LitLinks
by Elizabeth S. Craig, @elizabethscraig
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Why every author needs a professional book editor: by Jennifer WebsterWhat Authors Need to Know About Ordering Wearable Merch: by Joel Carpentero @janefriedman.comAchieving Your Writing Goals: by Daphne Gray-GrantA Complete Guide to Writing Prompts and Daily Writing Practice: by Mia BothaLost Your Creative Flow? A Framework for Getting It Back: by Gabriela PereiraWhat You Could Be Reading Right Now: by Christopher Luke DeanReadings for Writers in Extremis: W.B. Yeats: by Elizabeth HuergoWhat Close Reading Can Reveal About an Author’s Intentions: by Suzanne BerneFor These Poets, Feral Girl Summer Is an Eternal State of Mind: by Maria Giesbrecht5 Brilliant, Lesser-Known Cozy Mysteries: by Kristen PerrinFive Books For the Insomniac in Your Life: by Ailsa RossDoubt Is a Writer’s Friend, Not a Foe: by Michelle JohnsonThird-Person Self-Talk for Writers: by Colleen M. StoryThe Ghost in the Machine (Inherited Creative Blocks): by Lisa NormanNotice What You Notice About the World Around Us: by Lesley Krueger @janefriedman.comWhy Keep Writing? Do I Want To? By Janet ConstantinoOvercoming Overthinking—Take the Leap: from Fox Print EditorialWriting: Tapping Into Our Shadow Self: by Sue ColettaWhy Writers Are Burning Out: by K.M. WeilandStepping Back From Your Own Work: Writing on Solid Ground: Create an Intentional Writing Practice: by Julie DuffyCharles Dickens and Other Bad Men Who Are Good Writers: by Francine ProseHow Being a Mediocre Scientist Helped Me Become a Better Novelist: by Vincent YuChange Your Writing Life Through the Science of Habits: by Dr. Diana StoutHow I Found Myself and My Next Setting at the Beach: by Angela BrownOur Metaphorical Backpacks as Writers: by Fox Print EditorialSo What Kind of Writer Are You: by Randy Susan MeyersWhere I End, the Writing Begins: What Undergoing Surgery Taught Me About Transcendence: by Diane Les BecquetsWhy Are Authors So Emotional: by Josh BernoffWhat If Your Quirks Reveal Your Superpowers: by Rochelle MelanderThe Write Attitude: Doing The Work Amid The Noise: by Kristine RuschA Postmortem on Killing Your Darlings: by Catriona McPhersonWalking and Dictating: A New Strategy to Mix Up Your Writing Routine: by Corrine KumarImposter Syndrome Is Not a Disease or Abnormality: by Anne Janzer @janefriedman.comWriting the Scene That Scares You: by April DávilaThe Story of You: How Much of Myself Should I Put In a Book? By Rachel ToalsonNot Every Writing Day Looks Like Writing: by April Dávila4 Guides to a Sustainable Writing Life: by Kathryn CraftHow Better Mental Health & Self-Awareness Got Me Back On Track: by Nicole PylesHow not to regret your life: ByJosh BernoffDebugging Your Daily Routine Will Save You Time and Money: By Rhys KellerWe Need to Talk About Bad Writing: by Benjamin SchaeferTips from a Screenwriter Turned Novelist: By Gwendolyn Womack7 Gripping Dystopian Plot Ideas For Writers: By Susanne BennettLiterary vs. Genre Fiction: Defining the Debate: by Marilynn Byerly8 Cozy, Romantic, and Escapist Mystery Series: by Jess CannonJane Austen and the Origins of Modern Detective Fiction: by Lucy AndrewsPatricia Cornwell on Learning to Write a Memoir as a Lifelong Novelist: by Patricia CornwellStop Counting Toothbrushes: Find Your Memoir’s Real Story: by Ester Harder @janefriedman.comSo You Want to Write a Memoir: by Carol TealTimespans and Young Children’s Stories: by Karen CioffiHow Some Crime Writers Are Finding a New Path to Publishing: by Keith RoysdonIn the Spotlight: Yoko Ogawa’s The Memory Police: by @mkinberg.bsky.socialCharacters Throwing Everything Away as an Element in Crime Fiction: by @mkinberg.bsky.socialAdding Real Life Tension to Crime Fiction Novels: by @mkinberg.bsky.socialIn the Spotlight: John Rhode’s The House on Tollard Ridge: by @mkinberg.bsky.socialTo Be Honest in Poetry Right Now Is to Embrace the Abstract, Negative, and Weak: by Xuela ZhangPoetry Basics: Figurative Language: from Little InfiniteThe