Otto Preminger makes a…Douglas Sirk movie? Watching this, I was convinced that this was…finally…a movie that Preminger cared about. The touch on government power, the melodrama, the black and white photography that allows a heavy use of shadows: Finally, after several assignments, Preminger was making what he wanted to make. And then I read that Preminger had no memory of making the film at all decades later. Couldn’t have been that important to him. Still, assignment or passion project, Dai...