Lisa J. Yarde's Blog

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Book #5 of the Sultana series. 
In fifteenth-century Moorish Spain, Aisha, the descendant of the Sultans of Granada endures a life imperiled by dynastic warfare, loss, and cruel fate. Enemies descend on the kingdom from all sides and threaten to tear it apart. 

To preserve a fragile peace, Aisha suffers a sham marriage to a cruel tyrant, forever divided from the love that once ruled her heart. Years later, when a trusted confidante becomes a powerful rival, Aisha must fight for the future of the next generation or witness the destruction of her family and the last vestiges of Moorish rule in Spain.

Excerpt

“...I spoke so you would never forget who you are again. You have a proud heritage and Nasrid pride, the pride of lions who lived and ruled for centuries before your existence, and the Sultanas who would not let fate or circumstance bend or break them. Their blood flows in your veins! Saad and his son have taken from you. Show them that you are as fierce as Jazirah, Butayna, Fatima, and even Maryam the viper. As strong as the lioness upon the plains. A lioness of Gharnatah. You have not forgotten. You do not forgive. You shall have recompense for the lives they have ruined and the blood they have shed.”

Today, books #3 and #4 of the Sultana series are FREE to download on Kindle. Save $3.99


Book #3 of the Sultana series

In fourteenth-century Spain, former friends vie for a man's heart and the future of his kingdom. Both women are captives sold into the harem of Sultan Yusuf I of Moorish Granada. A young girl with a hidden heritage, Esperanza Peralta, forges a new identity as Butayna and becomes the mother of Yusuf's firstborn son.The Jewess Miriam Alubel takes the name Maryam and also bears Yusuf's children, including two sons. The clash between former friends is inevitable, as each finds diverging paths in a dizzying rise to power beside their husband. Both remain aware of the struggle ahead, for only one heir may inherit Yusuf's throne and only one woman can claim the revered title, Mother of the Sultan.

Excerpt

"...Two heirs to sit upon the throne when there can be just one Sultan to succeed his father. Some would say Yusuf is fortunate to have two sons. Others would think him cursed. Regardless, I do not doubt the news will please him, given your recent tragedy."

Butayna's nails raked the doorpost. Her other hand went to her empty stomach, where six weeks ago her second child had thrived for five months until failure shattered her hopes. The court astrologer had predicted another boy.

Maryam added, "If you believe this is the last time I shall bear Yusuf a son, you are mistaken. I will not fade away, while you keep Yusuf at your side. He does not love me, not yet, but I will bind his heart with our children. If you think Muhammad shall inherit the throne just because he is the eldest, you are wrong."

A shudder coursed through Butayna. She fisted her hands at her sides before she turned to Maryam. "If you ever strike at Muhammad, no one, not even Yusuf shall save you from my wrath! I will choke the life from you with my bare hands. Do not mistake the measure of my love for my son."

Over her shoulder, Maryam said, "Do not underestimate my ambitions for mine."
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Book #4 of the Sultana series. 

In fourteenth-century Moorish Spain, a marriage of convenience for the sake of peace leads to disaster in the medieval kingdom of Granada. The young queen Jazirah, caught up in a dynastic struggle between warring brothers, fights for her survival. Wed to a husband who looks at her with more suspicion than lust in his eyes, she must escape reminders of a brutal past in a quest to find forgiveness, hope, and love. 

Her husband Muhammad faces greater peril than union with a wife he cannot trust. Surrounded by enemies within his family who seek the throne and undermined by ministers who would alter the course of his country's future, he intends to rule the land of his ancestors alone. How can he endure against his most bitter opponents, not least among them, the woman whom he has chosen for a bride? 

Excerpt
"...Why do you speak of me as if I am not here?" Jazirah demanded. Despite the collective gasps from everyone in attendance, she continued, "We may address each other as equals for we are both the grandchildren of a Sultan of Gharnatah." 

Her father admonished, "Jazirah, you are not the equal of a man, least of all the Sultan! You will apologize and beg his forgiveness. Now!" 

Muhammad raised a hand. While Ismail fell silent and glared at Jazirah, she returned his narrowed stare with intense regard. 

The Sultan said, "Let her keep false words behind her teeth. I would not believe them. What else could I expect, but this behavior from the daughter of a traitor to his people and my father?"

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With my next MEET THE AUTHOR post, I’m pleased to introduce John D. Cressler, as this week's guest author and share his newest novel. John’s stopping by to share an excerpt of Fortune's Lament, part of his Anthems of al-Andalus series set in Moorish Spain and to offer insight on his writing. Given my own obsession with the place and time he's written about, John's work has been of particular interest to me, so expect to hear more about him on this blog. As a bonus, John has generously offered to give away up to TEN  Kindle versions to those who leave a comment on this post! So, please do comment and INCLUDE YOUR EMAIL ADDRESS in the comment.
Here's an excerpt from the novel:

Interview with John D. Cressler
Welcome John, thanks for being my guest at The Brooklyn Scribbler. Please share some insight on your Anthems of al-Andalus series and the latest installment, Fortune's Lament.


