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Brenda
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Aug 11, 2013 10:09AM
I just marked that series for my to-read list!
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You ask "Anyone else out there feel they'd be a lot happier NOT knowing that a book was someone's first novel?"I agree that "it's a little like telling an editor, hey, this is only a rough draft."
It's really unnecessary to tell readers that a book is an author's first novel.That may not be a distraction to some readers, but to others it is. So why say it?
It's also a distraction when publishers say that this author also wrote a novel that I never heard of. It's a good idea to mention an earlier novel only when it is well known.
I read Tana French's entire series, and I, too, had problems getting interested in IN THE WOODS until I had read 100 pages. I only read the subsequent books because they got so many great reviews.
I promise, the series gets better and better with each book. She's a very good writer of what I call "literary thrillers." I don't know how she can top her last book, BROKEN HARBOR.
As I'm sure you know, writing is like anything else: the more you do it, the better you get.
What's wrong with slow? I hear that all the time: the book was too slow, or it took too long to develop. Why is everyone in such a hurry?
@Jason: I know exactly what you mean. I mean, I have read some things that actually were too slow, and it was deadly, but some things really benefit from a luxurious, unhurried pace. Naturally, I can't pull a book from my memory when I need to, but the American tv show, "The Killing", is an excellent example. Critics and audience members lambasted it for having such a slow pace, but I always thought it made it so suspenseful, always making me squirm on the edge of my seat. I loved it. @Erik: How is "The Bat", so far? My library is FINALLY getting an English language version, but I'm something like 57th in line for a copy. Can't wait! I've heard such good things, and I'm wondering if the hype is warranted.



