Alex Austin
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Alex
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Nick Johnson's review
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The Breakout Novelist: How to Craft Novels That Stand Out and Sell:
"A man who’s not a writer tells people how to write. What could go wrong?
I found this book extremely content-thin. I’ll sum up the experience: “You need high stakes. Here are some examples of high stakes. You need vibrant descriptions. Here are a ton " Read more of this review » |
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Emily Ver Steeg's review
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The Emotional Craft of Fiction: How to Write the Story Beneath the Surface:
"I only got 50 pages in and I couldn’t bring myself to read any further. Not only is this book not well-written, it also doesn’t contribute anything new to the craft of writing fiction. The advice is so general and common-knowledge, that the author al"
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Emma Deplores Goodreads Censorship's review
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The Emotional Craft of Fiction: How to Write the Story Beneath the Surface:
"This is a provocative writing book. As always with these sorts of books, I think the best reaction is probably to take with you what’s useful and leave behind the rest after having given some consideration to it - if you're going to do something that"
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Alex
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zerogravitas 's review
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The Emotional Craft of Fiction: How to Write the Story Beneath the Surface:
"It's useless, patronizing, sexist, and simply comes at things from the wrong angle. Opens with a big essay trying to sell the readers into wanting to become apt at writing emotion, which is needless since readers already came to the book because they"
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Omar Paloma, a dance studio owner and coach, has written an invaluable guide for those whose passion for dance is second only to their passion to succeed in a complex, demanding business. Cleverly structured, Revolutionize Your Dance Studio chronicle ...more | |
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Topics Mentioning This Author
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The Bowie Book Club: Chit chat... | 49 | 41 | Aug 28, 2018 06:17AM |

“(On George Eliot's narrative strategy)
It also forfeits the great game of the omniscient narrator, which is to know secrets which none of the characters involved will ever learn, ironically taking their unhappy ignorance to the grave.”
― The Antinomies of Realism
It also forfeits the great game of the omniscient narrator, which is to know secrets which none of the characters involved will ever learn, ironically taking their unhappy ignorance to the grave.”
― The Antinomies of Realism

“You have wakened not out of sleep, but into a prior dream, and that dream lies within another, and so on, to infinity, which is the number of grains of sand. The path that you are to take is endless, and you will die before you have truly awakened.”
―
―

“Recklessness is almost a man's revenge on his woman. He feels he is not valued so he will risk destroying himself to deprive her altogether.”
― Sons and Lovers
― Sons and Lovers

“In past ages, a war, almost by definition, was something that sooner or later came to an end, usually in unmistakable victory or defeat. In the past, also, war was one of the main instruments by which human societies were kept in touch with physical reality. All rulers in all ages have tried to impose a false view of the world upon their followers, but they could not afford to encourage any illusion that tended to impair military efficiency. So long as defeat meant the loss of independence, or some other result generally held to be undesirable, the precautions against defeat had to be serious. Physical facts could not be ignored. In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four. Inefficient nations were always conquered sooner or later, and the struggle for efficiency was inimical to illusions. Moreover, to be efficient it was necessary to be able to learn from the past, which meant having a fairly accurate idea of what had happened in the past. Newspapers and history books were, of course, always coloured and biased, but falsification of the kind that is practiced today would have been impossible. War was a sure safeguard of sanity, and so far as the ruling classes were concerned it was probably the most important of all safeguards. While wars could be won or lost, no ruling class could be completely irresponsible.”
― 1984
― 1984

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