YELLOWFACE


NBC News, Sept 15, 2015: “The New York Gilbert & Sullivan Players have canceled its winter production of ‘The Mikado,’ a Gilbert and Sullivan opera set in feudal Japan. The show, which faced backlash from the Asian-American theater community and bloggers over accusations of ‘yellowface,’ was set to open in December at New York University's Skirball Center for the Performing Arts.”

This bullshit reminds me of when William Styron faced (no pun intended) accusations of blackface for his Pulitzer Prize winning novel, The Confessions of Nat Turner. That was way back in 1968 and the accusers were rightly put down for their narrow-minded xenophobia. Hard to believe we have not progressed, that an entire play can be shut down -- never mind the money lost by backers, performers, stage crews, orchestra, makeup, costumers, set designers, etc. -- because of out-of-control PCism.

So, an actor can only portray a character of his or her own “race” (that horrible, artificial word that invites racism?) -- really? I will not bother to name all the great performances of actors in roles that would violate this PC-inspired rule. Or we could list all the great (or even not-so-great books) where the author’s and protagonist's “races” were not the same. [Cough, cough, mine included.]

Miss Gone-overseas has its critics but none so far has called me out, saying I should not be allowed to write about a Japanese woman -- and in first person, no less. Most disgruntled readers were unfamiliar with the “pillow-book” format, while others seemed to like the book so much they wanted it to be longer. I don’t regret my decision to end the story where it ended. However, I do regret attempting to tell what happened afterward in the short story that leads off the collection in Overseas: stories. (I think it’s a muddled mess.)

Arthur Golden’s Memoirs of a Geisha (1997) -- does anyone remember folks griping about that and accusing him of wearing yellowface? How about Lisa Dalby’s classic books on geisha, including at one point her masquerading as a geisha herself -- any gripes there? Anyone remember Lewis ‘Scooter’ Libby, Dick Cheney’s disgraced fall-guy, and the book he wrote set in Japan in 1903 and with nary a Westerner in it? The Apprentice (2002) -- I rather liked it.

I lived in Tokyo during my twelfth year. We had a day maid, Sada-san (as opposed to the live-in housekeeper, Rose), who would come to work in kimono and then change to a skirt and blouse and mama-san apron. One day (a school holiday or I was playing hooky) Sada-san and Rose dressed me in Sada-san’s kimono -- the multiple layers and tightening the obi which they tied in a bow (to denote my age) instead of the boxy matronly form, as Sada-san wore it. What a thrill.

I breathed Japan that year, sucked it up into my DNA by living in a real Japanese house in a totally Japanese neighborhood, walking through a market street everyday to ride the train to school, a school housed in buildings that were once the residence of a Japanese princess. My mother always called me a Nipponphile, and if the subject ever comes up, I’ll claim to be half Japanese and entitled to wear yellowface.
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Published on September 20, 2015 14:53
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message 1: by Marcia (new)

Marcia WTG Micki-san. xo


message 2: by Alana (new)

Alana You tell it, Sister!


message 3: by Richard (last edited Sep 23, 2015 10:24AM) (new)

Richard Weening We are awash in political correctness taken to the extreme by extremists. What is sensitivity and respect for one another is often pushed to the edge of hypocrisy.

Bravo Mitchell calling out a clear example of PC gone wild. On the topic here is some inspiration that should have guided the Gilbert & Sullivan Players in their response.

Consider Mia Katigbak the highly regarded Asian-American actress. She is founder of the National Asian Theatre Company. According to the NY Times her main ..."mission is to send Asian American actors wherever the theatrical canon may lead from 'Our Town' to 'Othello' to 'Antigone.'" (June 25, 2015)

This last June her actors: Chinese, Japanese, Filipino,Sri Lankan and East Indian played members of 3 Jewish families in Odets "Play and Sing" set in 1935 tenement new york. Katigbak herself plays the domineering Jewish matriarch. No reported complaints from the Jewish American Theatre Community.

How about this so-called "Asian-American theatre community" the Times says forced the cancellation of "The Mikado?" They are certainly not artists. More likely some whackos who bullied and frightened the G&S Players board.

A sad story but an increasingly common occurrence when sensible things are sacrified by the ignorant on the altar of PC.


message 4: by Mitchell (new)

Mitchell A casting call went out showing Anglo actors in yellowface (at least exaggerated make-up) and calling for an invented child role (Axe Coolie -- wrong country anyway). These were the two things protested.

The invented role should not have happened. I surmise some producers great-niece needed a gig. But this could have been smacked down in reviews.

The exaggerated make-up was as it should be. The Mikado is/was a spoof/satire of Victorian prejudice, and the actors were supposed to be Anglo, not Asian. The group protesting did not even bother to research the history of the play.

The theater group switched to H.M.S. Pinafore -- so no was was actually out of a job. Still, the theater should not have caved to those ignorant protesters.

NYTimes carried more info than what I quoted at the top.


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