Voice, body, language, place: these have long been the central preoccupations – basic materials, really – of Leo Chadburn’s work, from his early releases as his avant-pop alter-ego Simon Bookish (‘Portrait of the Artist as a Fountain’) to the stream of recent releases every year or two on his own Library of Nothing Records label: The … Continue reading The Sound of Place: Leo Chadburn, Sleep in the Shadow of the Alternator →