets-46827691887
tickets €15
Saturday Nov 10, 6pmEDGE HILL ARTS CENTRE, nr LIVERPOOL
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Edge Hill University, St Helens Rd
Ormskirk Lancs. L39 4QP
https://www.edgehill.ac.uk./artscentre/
box office: 01695 584480 or https://tinyurl.com/edgehilldylan
tickets £5 (free to EHU students) on sale now
Sunday Nov 11, 7.30pm
THE INSTITUTE, LAXEY, ISLE OF MAN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
New Road, Laxey, Isle of Man IM4 7BD
07624 414299
http://theinstitute.im
but for tickets phone 07624 204320 or e-mail
bluejohnmedia@hotmail.co.uk
online booking details to come
tickets £12
Monday Nov 12, 7.30pm
CENTENARY CENTRE, PEEL, ISLE OF MAN
SEARCHING FOR BLIND WILLIE McTELL:A Biographer in the Deep South (incl. tracks & possibly footage)
plus guest artist John Gregory performing selected McTell songs (guitar & vocals)
(The Atholl Room) 22 Atholl St, Peel IM5 1BD
http://www.centenarycentre.com/
but for tickets phone 07624 204320 or e-mail
bluejohnmedia@hotmail.co.uk
online booking details to come
tickets £10
Wednesday Nov 14, 5pm
GOLDSMITHS COLLEGE, LONDON
SEARCHING FOR BLIND WILLIE McTELL:
A Biographer in the Deep South
(possibly including audio gems)
GoldsmithsCollege, University of London
New Cross, London SE14 6NW
https://www.gold.ac.uk/
room details tba in September
free admission ________
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Published on June 28, 2018 02:58

June 15, 2018

BOB DYLAN, LITERATURE & THE POETRY OF THE BLUESa tour...


BOB DYLAN, LITERATURE & THE POETRY OF THE BLUESa tour of talks by Michael Gray with surprising tracks and rare footageOCTOBER-NOVEMBER 2018one or two more dates may be added 

Tuesday October 30, 7.45pm
RIVERFRONT ARTS CENTRE, NEWPORT, SOUTH WALES
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Riverfront Arts Centre
Bristol Packet Wharf
Newport NP20 1HG South Wales
box office: 01633 656757
https://tinyurl.com/bobdylanbooking
tickets £13 (includes £1 booking fee) on sale now
Thursday Nov 1, 7.30pm
QUEENS HALL, HEXHAM, NORTHUMBERLAND
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Queens Hall Theatre & Arts Centre
Beaumont Street, Hexham NE46 3LS www.queenshall.co.uk  box office: 01434 652477, or online here:
https://www.queenshall.co.uk/events/bob-dylan-literature-poetry-blues
tickets £10 (£8 concessions) on sale now
Sunday Nov 4, 5pm
ORAN-MOR, GLASGOW
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Byres Rd,
Glasgow, G12 8QX
box office: 0141 357 6200, or online here:
https://tinyurl.com/dylaneventticketsoran-mor
https://oran-mor.co.uk/
tickets £10 (+ £1.50 fee) on sale now 
Thursday Nov 8, 9pm
ARTHUR'S BLUES & JAZZ CLUB, DUBLIN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
28 Thomas Street
D08 VF83 Dublin
(01) 402 0914
www.arthurspub.ie
for tickets in advance:
https://www.eventbrite.ie/e/bob-dylan-literature-the-poetry-of-the-blues-tickets-46827691887
tickets €15 Saturday Nov 10, 6pm
EDGE HILL ARTS CENTRE, nr LIVERPOOL
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
Edge Hill University, St Helens Rd
Ormskirk Lancs. L39 4QP
https://www.edgehill.ac.uk./artscentre/
box office: 01695 584480 orhttps://tinyurl.com/edgehilldylan
tickets £5 (free to EHU students) on sale now 
Sunday Nov 11, 7.30pm
THE INSTITUTE, LAXEY, ISLE OF MAN
BOB DYLAN, LITERATURE & THE POETRY OF THE BLUES
New Road, Laxey, Isle of Man IM4 7BD
07624 414299
http://theinstitute.im  
for tickets phone 07624 204320 or e-mail
bluejohnmedia@hotmail.co.uk
online booking details to come
tickets £12

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Published on June 15, 2018 03:20

February 22, 2018

GREAT RAILWAY JOURNEYS - THANK GOD FOR EUROPE!It's not of...