Thanks for inviting me, Lisa! Let me give some background on this amazing period of history, and then zoom-in on each of my three novels in the Anthems of al-Andalus Series.
As you know, much of modern Spain was under Muslim control for nearly 800 years (from 711 to 1492 C.E.). Medieval Islamic Spain was deeply influential in world history, for a multitude of reasons, including the rediscovery, translation, and dissemination of the lost works of medicine, science, and philosophy of the ancient Greeks. The Muslim Umayyads (with roots tracing back to Syria) were lovers of books and learning, and helped launch a cultural revolution in Córdoba, which transformed the western world. An exceptional 200-plus-year period of peaceful coexistence occurred between Judaism, Christianity, and Islam under Muslim Umayyad rule, providing a powerful lesson in the practice of multiculturalism for our twenty-first-century world. This time period was both deeply influential in world history and riveting, and I have fallen in love with all-things-al-Andalus! All three of my novels are love stories interwoven into this rich history. 
Emeralds of the Alhambra , my first release, is a love story set in the resplendent Alhambra Palace in Granada, Spain, during the Castilian Civil War (1367-1369 C.E.), a time when Muslims took up their swords to fight alongside Christians. Emeralds tells the story of William Chandon, a Christian knight captured and brought to the Alhambra to be used by the Muslim sultan as a political pawn, and the Sufi Muslim princess Layla, daughter of the sultan’s chief counsellor. As Chandon’s influence at court grows, he becomes trapped between his forbidden love for Layla and his Christian heritage, the demands of chivalry and political expediency. Chandon and Layla must make choices between love and honor, war and peace, life and death, choices which ultimately will seal Granada’s fate as the last surviving stronghold of Islamic Spain. 
Shadows in the Shining City, my second release, is a prequel to Emeralds of the Alhambra, and immerses the reader in Islamic Spain’s Golden Age. Shadows tells the story of the forbidden love between Rayhana, a Muslim princess of the royal court, and Zafir, a freed slave. Young love blossoms in 975 C.E. in Madinat al-Zahra, the Shining City, Caliph al-Hakam II’s magnificent royal palace located just outside of Córdoba. Their love story is set against the backdrop of the epic rise to power of Rayhana’s ruthless father, Ibn Abi Amir, a man history will come to both celebrate and revile for the role he plays in the collapse of Islamic Spain.
Fortune’s Lament , my latest, is again set in Granada, 120 years after Emeralds of the Alhambra, and sets the stage for the final collapse of Muslim Spain. It tells the story of Danah, a young Muslim woman who aspires to be the first female physician in the city. Love unexpectedly blossoms between Danah and Yusef, a valiant prince of court from a rival clan, during the bloody final conquest of Granada by King Ferdinand and Queen Isabella of Christian Spain. As the light of Islamic Spain dims, the Inquisition looms large on the horizon, as does the coming voyage of Columbus to discover the Americas.
When you first began writing, did you have a series in mind? If not, what changed your thoughts?
Yes, I intended to write a series from the very beginning. There is just too much fascinating history to be told. I envision the series stretching to at least 4 books, maybe more.
The women of Al-Andalus exhibit surprising behavior in your novels, moving beyond the traditional roles readers may expect of women in the medieval period. Where you surprised by the role of medieval Muslim women as you researched the period?
That is true, yes. I discovered many surprising elements to this history, including the strong role women often played in decisions that influenced pivotal outcomes (by a variety of means; some good, some bad), as well as the unusual social mobility women sometimes enjoyed. I wanted to highlight this nuanced piece of the history. Actually, there are three deeper themes present in all of my novels, themes that greatly interest me: 1) How strong young women cross the artificial boundaries society imposes. 2) The nature of love and its power to transform us. Yes, these are love stories! And 3) The importance of religious tolerance, and the beauty of multiculturalism. All of these themes firmly anchored to a riveting historical context, but are also highly relevant to our modern world.
Do you have favorite characters from each of your novels in the series? If so, tell us why you prefer that character above others.
Well, definitely my young female protagonists! Layla, in Emeralds, Rayhana in Shadows, and Danah in Fortune’s Lament. All are bright, all are strong-willed, all are determined to break out of the traditional roles and expectations assigned to them. AND…..all unexpectedly encounter love along their journeys… which changes everything (as love is wont to do!).
Do you plan to write more novels set in Al-Andalus? If not, where will your writing adventures take you?
Definitely! Novel # 4 in the series has already commenced, and it will be a sequel to Fortune’s Lament, telling the story of the final collapse of Granada in 1492. Beyond that, time will tell―but one thing is certain: there are plenty of stories left in the 800 years of al-Andalus that still beg to be told! Stay tuned.

Thanks again, John!

Learn more about John D. Cressler


Website, Facebook, Twitter, Amazon Author Page

Buy Fortune's Lament, Anthems of al-Andalus series #3


PRINT: https://www.amazon.com/dp/1620063727

EBOOK: https://www.amazon.com/Fortunes-Lament-Anthems-Al-andalus-Book-ebook/dp/B07BYT69FY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1523035650&sr=1-1

With MEET THE AUTHOR, I’m pleased to introduce guest authors and share their newest novels with visitors. This week, meet Kristen Taber! She’s stopping by to share an excerpt of her newest novel, The Shadow Guard, part of the Æerenden series.
Here's an excerpt from Chapter 1:
