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Ray
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Sep 27, 2012 10:06AM
Ah yes, that question of should all of this be planned out, or do I wing it? Has anything of value ever gone entirely to plan? Aren't there always improvs along the way? And what about how those characters talk to the writer offering advice and insisting they would never say that or do such and such? Creativity brings all this excitement to the forefront.
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Funny - I was thinking about you this week when I was posting a review for Larry Enright. I gave "Fighting the Devil" 5*s at Goodreads and saw I had not done the same at Amazon. Will take care of that.
I am very much a pantster! I used to make outline, but all they ever did for me is create writer's block. Once I just dived in and started writing... well things got a whole lot more interesting. My best scenes are ad libs, shocking twists that I hadn't thought of until I got there. I know it's the main reason why I write plot twists so well. But then, I also plot the major points out in my head. That's right, all in my head. Only a few bare notes to get things straight.
Jacqueline wrote: "I am very much a pantster! I used to make outline, but all they ever did for me is create writer's block. Once I just dived in and started writing... well things got a whole lot more interesting. M..."
Jacqueline - I am well into the last book of the Maine historical fiction trilogy. Did not get past chapter 1 before the characters began to surprise me. I do have a page of dates of births, deaths of characters from Spruce Gum Box and Granite Hearts and a page of historical dates - I use them as points to let my characters string their stories. Th for your comment.
Jacqueline - I am well into the last book of the Maine historical fiction trilogy. Did not get past chapter 1 before the characters began to surprise me. I do have a page of dates of births, deaths of characters from Spruce Gum Box and Granite Hearts and a page of historical dates - I use them as points to let my characters string their stories. Th for your comment.