GREAT RAILWAY JOURNEYS - THANK GOD FOR EUROPE!

It's not often I review a book, but I have to review this one: "EUROPE BY RAIL: The Definitive Guide" by Nicky Gardner & Susanne Kries, 15th edition, Nov. 2017.

This is a beautifully produced paperback, with inside cover flaps you can use as bookmarks, clearly not made on the cheap.

It offers 50 suggested routes you might not have considered yourself, each taking you through striking parts of Europe, and each properly rail-tested by the authors, from 'Exploring the French Riviera' to 'Through Balkan Byways to Greece', and from 'Through Poland to Ukraine' to 'Across the Alps: Bavaria to Northern Italy'.

In every case there's up-to-date info on how to take the slow route; where to break your journey overnight; how long each section will take... and which side of the train to sit for the significant views. There are also quite substantial asides (on pink backgrounds) on, for example, Kosovo, languages of Vojvodina, the Alps by bus, orthodoxy in Finland, the Aland Islands ("Although part of the European Union, this scatter of islands lies outside the EU's fiscal regime - a little accounting curiosity..."), "the wandering Arctic Circle", and Rhine versus Moselle.

At the back there's a 60+ page gazeteer covering 48 European countries and telling you about their currencies, time zones, languages, types of electric socket and more; and at the front there are glossy photographs showing, for example, that "enthusiasm for Soviet-style memorials has not waned in Belarus" and that "steam-hauled trains are still seen every day in the Harz Mountains in eastern Germany". There are also maps, thoughtful advice about tickets and rail-passes, stations worth a visit in their own rights, and an enormous amount more besides. And an index.

One of the great virtues of this book, and a key to its being so enjoyable to read (even when no real journey is planned), is that it's well written - which makes it a rarity among practical guidebooks. It reminds me, in this way, of the Cadogan Guides of the 1980s-90s written by Dana Facaros and Michael Pauls. They too had a relish for alert, vivid prose free of travel-hack cliche and addressed with generosity of spirit to readers assumed to be open-minded and interested.

In the end, taking in "Europe By Rail" without taking myself around Europe by rail, it's hard not to be mournfully wistful about all the places I've never been, all the rails not travelled. (It takes a lot to laugh, it takes a train to cry, perhaps.) But it's also a powerful reminder of the cacophanous splendour of Europe itself - a continent so compact yet so riddled with infinitely varied quirks, beauty, age and elan. This book replenishes the feeling those of us who've spent time in Los Angeles or Newfoundland always tend to harbour: thank god for Europe.
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Published on February 22, 2018 01:04

January 5, 2018

BOOKS READ 2017Here's the list of  books I read last year...

BOOKS READ 2017
Here's the list of  books I read last year, and what I felt about them:

