Writing in public

I am not a fan.

I am not a fan of people with their mac books (it has to be a mac book) WRITING in coffee shops. Why? Do they not have Katie Melua CDs of their own? Are they incapable of making coffee?

"Oh, I do it for the free wifi."

Really? REALLY?! You can afford a mac book but you can't afford wifi? And why do you need wifi? Buy a thesaurus in book form, lightweight!

Worst place in London for it - the Soho Theatre. It drips with Performance Writers tapping away on Final Draft, hoping Kathleen Kennedy will come in and say, "Hey, nice formatting. What's it about? GREAT idea!"

I've read quite a few writer interviews and writer biogs and do you know how many got discovered in coffee shops? ...yes you do.

Ok. JK Rowling wrote in a coffee shop. Because she had a cold flat. And she wrote in a note pad. I don't consider it Performance Writing to write in a note pad. I'd rather look like an obsessive diarist than a Performance Writer. And she's JK Rowling. She's nice.

So yeah, saying all that, if you have the bug to write, write. Doesn't matter where. If you have to stoop to Performance Writing, so be it.

And why have I considered this now?

Because of Goodreads. I used to watch TV on the bus to and from work - the number 63, Peckham to Clerkenwell, about an hour long, thanks for asking.
I'd watch a Star Trek DS9 or Cheers - no nudity or violence and I didn't care if I had to turn it off because the bus had hit a cyclist or a drunk decided to urinate into his beer can next to me.
Then I started doing review pools in Goodreads - You read mine, I'll read someone else's and review it, they'll read yours - you know the drill.

Then I realised the number 63 was perfect for writing.

Sure, it gets a bit bumpy around the Old Kent Road, but if you turn up your iPod (Miklos Rosza - Epic Cinema Greats - natch) you won't hear the 14 phone calls going on around you, or the couple hissing at each other about each other's parents or whatever. But I've found a way to ensure I write 2 hours a day - that doesn't involve getting up at 4am or writing naked in the kitchen at 2am drunk (These are the only other options open to me).

So yeah, I may have become a Performance Writer after all. But like them, I'm getting my work done. So if you write, do it where and when you can. That's my suggestion.

(Just don't do it on a mac book, you fool.)
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Published on June 07, 2016 13:01 Tags: writing
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message 1: by Gary (new)

Gary Sundell You got the CD already? I really read to remove the shrink wrap from mine.


message 2: by James (new)

James Devo Yup. It's a bit faster than the CD I have of most of it but there's an El Cid March for an encore that's faultless - better than the original, and now I need to get the Private Life of Sherlock Holmes.

There's a three CD set of Jarre I may need to get but it's 56 quid...


message 3: by James (new)

James Devo Have you got Grand Prix, by Jarre. The Overture is brilliant!


message 4: by Gary (new)

Gary Sundell Yes I have a major Jarre collection. One of my favorites continues to be Crossed Swords. Although it is hard to go wrong with Lawrence of Arabia, Passage to India, or Dr. Zhivago or any of several other scores.

I have most of the FSM releases.


message 5: by James (new)

James Devo Gary wrote: "Yes I have a major Jarre collection. One of my favorites continues to be Crossed Swords. Although it is hard to go wrong with Lawrence of Arabia, Passage to India, or Dr. Zhivago or any of several ..."

I listened to Jerry Goldsmith at Fox this morning. "The Agony and Ecstasy - Prologue - The Artist Who Did Not Want to Paint" sounds like classic Alfred Newman, not Goldsmith in the slightest...


message 6: by Gary (new)

Gary Sundell Alex North recommended Goldsmith for that job. The main score for Agony and the Ecstasy is one of my favorite scores by Alex North.


message 7: by James (new)

James Devo Gary wrote: "Alex North recommended Goldsmith for that job. The main score for Agony and the Ecstasy is one of my favorite scores by Alex North."

Have you ever come across Ferde Grofe? I stumbled across a massive (and cheap) compilation called The Sound of Hollywood, which is the Hollywood Bowl orchestra, and not soundtracks (even though on Spotify it comes up with a picture of Alfred Newman...)

Some of it really reminds me of Jerome Moross' Big Country OST. And Grofe did some scores too. Always enjoy finding someone new... especially someone new from the 1930s...


message 8: by Gary (last edited Jun 13, 2016 07:40AM) (new)

Gary Sundell Grofe's Grand Canyon Suite is terrefic. Disney used it in one of their nature films about the canyon.


message 9: by James (new)

James Devo That's the one that got me. And Mississippi Suite III: Creole Days is a stand-out too.


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