Ana  Manwaring

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Ana Manwaring

Goodreads Author


Born
in Sacramento, The United States
Website

Genre

Influences
Carol Ryrie Brink The Pink Motel

Member Since
June 2007

URL


Ana Manwaring writes raw, unflinching crime thrillers that dwell at the crossroads of corruption, survival and vengeance. With a bold, gritty voice and a sharp eye for institutional injustice, her latest novel Mortal Revenge, co-authored with Fernando León Torrens, plunges readers into the sun drenched streets of Veracruz, where power and family secrets collide under the weight of violence and betrayal. Mortal Revenge isn’t just a thriller — based on a true story, it’s a fight for truth, told with unrelenting honesty.

Drawing on a deep-rooted fascination with Mexico, political and social intrigue and the human psyche under pressure, Ana builds morally complex anti-heroes whose fights for justice blur into quests for survival. Her work bring
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Ana Manwaring Well, I have 6 more days and I'm going to read Michelle Choinard's A Tour to Die For, the sequel to The Serial Killer'sGuide to San Francisco, which I…moreWell, I have 6 more days and I'm going to read Michelle Choinard's A Tour to Die For, the sequel to The Serial Killer'sGuide to San Francisco, which I absolutely loved! I know I'll love this new one too. I just finished Lisa Towles' With, coming out on Set. 30th and couldn't put it down. It was thrilling right to the last sentence.Other books I've read this summer: The Ratcatcher by Anthony Khseria audiobook version--super fun, like watching a movie with many voices and sound effects;A Murder Most French by Cathleen Cambridge—how can you go wrong with Paris and Julia Child? (less)
Ana Manwaring I would have to daybook 3, Nothing Comes AfterZ is my fave. First, my fabulous cover designer, Tatiana Vila, used my photo of the skull rack infant of…moreI would have to daybook 3, Nothing Comes AfterZ is my fave. First, my fabulous cover designer, Tatiana Vila, used my photo of the skull rack infant of the main temple at Tenochtitlan in Mexico City--how's that for ego stroking? I'dplanned this book to be the last book. The title comes from a quote from the founder of Los Zetas:. Of course it has to do with after the Zetas find you, there's nothing left alive. But in the book, JadeAnne (spoiler alert) meets Dylan and their blossoming relationship—and the moon eclipse shoot=out—are some of the most fun scenes I've written. (less)
Average rating: 4.48 · 106 ratings · 57 reviews · 17 distinct worksSimilar authors
Set Up: Secrets and Lies in...

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Nothing Comes After Z: Deat...

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The Hydra Effect: Revelatio...

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Backlash: Venom and Vendett...

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Saints and Skeletons: A Mem...

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it was amazing 5.00 avg rating — 3 ratings
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Saints and Skeletons A Memoir

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The Redemption

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The Redemption by Ana  Manwaring
The Redemption
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Saints and Skeletons A Memoir by Ana  Manwaring
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Saints and Skeletons A Memoir by Ana  Manwaring
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Find A Cause Outside Yourself by Abhijit Naskar
“Every time the cradle of justice becomes criminal, it falls upon us civilians to be justice incorruptible.”
Abhijit Naskar
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Made in Acapulco by Carmen Amato
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Stolen Thoughts by Tim Tigner
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The Words in My Hand by Guinevere Glasfurd
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Colorado K-9 Rescue by Kathleen  Donnelly
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The Only Woman in the Room by Marie Benedict
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More of Ana's books…
Julian Barnes
“This was another of our fears: that Life wouldn't turn out to be like Literature.”
Julian Barnes, The Sense of an Ending

Kendra Spencer
“When one of us succeeds we all succeed”
Kendra Spencer

Alfred Hitchcock
“There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.

We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"

In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.”
Alfred Hitchcock

Abhijit Naskar
“Every time the cradle of justice becomes criminal, it falls upon us civilians to be justice incorruptible.”
Abhijit Naskar, Find A Cause Outside Yourself: Sermon of Sustainability

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Maureen Mullis Hello Ana! Thank you for adding this author into your circle of friends here on Goodreads. I hope you'll add my novels including the cozy mysteries (What Would Nancy Do?, Lethal Prescription), In the Company of Women, The Christmas to Remember and Finding Normal to your to-read list. I look forward to reading your book reviews and recommendations. Happy reading!


Savannah Ana,
Thank you for the friendship.
Stay naughty,
Savannah
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