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THE WOMAN IN WHITE, Wilkie Collins, 1860 long and wonderful, its suspense maintained very vividly across most of the novel.THE SEED COLLECTORS, Scarlett Thomas, 2015pretentious & self-regarding.THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY, Mary Ann Shaffer & Annie Barrows, 2008 despite the awful title, dual authorship & horribly perky first 20 pages or so, this becomes a wonderful, moving book that works as fiction and as a documentary portrait of wartime occupied Guernsey; exceptional.THE OTHER SIDE OF THE BRIDGE, Mary Lawson, 2006 an even more admirably clear-sighted and deeply affecting novel than her "Crow Lake"; too short, though.THE CROSSING, Andrew Miller, 2015 vital, poetic prose &a compelling heroine.CHARLES DICKENS: A CRITICAL STUDY, George Gissing, 1898 to my surprise (since I loved "Grub Street" and love a lot of Dickens) I had to give this up after five chapters; far too stuck in the agonies of late-Victorian moralising.GRAY MOUNTAIN, John Grisham, 2014 many GoodReadsers have moaned about it being an "issue book", but it's deeply researched about strip mining, black lung disease & the corporate trashing of the Appalachians; commendable & timelyROAD ENDS, Mary Lawson, 2013 a lesser work & even shorter, but recommended; I wish there were more of her work - three novels aren't enough from this great writer (though there's another one written in French, which I wouldn't be able to tackle; there seems to be no English translation).THE TENANT OF WILDFELL HALL, Anne Bronte, 1848 both narrators (speaking as letter & diary writers plagued by total recall) seem foolish early on, and the ending is too pat, but the portraint of the heroine's dissolute husband is absorbing.The book never explores or questions reliance on and exploitation of faithful servants, but it does examine the double standards in law & marriage between men and women. THE MAN IN THE HIGH CASTLE, Philip K. Dick, 1962 patchiest book ever read; fresh sentences, long tedious passages, improbable characters, one great character.GEORGE GISSING: A LIFE, Paul Delaney, 2008 diligently researched sympathetic study of an affecting, hopelessly wretched life & of a fascinating literary novelist; few people can ever have shot themselves in the feet as repeatedly as Gissing did.THE ABORTIONIST'S DAUGHTER, Elisabeth Hyde, 2006 third-rate crime novel with implausible plot detail; manages to be both glib and clunky at the same time.TRAVELS WITH A DONKEY In The Cevennes, R L Stevenson, 1879 a rare delight.MRS. DALLOWAY, Virginia Woolf, 1925an absolute masterpiece.THIS SIDE OF BRIGHTNESS, Colum McCann, 1998 a gruelling read: such sordid lives, such compelling & tragic characters, such powerful prose.TESS OF THE D'URBERVILLES, Thomas Hardy, 1891passionately written tale of tragic characters; a then-progressive foregrounding of the rural working-class (though hardly Zola).THE LAST DETECTIVE, Peter Lovesey, 1991superior whodunit of original construction and decent prose, though the culprit perhaps too easy to guess.THE PACT, Jodi Picoult, 1998gives readers no sense of whether her cringeworthy adults are meant to be seen as awful; riddled with creativewritingschoolitis; but when it becomes a courtroom drama it gets moderately compelling sub-Grisham.DISSIDENT GARDENS, Jonathan Lethem, 2013 a greatnovel: of wide-ranging genius & lapidary intelligence; historical accuracy fused with alert imagination.THE DIVIDE, Nicholas Evans, 2005 nature well described, people almost entirely one-dimensional & self-regarding, as promised crime novel becomes long, tedious family-agonies story; humourless & witless throughout.THE GIRL ON THE TRAIN, Paula Hawkins, 2015 mystifyingly compelling page-turner early on, when the two main narrators seem creepy yet not sinister; develops into something extraordinarily clever as the tension is racked up. Brilliantly plotted. No wonder it was such a mega bestseller. Finest thriller I've read since Gone Girl, but so beautifully English instead of American.PLOT 29, Allan Jenkins, 2017 a beautiful, sad book about the agonies of his unknown antecedents & his & his brother's abandonment, and of trying to uncover it all and adjust to it, interspersed with a journal of his cathartic life planting & growing veg, fruit and flowers. The first non-fiction book I've read for months.THE BRICKS THAT BUILT THE HOUSES, Kate Tempest, 2016 probably