ÆRENDEN’S RENAISSANCE had been one of beauty, full of art and discovery, friendship and kindness. Many in the kingdom spoke of it as if they had lived through each colorful moment and some had. It had only been decades since the renaissance had ended. War had a way of making years feel like an eternity.In the height of that era, music had swelled within the castle’s great hall, bouncing from the windows, muffled by tapestries, echoing with joy. Bodies had danced and swayed. Laughter had resounded from the ceiling. Founders’ juice had flowed from carafes, drained from cups, and loosened lips. Meaghan imagined gossip had served as currency in this place, traded without regard for truth or belief in its details. Throughout Ærenden’s history, storytelling had blended with everyday life, entertainment valued the same as rare powers. When the revelers had left the castle’s parties, they would have paid no more heed to the tales they had heard than they did the king’s joking antics—the bets he had wagered with his Guardians or the contests he had arranged to see who among his people did not mind displaying their foolishness.Queen Adelina’s father had been jubilant, by all accounts. Her mother had subjected him to frequent eye rolls, while hiding her own mirth behind an elegant hand.Life had been carefree within these rose quartz walls, until the Zeiihbu War had become something more than distant skirmishes on the border. In its final years, everyone had lost someone they loved, battles had replaced jokes in conversation, and the people’s loyalties had become divided. Some wanted to annihilate the Zeiihbuans. Some wanted to assimilate them. And no one wanted to share Founders’ juice with those who had opposing views.The parties stopped. The king died, the queen soon after, and their daughter closed the doors to the hall, and to her grief, using the space only for formal ceremonies.After the war, Queen Adelina had wed King Édaire, affectionately known as Ed to those who had loved him, and they had conceived a child.Meaghan had never had the chance to know her parents, beyond the fractured memories of toddlerhood. Ed had been murdered in this room, Adelina in their apartment, and Meaghan had been spirited to Earth soon after.Now she walked the length of her grandfather’s beloved great hall, each footfall masked by graceful steps she had not realized she could muster. She kept her eyes focused on one point at the front of the room—a single throne representing so much history and pain.Two amethyst-encrusted finials on top of the throne glistened in the noonday sun. Golden flowers curled around the throne’s arms and legs, symbols of growth and her family’s connection to the past. Their beauty would have brought a smile to her face, if she had not known her father had bled to death on the floor below them.Or if she had not remembered the smaller throne that had filled the empty space on the left side of the dais before Garon destroyed it. Her father had used it in his duties as king. Her mother had ruled from the larger one.
Interview with Kristen Taber
Welcome Kristen, thanks for being my guest at The Brooklyn Scribbler. Please share some insight on your five-part YA series, Æerenden and the final installment, The Shadow Guard.
The Ærenden series starts on Earth and transitions to Ærenden, a kingdom on a world parallel to ours yet wholly different. Where we have medicine and science, they have magic---Healers, people who control electricity and the weather, Telekines, and Firestarters. Each person has a personal power, including Meaghan, a young woman raised on Earth but born within the kingdom she remembers only in nightmares. The series follows Meaghan and Nick—her personal guard and love-interest—as they fight to take back the kingdom from the man who assassinated the former king and queen. Along the way, what seems to be a straightforward black-and-white war turns into a complex puzzle of gray areas. Nick and Meaghan must navigate the secrets left behind by the royal family to uncover the truth and save the kingdom.
The final installment in the series, The Shadow Guard, brings Nick and Meaghan to a land outside of the kingdom thought to be uninhabited. What they discover leaves Meaghan with a choice that could turn her from a long-awaited hero into a villain with the power to destroy everything.
When you first began writing, when did you know that only a series of novels would allow you to fully realize the journey on which your characters were about to embark?
In the beginning, I thought the whole story would only consume about 300 pages, and it would be a neat and tidy standalone. Halfway through writing The Child Returns (book 1), I realized my characters had a greater story to tell. I hashed out a basic outline for five books at that point (not including background stories, historical stories, and potential spinoffs that currently reside in my head). Eventually those expected 300 pages turned into over 2,000 published pages.
Is there any secondary character in the novel who could have “run away” with the story and turned attention from your lead characters?
Yes, and she still may get her own book if the muses keep pestering. In The Shadow Guard, a shapeshifter named Faughn becomes integral to the storyline and assists Meaghan in her final battle with her nemesis. Faughn grew up in a harsh desert region with enemies constantly on the fringes of her awareness. One enemy killed her mother and kidnapped her brother. Despite her hardships—and because of them—she’s become a warrior who is capable of fighting and handling herself in precarious situations. She also knows how to trust, love, and have fun when time allows. Her self-confidence and composure as a result of growing up in a combat environment is a contrast to Meaghan, who has been thrown into a situation beyond her control and struggles to come to terms with it and become the hero required of her.  After writing Meaghan’s type of character for nearly ten years, Faughn intrigued me. I wanted to learn more about her and the inner-psyche she doesn’t show, that I know has to have stemmed from the trauma in her life. So many times, I had to fight the urge to deviate, to show Faughn’s building relationship with her love interest or her reactions with her brother-in-law or father, but I managed to curb that impulse. She did, however, earn a place of honor on the cover.
Any writing quirks? E.g. requiring music to read, favorite place, etc.
I have to have background noise, usually music or coffee shop chatter. For music, I bounce between classic rock, blues, metal, classical, and film scores, depending on my mood. When I need the coffee shop murmur but can’t get out of the house, I use a website called Coffitivity that recreates café noises. I wrote almost all of The Shadow Guard using that site or listening to the Lord of the Rings trilogy soundtrack.
If your novels ever became films, who would play your lead characters and why?
Oh goodness. Fans always ask me this, and I have so much trouble deciding. Meaghan has always been most difficult for me. I love the idea of an unknown playing her, like Emma Watson was before she starred in Harry Potter, so I don’t like to picture current Hollywood stars in the role. If I had to choose, Auli'i Cravalho looks similar to how I picture her so maybe I’d go for her. For Nick, I picture a blonde Logan Lerman.  And Faughn? Totally Yara Shahidi.
Thanks again, Kristen! 
Learn more about Kristen Taber
Website, Website 2, Facebook, Twitter, Amazon Author Page
Buy The Shadow Guard, Æerenden series #5
Kindle - http://amzn.to/2ttiz7NAmazon Paperback - https://amzn.to/2pEgYI0B&N Paperback - http://bit.ly/2pDNcTB

