Bill Ayers's Blog

REST IN POWER, Comrade H. “Rap” Brown (Jamil Al-Amin)—you fought for justice, you held the line, you pushed us forward.
We love you.

Episode #140: Teaching in Dark Times with Kathryn Zamarron

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Episode #139: The History of GI Resistance with Aaron Hughes and Arti Walker-Peddakotla

On October 16, 1965 I was arrested with 37 other students and two professors from the University of Michigan as we occupied and disrupted the normal operations of the Ann Arbor Selective Service Office (the Draft Board), a part of the massive US machinery of death. I’ve been arrested resisting war and empire, white supremacy and the racial capitalist system countless times since—and there’s no stopping now.
Sixty years! The blink of an eye in the life of the struggle.
KEEP RISING!!!

SEE this FROM MIKE KLONSKY:

Sixty years ago today (10/15/1965) the war makers met their first nationwide wall of resistance. On October 15, 1965, tens of thousands of Americans in over 40 cities took to the streets, campuses, churches, and union halls to protest a war they hadn’t voted for — and no longer believed in. These demonstrations drew over 100,000 participants and included the first public draft card burnings, as well as slogans such as “Hell no, we won’t go!”

This wasn’t a single march. It was a mosaic of resistance. In New York, clergy led vigils. In Berkeley, students staged teach-ins and burned draft cards. Detroit’s protest featured participation from members of the United Auto Workers (UAW), local chapters of the NAACP, and clergy aligned with the Detroit Council of Churches. These groups had already been collaborating on civil rights campaigns — and many viewed the Vietnam War as siphoning resources from the War on Poverty, disproportionately drafting Black and working-class youth, and fueling militarism abroad while neglecting justice at home

The protests were sparked by Students for a Democratic Society (SDS), but they quickly outgrew any one group. SDS was one of the first groups to call for a nationwide day of protest. They helped coordinate actions across dozens of cities, working with local chapters, allied student groups, and sympathetic faculty to organize teach-ins, marches, and civil disobedience.

SDS framed the war not just as a foreign policy blunder, but as a symptom of deeper systemic rot — imperialism, racism, and economic exploitation. Their messaging helped shift the antiwar movement from moral pacifism to radical critique.

.October 15th was a turning point. The war was no longer just a foreign policy debate. It was a moral crisis. A test of conscience. The press downplayed it. The White House dismissed it. But the movement had found its voice. And it would only grow louder, through draft resistance, mass mobilizations, and the radicalization of a generation.

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Phil Ochs’ “I Ain’t Marching Anymore,” released in 1965, was a searing antiwar anthem that became a rallying cry for the burgeoning Vietnam War protest movement. Ochs, a Greenwich Village folk singer and radical journalist, fused biting satire with historical indictment, tracing America’s militarism from the Revolutionary War to Vietnam.

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Today, as we prepare for Saturday’s No Kings protests, the spirit of ‘65 still lives on within many of us.

REVOLUTION(s), opening tonight after a week of previews at the venerable Goodman Theatre, has just been EXTENDED through November 16!!
Get your tickets now!
LET’S GET THIS PARTY STARTED!

https://mailchi.mp/kingandbreakingsilence/january-13050963?e=133dd5ab0b

Episode #138: Revolution and the Art of Creating the World with Zayd Dohrn and Lisa Lee