in the top ten greatest novels I've ever read; truly contemporary, wide-ranging yet concentrated, wholly distinctive voice, moving & funny & impassioned & so shrewdly observant, and pins down situations we've all lived yet have never found in fiction before.MR. NICHOLAS, Thomas Hinde, 1952at first I thought it just a very inferior Elizabeth Bowen, but it grew on me. A bit.THE GIRL WHO KICKED THE HORNETS' NEST, Stieg Larsson, 2007; English translation 2009 my first read from Larsson; mind-bogglingly well-planned & plotted; an intelligent, substantial page-turner; and it reads well in English.One oddity: it's set in Sweden yet there's never any weather...LOVE AMONG THE RUINS: A Memoir of Life & Love in Hamburg 1945, Harry Leslie Smith, 2012 & 2015 should be interesting re life for a British soldier staying on in Germany when WWII has ended - but he's no writer so it isn't. I gave it up.WHEN WE WERE YOUNG: A Compendium of Childhood, ed. John Burningham, 2004 a fresh, tremendously well-chosen range of childhood memoir pieces with an admirable literary bent & no dumbing down; full of quotable moments.ENGLEBY, Sebastian Faulks, 2007 compelling story, dark humour, intellectually sharp; near total-recall of 1970s minutiae; crucially, the tranparently unreliable narrator (an almost common current device) comes within a highly inventive form of the novel that is ingenious without postmodernism (ie without being irritating).ROBINSON CRUSOE, The Life and Strange & Surprising Adventures of, Daniel Defoe, 1719 [1808 edition] I'd read it as a child, but had no idea how ruthlessly this immensely long book had been abridged for children; in this edition he doesn't see the footprint till 27% of the way through, doesn't meet Friday till almost 40% of the way through and has returned to Europe by 50%, after several hundred pages. I gave up after that; the edition I read (on Kindle) seems to have added in all Defoe's far less popular follow-up novels. The original full-length novel, interesting & skilfully done, was enough.AGAINST MISERABILISM, David Widgery, 2017posthumous collection of his brilliantly prescient, wide-ranging essays written 1968-92: admirably relevant on politics and soberingly good (and affecting) on his experience as an NHS doctor in London.A LESSON BEFORE DYING, Ernest J. Gaines, 1993a short, likeable novel compelling through its detail as well as its quiet humanity; a portrait of racial injustice in the Deep South of the 1940s, set in a rural black community full of its own tensions; but told calmly.WINTER IN MADRID, C.J.Sansom, 2006 a highly researched historical-adventure novel of politics & intrigue set in 1930s-early '40s Spain; a page-turner through accretion of detail long before it becomes one through tensions and twists of plot.IN COLD BLOOD, Truman Capote, 1966what a book! The perfect template for a historical crime non-fiction case, inspirationally structured from its calm, detailed, intelligent and humane beginning to its forgiveably sweetened end.THE RED BADGE OF COURAGE, Stephen Crane, 1895 uncanny maturity of tone & humour from a 21-year-old writer, and so innovative: the first Civil War novel about ordinary soldiers instead of great generals. An easy read too.THE VINYL DETECTIVE, Andrew Cartmel, 2016 goes on too long, many implausibilities but great fun for anyone who's ever been or befriended a hi-fi freak or obsessive record collector.A RIVER TOWN, Thomas Keneally, 1995 admirable, vivid, unhurried novel from a major writer, and one of those rare authors whose books truly differ from each other & are unified only by his robust, engaged imagination. His adjectives dance but are never showy.HERE I AM, Jonathan Safran Foer, 2016 provoking in both senses, this unfunny "hilarious" novel is so wearingly clever, so delighted by its own cutesy introspection and by its self-absorbed main characters (a drippy couple and their precocious children). It's also far too long, but that's another outcome of its shouty self-indulgence. (And boo to Penguin for a UK paperback with such a small typeface that they don't even admit what it is on the copyright page.)THE HOUSE IN PARIS, Elizabeth Bowen, 1935 a re-balancing after the horrors of "Here I Am": forensic quiet intelligence in place of clever shouting, and that rare but special pleasure, a striking child character (Leopold).
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Published on January 05, 2018 01:37