Five years ago this month, I had the privilege of participating in the HerStory anthology with a group of more than twenty female authors. Each of us submitted stories of women with extraordinary courage during varying periods of history. My contribution was The Legend Rises, a story of Gwenllian of Gwynedd, who fought against twelfth-century Norman invaders alongside her husband Gruffydd. She was a remarkable woman with the strength to face nearly insurmountable odds and her final stand at Kidwelly inspired generations of Welsh freedom fighters and earned her nickname, the female Braveheart.
Since the anthology was not continued, I'm pleased to share this story for free with visitors to my website. A sample follows here. For readers who want to know more of Gwenllian and Gruffydd, the full novel detailing their lives will be available in March 2020, Lady of Legend; my HerStory contribution will NOT be included in the book so here's a chance to read that missing chapter. 
About The Legend Rises:
Gwenllian, a Welsh princess of Gwynedd and the wife of the dispossessed lord of Deheubarth faces the greatest trial she has ever known. Brutal English invaders have ravaged her beloved country and forced her into a meager existence, hidden in the forests of her husband’s homeland. While he seeks a new, strong alliance against the enemy, Gwenllian prepares herself and her children for the fight of their lives. Strength and honor alone cannot win the battle. Her family must unite for their survival.
The Legend Rises
Parting: Winter 1136 ADAt Caeo, Cantref Mawr, within the old kingdom of Deheubarth
As the morning of Gruffydd’s departure from Caeo dawned, no tears tainted the exchange between brothers, a father and his sons, or a mother divided from a portion of her brood. If Gwenllian held the little lord Rhys for too long, at least her youngest son did not wriggle away. She buried her face in his pale-yellow curls, kissed his ruddy cheeks, and released him. On pudgy legs with mud-splotched shoes, the child scrambled to join Rhain Llwyd in the rearguard. Gruffydd’s best archer hoisted the boy into the saddle. At five years old, was Rhys ready for his own mount?
Rhain met Gwenllian’s pertinent stare. She sighed and offered him a resigned nod. Her simple gesture conveyed more than trust. She offered thanks for his stalwart loyalty and bloodied sacrifices of the past. Rhain would never allow any harm to come to the boy.
Anarawd approached and extended his hand to her. When she clasped his arm, her ragged fingernails dug into the leather tunic. Wiry muscles tensed beneath the sleeve. A man stood in place of the squalling, red-faced infant Gruffydd had deposited in her arms over twenty years before. In the absence of their eldest brother, Maelgwn and Morgan would resume their lessons in weaponry under their mother’s tutelage. She looked forward to a demonstration of Anarawd’s tactics later.
She whispered to him, “Have a care for Rhys.”
His brow furrowed beneath a dark forelock of hair, so like his father’s own. “I always do and even if I didn’t, Rhain would. You can rely on us both. Why do you even ask?”
She ignored the slight irritation in his gruff tone. “Don’t let your brother become a nuisance at Aberffraw. My father and mother may delight in the frolicking of my youngest, but Rhys can be a trial for his aged grandparents.”
“He is for everyone else here. Why should he behave otherwise at court in Gwynedd?” He met her sudden scowl with a wink and a final kiss on her cheek.a “Be well. Don’t worry for Rhys. I know how much you love him, Mam.”
Didn’t Anarawd know she felt the same for him? She would have hugged him as close as she did Rhys if her maudlin state would not cause the young man some distress. Instead, she swallowed the ache in her throat. “Have a care for yourself and your father too.”
He made no promises, only bowed and turned away. Was he so eager for his part in the adventures to come? If Gruffydd succeeded in forging a new alliance against the English, Anarawd would take up the battle cry beside his father, uncles, and grandfathers. She would not be able to stop him or keep all of her or Gruffydd’s children safe. She scoffed at the idea. Security, freedom, and a life without worry had never existed for any of them, would not be theirs until they rid their homeland of the interlopers.
Mist cloaked the frost-covered earth, the dragon’s breath of her former nurse’s tales from childhood. Gruffydd coughed while he took deliberate steps, lingering with various members of his teulu gathered in the clearing. Dawn’s golden-pink glow revealed the weather-beaten faces of each man. The retainers numbered three hundred strong, with a third on the surefooted ponies taken in last summer’s raids. A few among the riders even donned the chainmail of their fallen adversaries, worn over threadbare tunics and trews, with swords at the waist and shields at their backs. The rest of the men, each bearing a sheaf of arrows and longbows of elm, would follow the cavalry on the long trek north to Aberffraw with her husband. Another two hundred would protect Gwenllian in his absence.
Gruffydd neared the end of the line, where Rhain ensured Rhys maintained his balance. The boy’s father distracted him, rumpling his hair until Rhys giggled. Rhain kept a firm grip on his charge before he and Gruffydd clapped each other’s shoulders. The ageless bond between them reflected in mutual, silent stares.
Behind them, burly Arthfael Llwyd awaited Gruffydd’s withdrawal. Hanks of unwashed hair fell over the aged warrior’s furrowed brow. He supported his ruined right side on the crutch Anarawd had carved for him from a yew tree. His gray beard almost concealed the thin line of his mouth. For the first time in their lives, only one of the twins would ride out under their lord’s banner. Since Arthfael and Rhain first escorted Gruffydd to Aberffraw, Gwenllian had never seen the brothers apart from each other. This morning would encompass more poignant farewells than those shared between Gruffydd’s children.
Huddled in the doorway, Gwenllian leaned on the rough oak post. Wood scraped her cheek. Bledri snuffled and nosed into her open hand. She spared a smile for the aging wolfhound and scratched behind his ears. Three generations of the breed had lived and died since her father’s wolfhounds first trailed her across the fens teaming with peat, east of Aberffraw, or through gorse-covered moorlands. The dog’s muzzle pressed alongside her thigh. He sat on his hindquarters and kept a watchful though rheumy-eyed gaze on the activity in the clearing.
A breeze ruffled Gruffydd’s graying hair and swept his mantle off his massive shoulders, exposing the tunic and trews beneath. No outsider would have distinguished him from his men. His footfalls lacked their usual vigor. Stiff movements warned of the dull ache in his muscles, for which he would never complain. He also did not need to speak of the battle raging inside him. Only a swift need to counter the English urged him from the comfort of their family. He dreaded this undertaking more than she did. The selfish core of her heart, which still found its refuge in Gruffydd’s care, thrummed with a fervent wish to keep him at her side. Her mind pleaded for the host from Gwynedd to ride out with Gruffydd and confront this latest English threat. Only her husband could convince her father and her remaining brothers Owain and Cadwaladr of the need to unite....
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Women's History Month is always a special time of observation for me. Not just as a Black woman or an author who writes about women, one of the group's HIStory has long marginalized. One of my favorite pastimes is to read about or research the lives of strong females. From Malala Yousafzai back to my favorite medieval queen, Eleanor of Aquitaine. This year, I've especially admired the #MeToo movement and the demand for accountability by male abusers that’s been so vital. Being introspective, I've always thought, what makes a strong woman?
Strength is a beneficial attribute, granting the possessor an elevated level of ability, capacity, capability, and competence. Unfortunately, I think a woman's strength has come, for some, to mean that she has taken on male attributes. Meaning she can "kick ass" as the saying goes. Or, that suddenly, she can open her mouth, being unafraid to break "norms" and "traditional rules" and speak out, in what others may confuse with speaking out of turn. When did women EVER truly need anyone's permission to use our voices, decide for ourselves and be who we are at heart? Throughout history, society has called us the weaker sex. Weak? Please. Anyone who refers to someone as weak by calling them a 'pussy' automatically gets the stare of death from me. VAGINAS HAVE PUSHED OUT BABIES FROM THE DAWN OF TIME! If that ability is not one of the most elemental definitions of strength, I don't know what is....
For me, strength is endurance. The hallmark of every strong woman. Even the females who have yet to discover that wellspring within themselves. The ability to withstand the tide, stand our ground, and not let physical pain, humiliation, hurt, and disappointment sweep away all that makes us who we are as women.
Endurance has given me the inspiration to tell the stories of historical women who have or find the power within themselves to make changes in the male-dominated world of the past and define their own sources of happiness and security. For every woman that I've written about, if being at the side of a man has given her access to power or a certain level in society, my female character also determined her fate. Left a memorable legacy. 
But throughout history, strong women have always faced backlashes, too, whenever we've asserted the natural power within us. When society deemed us too strong. At heart, we were just rejecting the labels assigned to us. You know them. Witch! Harpy! Harridan (my personal favorite)! Vixen! Trollop! Wench! Bitch! Slut! Feminist! Behind these labels has always been male and society’s fear of a woman's capacity for self-determination.
Strong women know we best influence our lives and futures, and for those of us who are religious, God guides us. We must never let others, be they cherished fathers, husbands, brothers, sons, or strangers in society at large take that ability from us. I won't. Why? A strong woman loved and raised me and my sister. I grew up in a family of strong women. They taught me to fight when necessary, but most of all, to survive and endure. From them, I've learned valuable lessons that have taken me through some of the darkest moments of my life. So far. By their wisdom and preparation, I know I will endure much more. Thus, I can admire strong women. I can write about strong women. I can speak with other women and encourage them to find the strength within themselves, the willpower.
Today and every day, not just at Women's History Month, I salute every strong woman out there. Our mothers, sisters, cousins, aunts, grandmothers, and ancestors have brought us to this time, this moment of history. We owe it to our daughters, nieces, granddaughters, friends, and descendants to support and teach the next generation of strong women who will inherit this world. May they have an ever more hopeful and brighter vision of the future.                 

