Gordon White

“I was so happy renting in New York City for so long because renting—or at least the way I rented, which involved never lifting a finger to better my surroundings—allows you to let things literally fall apart all around you. Then, when it gets to be too much, you just move on.”
― Maggie Nelson, The Argonauts

“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
― Brian Eno, A Year With Swollen Appendices

“With a story, as with a well-chosen gift, we’re happiest when surprised by something we didn’t know we wanted.”
― David Mitchell, Thinking About It Only Makes It Worse: And Other Lessons from Modern Life

“A Thousand Plateaus, too, should be understood as a spatial multiplicity, with innumerable passageways connecting various concepts and examples beneath the unavoidably linear arrangement of words forming sentences, sentences forming paragraphs, and so forth.”
― Eugene W. Holland, Deleuze and Guattari's 'A Thousand Plateaus': A Reader's Guide