LitLinks
by Elizabeth S. Craig, @elizabethscraig
LitLinks are fed into the Writer’s Knowledge Base search engine (developed by writer and software engineer Mike Fleming) which has over 70,000 free articles on writing related topics. It’s the search engine for writers. While you’re there, check out the Writer’s Digest award-winning Hiveword novel organizer.
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What constitutes a new edition of your book? By Glenna CollettJulia Elliott Is the Winner of the $150,000 Carol Shields Prize for Fiction: By Andrew Richard AlbaneseThe 5 Best Mysteries for Jane Austen Lovers: by Amelia BlackwellYour Orient Express Reading List: From Lonely Planet: by Helena Smith6 Mystery Novels with Unorthodox Settings and Setups: by R.M. Caldwell7 Books Featuring Self-Sabotaging Characters: by Pardeep ToorPoetry Made Easy: How To Read & Interpret Poems: by Susanne BennettAre You Getting It Done? Five Accountability Strategies That Work: by Rochelle MelanderWhat Makes a Successful Writer? by James Scott BellTime for Writers to Work Harder On Your Own Reliable Resources: By Carolyn Howard-JohnsonThe Power of Introverts: by Kay DiBiancaWhat We Owe Each Other as Writers: By Linda K SienkiewiczWrite Anywhere, Write Everywhere: By Greer Macallister10 Weird Things Writers Do: By Susanne BennettThe 4 Most Dangerous Self-Doubt Traps for Writers: by Colleen M. StoryWhy writing feels hard: by Daphne Gray-GrantHow My Memoir Helped Me Reclaim My Narrative: by Laurie CollisterEvery Small Win Matters: by Meg DowellThings that Stop Us in Our Tracks: Are you your worst enemy? by Ossandra WhiteShould Writers Use AI? from Fox Print EditorialWhy Do We Write? By Kathleen McClearyThe Ethics of AI in Writing: By Jim DempseyOn Writing the Hard Truths of Rural American Life: The Hidden Value of a Hard Writing Life: by Colleen M. StoryWhat Knitting Has Taught Me About Writing: by Miranda ShulmanFrom Cathartic to Intentional: How to Write When It Feels Hard: by Jill BoehmeThe Switch to a Slow-Burn Writing Process: By Deanna CabinianIs Starting Really the Hardest Part? by Meg DowellHow Compassion Changed My Writing: by Anne Beall @janefriedman.comStarting to Write Again After Unimaginable Tragedy: by Mai NguyenHow To Write What You Love: by Mia BothaWhy “The Story Behind Your Story” is So Important: by Jenny HansenHow To Use AI Without Compromising Your Integrity As A Writer: by Christopher Luke DeanSeven Tips for Building a Literary Community That Makes You Happy: By Tess PerkoRejections and Successes: by James Scott BellAgatha Christie and the Bechdel Test: By Melodie CampbellYou Don’t Need More Discipline. You Need to Slow Down: by Rochelle MelanderWhen Writing Isn’t Possible: by Meg Dowell5 Top Tips For Writing Romantasy That Bites Back: by Lucy V. HayWhy Horror Becomes Action and How to Prevent It: by Chris WinkleThe Memoir Playbook I Wish More Writers Knew: by by Jacqueline Salmon @janefriedman.comTeach Your Book: Designing a Class Around Your Memoir: by Melissa Fraterrigo @janefriedman.comMurders at the Beginning of a Mystery or Later In: by @mkinberg.bsky.social7 types of thriller opening lines (with examples from bestselling novels): by Louise HarnbyFan Feedback for Mystery Writers: by @mkinberg.bsky.socialThe Character Flaws That Drive the Most Compelling Domestic Thrillers: by Ava RobertsIn the Spotlight: Tanushree Podder’s A Closetful of Skeletons: by @mkinberg.bsky.socialUnrest as an Element in Crime Fiction: by @mkinberg.bsky.socialMysteries That Incorporate Historical Figures: by @mkinberg.bsky.socialInk and Emotion: Tracing The Path Of A Romance Novel: by Lucy V. HayLove Story vs Romance: Key Writing Differences Explained: by Elaine DodgeHow To Write An Irresistible