Art Of Writing A Great Love Triangle: by Elaine DodgeWhat Writers Can Learn From the Short Film That Launched a $1 Billion Franchise: by Lucy V. HayTips for Writing Short Stories: by Dale Ivan SmithHow To Show & Not Tell In Short Stories: by Mia BothaHow To Outline A Short Story – For Beginners: by Amanda PattersonHow Often Should You Publish Blog Posts: by Hugh W. RobertsThree Pillars of Book Promotion: by Steven PressfieldWriting and Marketing Your Book: by Linda S. ClareYour Books Should Be in Google Books, the World’s Largest Library: by Lindsey HughesStop Pitching Your Work and Start Telling Your Story: by Linda K. SienkiewiczSocial Media Is Redefining the Author’s Job: by Kit AldredgePR for Authors: Getting Press for Your Book That Lasts: by
Harshini FernandoStart Your Podcast: A Guide for Indie Writers: by Jean LeeRichard Charkin: 100 Columns Later, Wioth Questions for the Industry: What Would You Like to Change About the Book Publishing Industry? by L. Diane Wolfe for the IWSGFrom Online Fandoms to Blockbuster Films and TV Shows: What Books Get Optioned Now: by @janefriedman.comHow the AI content deluge will make decisions harder: by Josh BernoffAI, Creativity, and the Future of Publishing: by Nadim SadekWho Leads Your Book Project: Publisher, Editor, Ghostwriter, or You: by Josh BernoffHow I Got My Literary Agent: by Rachel Delaney CraftThe First Clue to an Email Scam May Be the Address: @victoriastrauss.comSelf-Publishing in German: How to Translate, Distribute, and Market Your Books: by Skye MacKinnonThe Flashforward Fallback (Flash-Forward Openings): Podcast: by John AugustCharacter Coping Mechanism Thesaurus Entry: Self-Care: by Becca PuglisiThe Perils of the Imperfect Main Character: by Audrey DriscollDo Characters have a Nervous System? by Sarah Sally Hamer7 Tips for Writing Anxious Characters: by Charles Yallowitz350 Essential Character Traits for Writers: by Amanda Patterson5 Techniques for Showing a Character’s Suppressed Emotion: by C.S. LakinWhat We Write About When We Write About Grief: by David CorbettCoping Mechanism Thesaurus: Living in the Past: by Becca PuglisiHow Fear Affects Your Character in Real Time: Angela Ackerman @janefriedman.comWriting Fear and Sorrow: by Phil AthansHow To Write Great Dialogue In Fiction: by Amanda PattersonFive Stories That Use Novelty to Enhance Horror: by Oren AshkenaziSecrets for Writing Page Turners: by Liz AdamsGood Writing Can’t Be Taught: by Greer MacallisterWrite What You Know: by Patricia BradleyBalancing Realism to Maximize Novelty: by Chris WinkleOn Shorter Books: by Laura LyndhurstHeroine’s Journey vs Interiority: What Writers Need to Know: by Susan Watts7 Tips to Writing Depressed Characters: by Charles YallowitzThe Problem with “Show, Don’t Tell”: from Fox Print EditorialHow Often Can You Ask Your Reader to Jump: by Seth Harwood on @janefriedman.comMicrotension in Writing: by C.S. LakinHow to Pace Your Prose for Greater Impact: by Chris WinkleMastering Point of View in Writing: by Amanda PattersonNailing Omniscient POV: 5 Guidelines to Captivate, Not Confuse Readers: by Heather Garbo on @janefriedman.comWhat Is an Unreliable Narrator: 9 Types Every Writer Should Know: by Amanda PattersonThe Power of the Stranger as Plot: by Ilona BannisterWhat Is A Sub-Plot In Fiction? 6 Sub-Plots Every Writer Should Know: by Amanda PattersonNew Research Tool for Writers: by Sue ColettaTips for Creating a Vivid Setting: by Beem WeeksHow to Make Your Book Shorter: by Josh Bernoff5 Tips for Taking Feedback to Help Your Writing Shine: by Holly SearcyFirst Page Critique: Digging Up the Dirt: by Debbie BurkeFirst Page Critique: Managing Mood, Metaphor and Jargon: by PJ ParrishEach Page of Your Manuscript Is a Momentary Story: by Don MaassMarriage Tropes: Arranged Marriage vs. Marriage of Convenience: by Shannon A. ThompsonVerb Your Enthusiasm: Transform Your Writing With Stronger Verbs With Sarah Kaufman: Writing: Count Words but Make Words Count: by Linda S. Clare
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