BOOKS READ 2017Here's the list of  books I read last...

BOOKS READ 2017
Here's the list of  books I read last year, and what I felt about them:

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THE WOMAN IN WHITE, Wilkie Collins, 1860 long and wonderful, its suspense maintained very vividly across most of the novel.THE SEED COLLECTORS, Scarlett Thomas, 2015pretentious & self-regarding.THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY, Mary Ann Shaffer & Annie Barrows, 2008 despite the awful title, dual authorship & horribly perky first 20 pages or so, this becomes a wonderful, moving book that works as fiction and as a documentary portrait of wartime occupied Guernsey; exceptional.THE OTHER SIDE OF THE BRIDGE, Mary Lawson, 2006 an even more admirably clear-sighted and deeply affecting novel than her "Crow Lake"; too short, though.THE CROSSING, Andrew Miller, 2015 vital, poetic prose &a compelling heroine.CHARLES DICKENS: A CRITICAL STUDY, George Gissing, 1898 to my surprise (since I loved "Grub Street" and love a lot of Dickens) I had to give this up after five chapters; far too stuck in the agonies of late-Victorian moralising.GRAY MOUNTAIN, John Grisham, 2014 many GoodReadsers have moaned about it being an "issue book", but it's deeply researched about strip mining, black lung disease & the corporate trashing of the Appalachians; commendable & timelyROAD ENDS, Mary Lawson, 2013 a lesser work & even shorter, but recommended; I wish there were more of her work - three novels aren't enough from this great writer (though there's another one written in French, which I wouldn't be able to tackle; there seems to be no English translation).THE TENANT OF WILDFELL HALL, Anne Bronte, 1848 both narrators (speaking as letter & diary writers plagued by total recall) seem foolish early on, and the ending is too pat, but the portraint of the heroine's dissolute husband is absorbing.The book never explores or questions reliance on and exploitation of faithful servants, but it does examine the double standards in law & marriage between men and women. THE MAN IN THE HIGH CASTLE, Philip K. Dick, 1962 patchiest book ever read; fresh sentences, long tedious passages, improbable characters, one great character.GEORGE GISSING: A LIFE, Paul Delaney, 2008 diligently researched sympathetic study of an affecting, hopelessly wretched life & of a fascinating literary novelist; few people can ever have shot themselves in the feet as repeatedly as Gissing did.THE ABORTIONIST'S DAUGHTER, Elisabeth Hyde, 2006 third-rate crime novel with implausible plot detail; manages to be both glib and clunky at the same time.TRAVELS WITH A DONKEY In The Cevennes, R L Stevenson, 1879 a rare delight.MRS. DALLOWAY, Virginia Woolf, 1925an absolute masterpiece.THIS SIDE OF BRIGHTNESS, Colum McCann, 1998 a gruelling read: such sordid lives, such compelling & tragic characters, such powerful prose.TESS OF THE D'URBERVILLES, Thomas Hardy, 1891passionately written tale of tragic characters; a then-progressive foregrounding of the rural working-class (though hardly Zola).THE LAST DETECTIVE, Peter Lovesey, 1991superior whodunit of original construction and decent prose, though the culprit perhaps too easy to guess.THE PACT, Jodi Picoult, 1998gives readers no sense of whether her cringeworthy adults are meant to be seen as awful; riddled with creativewritingschoolitis; but when it becomes a courtroom drama it gets moderately compelling sub-Grisham.DISSIDENT GARDENS, Jonathan Lethem, 2013 a greatnovel: of wide-ranging genius & lapidary intelligence; historical accuracy fused with alert imagination.THE DIVIDE, Nicholas Evans, 2005 nature well described, people almost entirely one-dimensional & self-regarding, as promised crime novel becomes long, tedious family-agonies story; humourless & witless throughout.THE GIRL ON THE TRAIN, Paula Hawkins, 2015 mystifyingly compelling page-turner early on, when the two main narrators seem creepy yet not sinister; develops into something extraordinarily clever as the tension is racked up. Brilliantly plotted. No wonder it was such a mega bestseller. Finest thriller I've read since Gone Girl, but so beautifully English instead of American.PLOT 29, Allan Jenkins, 2017 a beautiful, sad book about the agonies of his unknown antecedents & his & his brother's abandonment, and of trying to uncover it all and adjust to it, interspersed with a journal of his cathartic life planting & growing veg, fruit and flowers. The first non-fiction book I've read