Book Blurb In 5 Easy Steps: by Amanda PattersonWhat Three-Star Reviews Really Mean for Authors: by Linda K. Sienkiewicz @janefriedman.comHow Amazon Keywords Affect a Book’s Marketing in 2026: by Nicholas C. RossisGoodreads for Authors: What the New Updates Mean (and How to Use Them): by Penny SansevieriA Simple Way of Marketing to Your Target Audience: by Joy YorkUsing a Newsletter Platform for Serial Fiction: by Angelique FawnsFive Things I Didn’t Know About Publishing Five Years Ago: By Allison Winn ScotchCharting Your Course: Self-Publish Online: by Gale LeachWhat Every Book Cover Needs: by Arielle HaugheeAvoid Publishing Scams: by Rochelle MelanderFlog a Pro: Would You Turn the First Page of this Bestseller? By Ray RhameyHow to Handle Emotionally Complex Character Arcs: by April DávilaHow Does Fear Play Into Character Arc? by Becca PuglisiCharacter Coping Mechanism Thesaurus Entry: Practicing Gratitude: by Becca PuglisiWhat My Creative Space Taught Me About Creating Strong Characters (+ 4 Writing Exercises): by Nicole BianchiGiving Your Characters Serious Challenges May Give Them Delightful Strengths: by Jonelle Patrick @janefriedman.com5 Reasons You Should Build Fear Into Your Story’s Turning Points: by Lucy V. Hay6 Ways to Discover Your Character’s Greatest Fear: by Becca PuglisiHow a Story’s Genre Influences the Role of Fear: By Angela AckermanCan My Hero Give Up Revenge? by Oren AshkenaziWhy We Love Reluctant Heroes: By Buddy BeaudoinInternal Conflict vs. External Conflict: The Shift From Projection to Agency in Character Arc: by K.M. WeilandHow to Use Dialogue Tags and Keep the Flow: by Ellen BuikemaWriting: (You Can) Write Better Dialogue: by Linda S. ClareDialogue That Kills It: Crafting Conversations Full of Suspense: By Jennifer Graeser DornbushWhy The Silence Of The Lambs Is The Thriller Writer’s Bible: by Amanda PattersonAnalysis of The Little Prince: by Gabriela PereiraJane Eyre, Wuthering Heights, The Tenant Of Wildfell Hall – One Story, Three Interpretations: by Elaine DodgeTo Translate, or Not To Translate? How To Use Words That Are Not English: by Hank Phillippi RyanHow to Foreshadow: by Marilynn ByerlyIs Fear Weakening Your Story? 5 Mistakes to Check: by Angela AckermanTake a Side: Why Your Novel Needs an Argument: by Lori GoldHow to Create Compelling Hooks for Every Chapter: By Jenn WindrowWriting Peeves and Favorite Editing Tips: by Lisa Tener4 Ways Specificity Drives Your Story Forward: By Kathryn CraftWant Stronger Writing? Start Writing Less. by Janice HardyA Quick Start Guide To Writing First & Last Lines: by Elaine DodgeTurning Point vs. Plot Point vs. Plot Turn: by September C. FawkesCause and Effect in Writing: by PJ ParrishBody Language in Our Writing: by Pat SpencerWriting that Works or Writing that Needs Work? by Linda S. ClareTrashy Novels, Treasure Troves: What Writers Can Steal: By Susanne BennettFear’s Toxic Cousin: The Fatal Flaw: by Becca PuglisiCrafting an Effective Atmosphere: by Laura Clarke WalkerHow to Find Your Way Through the Messy Middle: by April DávilaIntroducing Characters: from MythcreantsThe five-star question that divided my book club: by Linda K SienkiewiczWriting 3D Scenes: by Linda S. ClareSensory Anchors for the Messy Middle: by Lisa NormanCause and Effect With Story Momentum: by Lindsey HughesStory Structure: The Three Acts: by D. Wallace PeachA Round-Up of Rewriting Tips: by Paula MunierFifteen Heroic Turning Points for Satisfying Conflicts: by Chris WinkleDescriptive Words of Wisdom: by Dale Ivan SmithSeeing Microtension Everywhere: by CS LakinWordplay: Portmanteau: by Sue ColettaTalk to Write: Advance to a Completed Draft Using Dictation: by Melynda Hill-Teter
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