Subashini Navaratnam


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Subashini Navaratnam

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Born
Malaysia
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Member Since
December 2014

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Subashini Navaratnam lives in Kuala Lumpur, Malaysia. Her writings on books have appeared in The Star (Malaysia), Pop Matters, 3:AM and Full Stop. She has a digital chapbook titled To Carthage out with Platypus Press, and her fiction has appeared in The Ghastling: Book Four, Lackington's Animal issue, Little Basket 2017: New Malaysian Writing, and Micro Malaysians!, among others. ...more

Average rating: 3.77 · 327 ratings · 59 reviews · 6 distinct works
KL Noir: Yellow

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3.63 avg rating — 198 ratings — published 2014
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Little Basket 2017: New Mal...

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3.70 avg rating — 74 ratings — published 2017
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Black Candies: Gross and Un...

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4.50 avg rating — 26 ratings — published 2016
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To Carthage (2412 #20)

4.33 avg rating — 15 ratings — published 2016
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LONTAR #7

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4.27 avg rating — 11 ratings — published 2016 — 2 editions
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Strange Horizons: Hugo Vote...

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really liked it 4.00 avg rating — 3 ratings
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More books by Subashini Navaratnam…
Rejection
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by Tony Tulathimutte (Goodreads Author)
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A Separation
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by Katie Kitamura (Goodreads Author)
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The Complete Poem...
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Rejection by Tony Tulathimutte
Rejection
by Tony Tulathimutte (Goodreads Author)
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The Mushroom Tapes by Helen Garner
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A sort of meta true crime that suffers from the flaws that others have pointed out: a mostly disjointed narrative that cuts off abruptly from one thought to the next, which "works" in a podcast, but not for longform nonfiction. I still found it intri ...more
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The Sequel by Jean Hanff Korelitz
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I enjoyed this a lot more than The Plot. I found that one somewhat tedious, since the main character in that, whatever his name is (Jack? Jake?) was a drip. But here, Anna is not made to be likeable, and hence is much more interesting. (view spoiler) ...more
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A Separation by Katie Kitamura
A Separation
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The Sequel by Jean Hanff Korelitz
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The Mushroom Tapes by Helen Garner
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On the Calculation of Volume III by Solvej Balle
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I saw a comment on Reddit about the first volume being unrealistic because it didn’t show how the protagonist was ready to use her position of being in the time loop to change the world and change people’s minds and argue about ideas. Which is hilari ...more
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The Copywriter by Dan Poppick
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The Ghostwriter by Julie Clark
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Don't get the hype at all. Nothing particularly outstanding and it could have been pared down and would have lost nothing. ...more
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On the Calculation of Volume III by Solvej Balle
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More of Subashini's books…
Ngũgĩ wa Thiong'o
“This land used to yield. Rains used not to fail. What happened?’ inquired Ruoro. It was Muturi who answered. ‘You forget that in those days the land was not for buying. It was for use. It was also plenty, you need not have beaten one yard over and over again.”
Ngũgĩ wa Thiong’o, Petals of Blood

“Describing African students sent to London to study in the 1970s, she writes (and Achebe quotes): They work hard for the Doctorates – They work too hard, Giving away Not only themselves, but All of us – The price is high, My brother, Otherwise the story is as old as empires.”
Laura Chrisman, Postcolonial contraventions: Cultural readings of race, imperialism and transnationalism

Antonio Gramsci
“I hate the indifferent. I believe that living means taking sides. Those who really live cannot help being a citizen and a partisan. Indifference and apathy are parasitism, perversion, not life. That is why I hate the indifferent.

The indifference is the deadweight of history. The indifference operates with great power on history. The indifference operates passively, but it operates. It is fate, that which cannot be counted on. It twists programs and ruins the best-conceived plans. It is the raw material that ruins intelligence. That what happens, the evil that weighs upon all, happens because the human mass abdicates to their will; allows laws to be promulgated that only the revolt could nullify, and leaves men that only a mutiny will be able to overthrow to achieve the power. The mass ignores because it is careless and then it seems like it is the product of fate that runs over everything and everyone: the one who consents as well as the one who dissents; the one who knew as well as the one who didn’t know; the active as well as the indifferent. Some whimper piously, others curse obscenely, but nobody, or very few ask themselves: If I had tried to impose my will, would this have happened?

I also hate the indifferent because of that: because their whimpering of eternally innocent ones annoys me. I make each one liable: how they have tackled with the task that life has given and gives them every day, what have they done, and especially, what they have not done. And I feel I have the right to be inexorable and not squander my compassion, of not sharing my tears with them.

I am a partisan, I am alive, I feel the pulse of the activity of the future city that those on my side are building is alive in their conscience. And in it, the social chain does not rest on a few; nothing of what happens in it is a matter of luck, nor the product of fate, but the intelligent work of the citizens. Nobody in it is looking from the window of the sacrifice and the drain of a few. Alive, I am a partisan. That is why I hate the ones that don’t take sides, I hate the indifferent.”
Antonio Gramsci

Molly Keane
“Yes, we'll have to put a stop to this bookworming. No future in that.”
Molly Keane, Good Behaviour

John Kennedy Toole
“...I mingle with my peers or no one, and since I have no peers, I mingle with no one.”
John Kennedy Toole, A Confederacy of Dunces

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