for months.THE BRICKS THAT BUILT THE HOUSES, Kate Tempest, 2016 probably in the top ten greatest novels I've ever read; truly contemporary, wide-ranging yet concentrated, wholly distinctive voice, moving & funny & impassioned & so shrewdly observant, and pins down situations we've all lived yet have never found in fiction before.MR. NICHOLAS, Thomas Hinde, 1952at first I thought it just a very inferior Elizabeth Bowen, but it grew on me. A bit.THE GIRL WHO KICKED THE HORNETS' NEST, Stieg Larsson, 2007; English translation 2009 my first read from Larsson; mind-bogglingly well-planned & plotted; an intelligent, substantial page-turner; and it reads well in English.One oddity: it's set in Sweden yet there's never any weather...LOVE AMONG THE RUINS: A Memoir of Life & Love in Hamburg 1945, Harry Leslie Smith, 2012 & 2015 should be interesting re life for a British soldier staying on in Germany when WWII has ended - but he's no writer so it isn't. I gave it up.WHEN WE WERE YOUNG: A Compendium of Childhood, ed. John Burningham, 2004 a fresh, tremendously well-chosen range of childhood memoir pieces with an admirable literary bent & no dumbing down; full of quotable moments.ENGLEBY, Sebastian Faulks, 2007 compelling story, dark humour, intellectually sharp; near total-recall of 1970s minutiae; crucially, the tranparently unreliable narrator (an almost common current device) comes within a highly inventive form of the novel that is ingenious without postmodernism (ie without being irritating).ROBINSON CRUSOE, The Life and Strange & Surprising Adventures of, Daniel Defoe, 1719 [1808 edition] I'd read it as a child, but had no idea how ruthlessly this immensely long book had been abridged for children; in this edition he doesn't see the footprint till 27% of the way through, doesn't meet Friday till almost 40% of the way through and has returned to Europe by 50%, after several hundred pages. I gave up after that; the edition I read (on Kindle) seems to have added in all Defoe's far less popular follow-up novels. The original full-length novel, interesting & skilfully done, was enough.AGAINST MISERABILISM, David Widgery, 2017posthumous collection of his brilliantly prescient, wide-ranging essays written 1968-92: admirably relevant on politics and soberingly good (and affecting) on his experience as an NHS doctor in London.A LESSON BEFORE DYING, Ernest J. Gaines, 1993a short, likeable novel compelling through its detail as well as its quiet humanity; a portrait of racial injustice in the Deep South of the 1940s, set in a rural black community full of its own tensions; but told calmly.WINTER IN MADRID, C.J.Sansom, 2006 a highly researched historical-adventure novel of politics & intrigue set in 1930s-early '40s Spain; a page-turner through accretion of detail long before it becomes one through tensions and twists of plot.IN COLD BLOOD, Truman Capote, 1966what a book! The perfect template for a historical crime non-fiction case, inspirationally structured from its calm, detailed, intelligent and humane beginning to its forgiveably sweetened end.THE RED BADGE OF COURAGE, Stephen Crane, 1895 uncanny maturity of tone & humour from a 21-year-old writer, and so innovative: the first Civil War novel about ordinary soldiers instead of great generals. An easy read too.THE VINYL DETECTIVE, Andrew Cartmel, 2016 goes on too long, many implausibilities but great fun for anyone who's ever been or befriended a hi-fi freak or obsessive record collector.A RIVER TOWN, Thomas Keneally, 1995 admirable, vivid, unhurried novel from a major writer, and one of those rare authors whose books truly differ from each other & are unified only by his robust, engaged imagination. His adjectives dance but are never showy.HERE I AM, Jonathan Safran Foer, 2016 provoking in both senses, this unfunny "hilarious" novel is so wearingly clever, so delighted by its own cutesy introspection and by its self-absorbed main characters (a drippy couple and their precocious children). It's also far too long, but that's another outcome of its shouty self-indulgence. (And boo to Penguin for a UK paperback with such a small typeface that they don't even admit what it is on the copyright page.)THE HOUSE IN PARIS, Elizabeth Bowen, 1935 a re-balancing after the horrors of "Here I Am": forensic quiet intelligence in place of clever shouting, and that rare but special pleasure, a striking child character (Leopold).
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Published on January 05, 2018 01:37