Alfonso Cuarón’s film Roma (2018), named after the eponymous neighbourhood of Mexico City, is framed through the experience of a middle class family’s maid Cleo (played by Yalitza Aparicio Martínez).  The film evokes an intense sense of time and place from the early 1970s inspired by Cuarón’s childhood memories.  The set design encompasses specific details such as tile patterns along with the use of black and white photography and rich soundscapes to lend the film an especially poignant atmosphere.  The narrative weaves together the emotional turbulence of the main protagonists with wider events such as the Corpus Christi massacre of university students of June 1971.  Romaprovides a subtle exploration of the intersections between place, politics, and memory, incorporating the claustrophobic drama of a family in crisis, as well as the stark social divisions that underpin modern Mexico.  Cuaron’s Romareminds us why cinema can be both aesthetically and politically compelling.