Writing about new characters is rather like meeting strangers who could become potential friends. You're not sure how the relationship will go, but you're intrigued enough to move beyond introductions. Just as writing about a new setting or period is akin to settling into a house, going from room to room, learning about the spaces. Sometimes, as with new people and places, you discover good or unfortunately unpleasant surprises. Still, other aspects remain hidden beneath the surface. With my usual enthusiasm for strange places and people, I've dived right into the abyss that is the history of Vlad II Dracul and his Romania.

If you know me and my writing, you've guessed I like elusive characters and locales, in part because I love researching about them and uncovering those hidden details. I couldn't have chosen a more enigmatic figure than Vlad II Dracul, father of the real Prince Dracula, or such a place as fifteenth-century Romania in my latest WIP, Order of the Dragon. A land mired in superstition, governed by a man who is still a mystery more than five hundred years later. A prince who had ruled over a region called Wallachia with some interruption. One who had joined a monarchical chivalric order dedicated to the protection of Christendom with fellow members who included the rulers of Naples and Aragon. But in many ways, Vlad became subservient to the Sultans of the Turks in the Ottoman Empire. How could a dedicated Christian warrior accept the dominion of Islamic rulers?


I've long imagined Vlad as a practical man, given the choices he made throughout his life. Despite his commitment to the Order of the Dragon, which counted the Holy Roman Emperor Sigismund as its founder, the political reality Vlad faced required tough decisions. He took his vows dutifully but what compelled him to cooperate with the Turks? I've spent much of my time on research also pondering the strange circumstances of his existence. Not that the research has been a straightforward process - would that have been too much to ask? One of the chief secondary sources I've relied upon for the story of Vlad's life is clearly wrong because it places Vlad in areas where logic and subsequent events dictate he could not have been. So, some mysteries about the historical figure that inspired my hero in this novel remain. To some, no doubt his actions toward the Turks would seem less than heroic. Even craven. I believe one goal drove him; the preservation of his principality at Wallachia. To ensure that future, he might have willing to pay the ultimate price. 



Romania in the fifteenth century required rulers willing to make difficult decisions. Bordered to the northeast by Moldova, the origin of Vlad's wife, Hungary in the west and Serbia and Bulgaria in the south, all such lands faced constant Turkish threats. By the late 1300's the Ottomans had claimed much of Bulgaria and imposed heavy taxes and in the mid-fifteenth century, the incursions of the Ottomans had wrested control over the former Serbian Empire. Both essentially existed as vassal states of the Turks. Romania remained in the path of their ambitions that extended to the seizure of Rome. The Romanians lived in three principalities; Vlad controlled Wallachia after the death of his half-brother. Yet he did so after a time by the permission of the Turks, who had imposed a yearly tribute of ten-thousand gold coins and at least five hundred boys to serve in the Jannisary corps. If I can ever find the wherewithal, I'd love to visit the Princely Court where Vlad had his power base in Wallachia, the ruins of which are in the foreground of the picture above. 

The introduction of Vlad in Order of the Dragon reveals some of the troubles he faces:


Chapter 1
Province of Targoviste, Principality of Wallachia, in the year of Our Lord 1443“… The Sultan Murad Han, His Majesty, invites you to his court at the end of spring when your snows cease.”
Halil Pasha’s nasal tone betrayed his status as a highly-trained eunuch of the Turkish court. His unaccented, precise pronunciation of the Romanian language of Vlad’s birth, even if sprinkled with Turkic phrases, also revealed the envoy’s indigenous origins. As with so many other boys, the devils must have taken him as part of their blood-tax, the tribute of young boys Sultan Murad had first necessitated twenty years ago. How had Halil Pasha earned the appointment so soon? Such a youthful figure, unless the sallow, unblemished skin across his high cheekbones and the neatly trimmed beard belied the truth of his age.
Thin, yellow brows flared above Halil Pasha’s gray gaze as he scanned the occupants of the room before he regarded Vlad again. “You and your three sons must visit Adrianople, Voivode.”
He had used the Slavic term for ‘prince’ instead of Domnul but Vlad perceived the resultant echoes of dismay did not come from such a word choice. He sought out Cneajna’s face among the women ensconced in the wide gallery above the throne room. Mercifully, he did not find her. Had his beloved wife been there for the pronouncement of her greatest dread, she might have lost her composure. Almighty God had blessed him with a woman who would give her life for their sons. She could have during the birth of their second child. His Cneajna, born Vasilisa Maria of the House of Musat in the northeastern principality of Moldova. A princess in her own right before their union.
Seated on his wooden throne with the boyars and retainers gathered on either side of him, the black cape of the Order, which Vlad typically donned on Fridays, draped his shoulders. Those who knew best would understand the visit of a Turkish ambassador also merited the display of his allegiance to the Order. Beneath the mantle, he wore a long fur-trimmed coat of red brocade, over his laced shirt and loose trousers tucked into ankle-length boots. The boyars favored similar dress except for leather, fur-lined shoes with pointed tips, which he disdained as much as the velvet caps they favored.
He fingered an emblem suspended from a golden necklace. Inscribed on a double cross, the Latin words ‘Justus et Pius’ gleamed in the glare of the torchlight. Just and Faithful, one of the Order’s mottos, paired with the phrase, ‘O quam miscericos est Deus’ for the mercy of God. Under the cross, a medallion featured the wings of an incurved dragon, topped by a blood-red cross. The tail coiled around the fearsome figure’s neck. Its paws outstretched, with jaws opened as if to devour Christendom’s enemies.
He raised his head. “I thank the Sultan for his gracious invitation, but my eldest son has his apprenticeship for knighthood and will not be at Targoviste in the coming spring.”
“You have other children, whom my master would welcome with honor. They can play in the palace gardens with Mehmet Celebi, His Majesty’s third son. I believe the noble prince at ten-years-old is the same age as your Vlad Dracula.”
---Learn more about Vlad Dracul and late-medieval Romania when Order of the Dragon makes its debut later this year.

