What is magic? Sometimes we use the expression, “That was magical,” and what we mean is, “That was special.” Then there is the paranormal version, defined as the apparent power to influence things or events using mysterious or supernatural forces. There is also the art of illusion, which can also be described as a process of making something appear to be happening that actually isn’t. Like sawing the beautiful assistant in half or pulling a rabbit out of a hat.

All three of these very cool views of magic apply to fiction. For instance, if you were asked to list your favorite five books of all time – for me such unforgettables as Ordinary People or Old Man in the Sea – you could easily describe them as “magical.” The story, the characters, the voice, tone, and style of the author’s words; all come together in a magical way.

Just as magic in our second description is all about influencing things and events, so also does the practiced writer of fiction. He or she pushes characters into unexpected areas of conflict and jeopardy, pits them against opposing views and motives, and, if all goes well, produces a story that is as unexpected and satisfying as the unexplained forces of nature.

And then there is slight of hand, an author’s best friend when it comes to building tension in his or her story. Where will the plot take you? Who will suffer? Who will triumph? Who will we root for or against? Good fiction is not predictable. And while the last thing you want to do is deceive your readers, you do want to keep them on the edge of their seats. Botton line: engaging your readers is magical. And that’s what good fiction does.