Muhammad al-Zaghal, whose sobriquet meant 'the brave' or 'the valiant' lived in the shadow of his elder brother, Sultan Abu'l-Hasan Ali for years. Then, palace intrigue and poor circumstances gave access to the power the younger man may have dreamt of all his life. Readers of Sultana: The Pomegranate Tree will discover more about his fate in Sultana: The White Mountains; if you don't want to know before you've read either book, this is your last warning - stop reading now. Spoilers for the last novel in the Sultana series lie ahead. 
Still with me? Prince Muhammad al-Zaghal was the second son of the Nasrid Sultan Abu Nasr Sa'd, who ruled Moorish Granada from summer 1454 to January 1455, then from late summer 1455 to 1464, when Abu'l-Hasan Ali usurped the throne. The prince has been portrayed most recently onscreen in the Spanish TV series, Isabel. It's uncertain where Muhammad al-Zaghal's birth occurred or when but he would have been born between 1437 and 1450, the respective dates at which his elder brother Abu'l-Hasan Ali and their younger sibling Yusuf entered the world. Whether the brothers had the same mother is also unknown, but their paternal heritage is clear. The links from their father and his father Prince Ali, a son of Sultan Abdul Hajjaj Yusuf connected them to Sultan Muhammad V and even beyond to the first Nasrid ruler. While Abu Nasr Sa'd did not have a legitimate claim to the throne, his family had founded a royal dynasty on the idea of usurpation.
From the beginning of their father's reign, there is some evidence of closeness between the two eldest sons. In late summer 1455, both chased the Sultan's rival for the throne into the region of Las Alpujarras, where they captured him along with his betrothed bride and cousin to all of the men, Sultana Aisha, whom Abu'l-Hasan Ali would later marry. As for Muhammad al-Zaghal, he also married a kinswoman whose name has come down through Spanish history transcribed as Esquivilia - certainly a non-Moorish name. Readers of Sultana: The Pomegranate Tree will recall her as Ashiqa, who had her own impressive lineage with links to her husband's clan.
She was the daughter of Abu Salim Ibrahim al-Nayyar, the governor of Almeria and Maryam bint Bannigash, one of the daughters of Granada's famed minister Ridwan ibn Bannigash who was born and ended his life as a Christian named Pedro Venegas. He once served as a slave before he converted to Islam and married the daughter of his former master. Abu Salim Ibrahim al-Nayyar's mother Fatima claimed descent from the murdered Sultan Ismail II, a brother of Muhammad V, and a concubine who might have been called Cirila. Like many things about the Nasrids, the true connection of his mother is uncertain, but Abu Salim Ibrahim al-Nayyar's father was definitely Sultan Yusuf IV, another usurper whose claim to the throne derived from a more precise maternal connection to an unnamed daughter of Sultan Muhammad VI, who seized the throne of his brother-in-law Ismail II in 1361.   Muhammad al-Zaghal may have had up to three daughters with his wife, but no sons. He supported his brother Abu'l-Hasan Ali's ouster of their father in 1464 and at some point, became the governor of the all-important coastal bastion at Malaka, seen above. In 1467, their brother Yusuf died of the plague, which some historians have concluded could have been a welcome boon to Abu'l-Hasan Ali. His foes in the clan of Abencerrage, whose chieftains his father had murdered in 1462, might have supported Yusuf as a claimant to rule. Even if they did not, they later approached Muhammad al-Zaghal with the same idea in 1470. He rebelled against his brother for a brief period until Abu'l-Hasan Ali brought him to heel. Thereafter, the brothers remained inseparable. Muhammad al-Zaghal even brought his brother's eventual second wife and beloved companion Sultana Soraya into his life with a raid on her Christian homeland.
It's believed Muhammad al-Zaghal earned his appellation for bravery and valor because of events that took place after summer 1482 when the overthrow of his brother occurred because of a conspiracy between Sultana Aisha and her Abencerrage supporters. But I'll admit some of the actions the prince undertook were infamous and destabilized a fragile territory, which left it vulnerable to invasions by the armies of Queen Isabella and King Ferdinand. Muhammad al-Zaghal hosted Abu'l-Hasan Ali in his short exile at Malaga and the Sultan's son Muhammad XI claimed the throne, from where the siblings fought off Christian invaders in the Ajarquía region of Malaga, taking thousands of heads as trophies and even more captives. But the pair's marauding ways also undermined the kingdom as they attacked the homes of Moorish people who supported the rebellion in Granada. After his brother reclaimed the throne, Muhammad al-Zaghal went to his wife's birthplace at Almeria and tried to take the city from his younger nephew, Abu'l-Hasan Ali and Aisha's second son, Yusuf.
Readers of Sultana: The White Mountains will know how I portrayed the younger Nasrid siblings Muhammad XI and Yusuf as close relations, which parallels the bond between their father and uncle - the evident proof of loyalty between the elder men inspired me. But when Yusuf died at Almeria, likely murdered, his death possibly occurred at the command of Muhammad al-Zaghal. I've speculated in the novel that this was the first sign that he was not always a faithful adherent to his brother, because of later circumstances. In 1485, Abu'l-Hasan Ali either abdicated or lost power to his younger brother, who became Sultan Muhammad XII in his stead. At the death of his sibling, he expressed the desire to marry his sister-in-law Soraya; presumably, his first wife had not died and nothing in the Maliki interpretation of Sharia law seems to have prohibited the union. Had the new monarch long-coveted more than his brother's throne, but also his wife? More likely, the move would have allowed for greater control of Soraya's sons. But they escaped with their mother into Castile.

As the united Catholic sovereigns forced the surrender of several Moorish cities, uncle and nephew for control of Granada. In spring 1487 when the Christians threatened to take Malaga, the Sultan rallied to its defense, but the area fell after a bitter siege of several months. Muhammad al-Zaghal accepted the loss of Granada, too, and maintained control of key areas at Guadix and Almeria until December of 1489, when his wife's brother Yahya surrendered the city of Baza and took a Christian name, Pedro de Granada. By the following year, Muhammad al-Zaghal departed the Iberian Peninsula for the kingdom of Tlemcen, based at Oran, in modern-day northern Algeria. The record indicates at least one daughter and her husband remained in Spain whereas her father presumably died in Tlemcen around 1494.
Muhammad al-Zaghal is one of my favorite characters in Sultana: The Pomegranate Tree and Sultana: The White Mountains, because of his moral ambiguity. His devotion to family paired with personal ambitions makes him an intriguing figure. In studying him for years so that I could write both novels, I discovered a historical figure who was as strong a defender of Granada as his elder brother, but through his participation in the civil war, helped weaken his beloved Sultanate. I tried to be as true as possible to his history but am still uncertain about a few parts. For instance, was he in Granada as regent early in his brother's reign or did he spend his time predominantly at Malaga? Was the death of his nephew Yusuf planned or an unfortunate happenstance that occurred in Almeria? What explanation, if any, did he provide Abu'l-Hasan Ali for the murder, especially since they had long been so close? What would Muhammad al-Zaghal have done to Soraya's sons if he had married their mother - would he have supported the eventual reign of the eldest in his stead or would the boys have disappeared like the nephews of King Richard III, medieval Britain's princes in the tower? I hope readers will enjoy my portrayal of Muhammad al-Zaghal in both novels, available now.   

If you've missed any of the Meet the characters posts about this novel, find them HERE.   

The slave who became a queen.
Most of the details that have come down through history about the Sultana Soraya bears the taint of Moorish propaganda. After all, as a Christian, she did enchant Sultan Abu’l-Hasan Ali and become his wife sometime after she had entered Alhambra Palace as a captive. Historians have said that for love of her husband, she converted to Islam, and abandoned the faith of her birth. Unfortunately for her, she faced a powerful rival in Abu’l-Hasan Ali’s first wife and kinswoman, Sultana Aisha, descended from the first Nasrid Sultans of Granada. Legend has it that Soraya so enthralled her husband that he invited his courtiers to smell her fragrant bathwater after she had finished her daily cleansing ritual. As fanciful and somewhat ridiculous as such lore seems, the truth of his devotion allowed us to know much about Soraya. Who was she and how did she attain a position beside Granada’s powerful ruler? What was her final fate? Major spoilers for Sultana: The White Mountains follow. Read on at your peril.
More importantly, how has she remained such an enduring figure of the Moorish period in its rapid decline? Washington Irving’s Tales of the Alhambra mentions her. Francisco Martínez de la Rosa published Doña Isabel de Solís, Reyna de Granada in 1837. Then in 1931, director José Buchs made the film Isabel de Solís, Reina de Granada. The Spanish TV series Isabel portrayed her as a young woman around the age of seventeen. Born Isabel de Solis, she came from a town called Martos on the Christian-Moorish border, within the province of Jaén. Her date of birth remains uncertain; I’ve seen reference to her having been as young as eight years old when she became a captive. Readers of Sultana: The Pomegranate Tree may remember that I introduced her as a girl of ten in 1468. One of the contemporary sources on the period, Hernando de Baeza (who had been a regular fixture of the Granadan court during the latter years) influenced my choice. He wrote about Isabel after 1505, stating that in 1475, she was a girl of ten or twelve. Her heritage is more certain. Her father Sancho Jimenez de Solis served as the adelantado mayor or warden of the castle at Martos. He had taken a second wife during Isabel’s girlhood, a Moorish slave called Arlaja. At some point, he had arranged Isabel’s marriage to Pedro Venegas, a relative of the lords of Luque, another town near Martos. But the union never occurred.
In the 1470’s (Baeza specifically states 1475) the Sultan’s brother Muhammad who’s more commonly known as Al-Zaghal raided at Martos and his men captured Isabel. Her father may have died at the same time, either defending the town or her. The Spanish have said she endured her detention in Alhambra Palace’s Torre de la Cautiva, but no one truly knows. Baeza tells us she became a slave to the Sultan’s daughter and cleaned the young princess’ chamber, hence my portrayal of her early captivity in Sultana: The Pomegranate Tree. Of greater certainty is Abu’l-Hasan Ali’s notice of her. She became his concubine and then his wife. As a wedding present, she received the castle at Mondújar, the ruins of which remain visible. She bore him two sons Nasr and Saad. Purportedly, this brought her into conflict with Aisha, who also had two sons by her husband, Muhammad and Yusuf. Hernando de Baeza also suggested Isabel endured a brutal beating at the hands of Aisha and her servants, reminiscent of what the Ottoman Sultana Hurrem bore at the hands at her rival for Suleiman the Great’s heart, Mahidevran – again, of less surety but the story of Isabel’s suffering added to the idea of palace intrigue between the women. While the Sultan had not declared an heir and over time, delegated the powers of regent to his brother Muhammad Al-Zaghal, their enemies of the clan Abencerrage believed he would declare one of his children by Isabel as a successor. The offspring of a Christian woman became the rivals of Aisha, whose descent and adherence to the Muslim faith remained beyond reproach.
Historians tell us Isabel converted to Islam and the Sultan renamed her Soraya, which meant ‘morning star’ in Arabic. The name is certainly accurate, but what about the religious change? In my research, I haven't discovered any captive of the Moors who retained their original name so this was a common enough practice. Conversion had long held benefits, including freedom, for no new Muslim would endure the status of a slave. Did Soraya willingly convert? Was it a requirement of her marriage? No Arab chroniclers nor Baeza mention her abandonment of the Christian faith. Not until 1530 do we have the first reference from Lucius Marineus Siculus, who states that Soraya reverted to Christianity from Islam. So where does the truth lie? Somewhere in her murky history and that of Moorish Spain.
Two occurrences may have deeply affected her life as a Sultana. In the summer of 1482, a coup against her husband occurred. She escaped with him and their children, first to their castle at Mondújar and then to Malaga, which his brother governed. Abu’l-Hasan Ali’s eldest son by Aisha took control of Granada with the support of Abencerrage clan members, further fueling the supposed conflict between Aisha and Soraya. A year later, due to the missteps of his successor, Abu’l-Hasan Ali regained power. In 1485, Soraya’s life changed again. Her husband, who had suffered the effects of epilepsy and diabetes, either abdicated or surrendered the throne to his brother. He spent his exile in Salobreña and Almuñécar, where he allegedly died and lies buried at the summit of the highest Spain mountain named after him, Mulhacén. Afterward, Soraya’s saga becomes ambiguous again. Supposedly, her brother-in-law wanted to marry her, but he never did. She either stayed by his side with her children or extended her exile in the Lecrín area of the Alpujarras region of southern Spain. If you’ve read Sultana: The White Mountains, you’ll know I had her take a different path. Why?
At some point after the death of her husband, Soraya returned to her former life with her sons. She took up the name Isabel de Solis again. After the conquest of Granada occurred on January 2, 1492, on April 30, the bishop of Guadix baptized her children Nasr and Saad as Juan and Fernando de Granada respectively. They went on to marry; Fernando became the husband of Mencia de la Vega and had no known heirs, while Juan wed twice, to Beatriz de Sandoval who gave him Isabel, Geronimo Bernardino, Juan and Magdalena, and Maria de Toledo who mothered his Maria, Diego, Pedro, and Felipa. As a final anecdote, I’ve seen one intriguing reference to the former princes of Granada later abandoning the Christian faiths and crossing over to Morocco as their eldest half-brother had done in 1493. But what of their mother?
After the first decade of the 16th century, she disappears from the historical record. Until then, she purportedly lived in a house in Seville. A letter dated 1494 from Queen Isabella of a united Spain refers to her as ‘Queen Soraya, Moor’ and from 1501 and 1506, she’s alternatively called ‘Doña Isabel, Madre de los infantes de Granada’ or ‘Queen Soraya’ in documents.
Throughout my novels that chronicle events of her life, I’ve portrayed many possible facets of the personality I believe Isabel de Solis/Soraya adopted. She is clever, hiding her knowledge of Arabic gained from her stepmother Arlaja the Moor during the subsequent captivity and enslavement. She is also dutiful to Sultana Aisha, whose servant she becomes and whose daughter she cares for and admires. She also shows genuine devotion to her eventual husband Abu’l-Hasan Ali and shrinks from the idea of becoming the wife of his brother, seeing the move as a probable end to the lives of her children. Most of all, she is a survivor because ultimately, the historical figure who inspired the character was nothing less. Learn more about her portrayal in Sultana: The Pomegranate Tree and Sultana: The White Mountains, both available now. 

If you've missed any of the Meet the characters posts about this novel, find them HERE.    

Fifteenth century Moorish Granada enjoyed the last vestiges of glory under Sultan Abu’l-Hasan Ali of the Nasrid Dynasty, to whom I introduced readers in the Sultanaseries novel, Sultana: The Pomegranate Tree. The history of Abu’l-Hasan Ali culminates in Sultana: The White Mountains. If you haven’t read the new novel and don’t want to know Abu’l-Hasan Ali’s fate, stop reading this post. Right now. Don’t say you did not have a warning!
One of three known sons of Sultan Abu Nasr Sa’d and descended from the first legitimate ruler of the region, Abu’l-Hasan Ali first came to prominence when his father seized the throne in late summer 1454 at the age of fifty-five. By then, Abu’l-Hasan Ali might have been around 17 years old, the eldest of the new ruler’s male heirs, who included the princes Muhammad and young Yusuf, then four years old. The clan Abencerrage supported their parent and had declared for him at Archidona from where he rode to complete his conquest. This family had held influence in Nasrid politics for several generations since the time of Abu Nasr Sa’d’s uncle Sultan Yusuf III, whose daughter had married one of the Abencerrage ministers. The new king of Castile Enrique II also gave tentative backing. In later years under Enrique’s successor, his half-sister Queen Isabella, Abu’l-Hasan Ali became a vigorous warrior and frontier raider, like his father. For his contemporaries in Christian Spain, who called him Muley Hacén, his attacks signaled renewed conflicts with the Moors. He has been protrayed on television, most recently in the Spanish TV series, Isabel.
Before such time, Abu Nasr Sa’d sent Abu’l-Hasan Ali to the court of Enrique II in September 1454. The prince brought gifts in homage to the ruler of Castile in acknowledgement of the tenuous claim of vassalage the Christians had asserted over Granada’s rulers for two centuries. Abu’l-Hasan Ali remained at the court. In January 1455 his father and family fled to Casarabonela near Malaga, after Abu Nasr Sa’d lost the throne to the cousin he had deposed in recent months. Abu’l-Hasan Ali with the aid of Castilian forces routed the enemy at Guadix in April of the same year and came south to reunite with his relatives. Then by late summer, when his father had control of Granada again, Abu’l-Hasan Ali and his brother Muhammad pursued their foe south, capturing him alongside his betrothed wife, Sultana Aisha who was the daughter of a previous monarch. Was this the first fateful meeting of Abu’l-Hasan Ali and Aisha? Readers of Sultana: The Pomegranate Tree will recall a much earlier introduction.
At the start of his second reign, Abu Nasr Sa’d officially declared himself a vassal of Castile. Abu’l-Hasan Ali served as a military commander and oversaw domestic issues, including irrigation and cultivation of the fertile plains around Granada. With the capture and murder of his father’s rival, Abu’l-Hasan Ali not only eliminated a competing claimant for the throne but also the heart of Aisha. He married her, and they had three children, two sons called Muhammad and Yusuf and a daughter named after her mother. When the children were young, two tumultuous events occurred that would affect the future of the Nasrid Dynasty. In July 1462, their grandfather turned against his Abencerrage allies and killed their chieftains, some of whom had served as his ministers, at a banquet. Then two years later, Abu’l-Hasan Ali ousted his father and took the throne, consigning Abu Nasr Sa’d to exile and death. Not the first time a Nasrid had maneuvered against his relative or even an aging parent. Abu’l-Hasan Ali almost faced ouster when his remaining brother Muhammad rebelled against him with the support of the embittered Abencerrage clan in 1470; the youngest sibling Yusuf having died in 1467 of plague. Eventually Abu’l-Hasan Ali and Muhammad reconciled, and became staunch collaborators in the defense of Moorish Spain.
The strife which had arisen became Granada and Castile during the intervening years now abated with the ascension of Queen Isabella and her husband Ferdinand of Aragón. Truces of short duration occurred in 1475 and 1478. Three years later without any renewal of the terms of the last treaty, Abu’l-Hasan Ali responded to Castile’s request for acknowledgment of his role as a vassal by stating Granada would no longer produce coins as tribute but weapons. Then he attacked and claimed Zahara on December 27, 1481. The Castilians retaliated by seizing Alhama and besieged Loja. Although Abu’l-Hasan Ali could not remove his adversaries from Alhama, he won a decisive victory against the at Loja with the aid of the valiant old warrior Ali al-Attar, whose daughter Moraima had married Abu’l-Hasan Ali’s eldest son.
I’ve speculated about Abu’l-Hasan Ali and Aisha’s possibly fractured relationship because of events that occurred much later, but it’s clear she was not the only woman who held sway over him. In 1471, his brother Muhammad had raided at Martos and returned with a young slave named Isabel de Solis. Abu’l-Hasan Ali fell under her spell and took her to his bed. Renamed Soraya, the slave became a Sultana and the mother of two princes Nasr and Sa’d. While chroniclers have speculated that the rivalry between the Sultanas Aisha and Soraya caused friction in the harem and led to Abu’l-Hasan Ali’s overthrow in late summer 1482, I hold the belief that Aisha gained revenge for the murder of her former betrothed husband when she encouraged the support of the Abencerrage for her eldest son. Abu’l-Hasan Ali fled with his brother, younger wife, and their children to Mondújar, where he had given Soraya a castle as a wedding present, and then on to Malaga, the governorship of his brother.
From Malaga, Abu’l-Hasan Ali launched attacks against regions where he no longer enjoyed support and defeated the Castilians who had invaded the region around Malaga, where he seized thousands of their warriors as captives. After April 1483, when his eldest son and opponent made an ill-advised attack on Castile and endured captivity, Abu’l-Hasan Ali returned to Granada where he imprisoned his wife Aisha and his daughter-in-law Moraima. In the summer of 1483, his eldest son obtained his release and settled in Guadix from where he and his allies tried to attack Granada, but Abu’l-Hasan Ali’s forces repulsed them. He also pursued and obtained a judicial decree, a fatwa, against all the supporters of the rebellion on September 15. While no one knows the origins, by the same time in the following year, historians believe he had started suffering the effects of epilepsy and diabetes, the latter of which deteriorated his eyesight over time. His brother had gained greater power during Abu’l-Hasan Ali’s diminished state. As early as the spring of 1485, rumors abounded that he would abdicate and by the following season, he no longer held the throne. His brother ruled instead while he withdrew to Salobreña and then Almuñecar. There he died that year and purportedly lies buried somewhere along the summit of the highest mountain peak of Spain bearing the name Mulhacén, pictured above.

 In Sultana: The Pomegranate Tree and Sultana: The White Mountains, I’ve portrayed Abu’l-Hasan Ali as a proud, vengeful, and wily man, but never boastful. His threats are never empty, and he always has the will and means to carry them out. How much could this have differed from the historical figure who inspired my character? The events of his life, taken from the time he captured his future wife’s betrothed husband, his theft of the throne from his father, his imprisonment of Aisha and quarrels with their sons showed his dangerous nature. But there was another side to him, surely, a man devoted to those who loved him especially Soraya. Had Aisha truly loved him, too, I believe his fate and that of Moorish Spain could have been quite different. His enemies, Queen Isabella and King Ferdinand would not have taken advantage of the internal strife among the Nasrids. But fate and matters beyond Abu’l-Hasan Ali’s control led him along a different path. Share his final journey in Sultana: The White Mountains, available now.