January 2025 BofM 1980-1999: "Speaker for the Dead" by Orson Scott Card > Likes and Comments
date
newest »


Personally, I like the sequels better. The shadow series, in particular, really shines. There is greater character depth. OSC really does human relationships well, which is part of what I liked about this. Card really made me care. For me, Ender‘s Game was more curiosity driven. I enjoyed it and wanted to know what happened next but it didn’t resonate emotionally (probably because I was an adult when I read it). This book had deeper themes and more ambitious ideas. It resonated more.
There are some parts that probably could have done with an edit but because I was emotionally invested I didn’t really care.
The book won both Hugo and Nebula awards so I guess I am not alone.



I clearly remember why the 'murders' happened and that Ender was there with his guilt, but I fully forgot Nova or that Ender has the Queen.
Also "traditional values" are more catching my eye like that a married couple cannot keep information access from each other to anything


I haven't thought about Blish's novel, but yes, there are common vibes


I really enjoyed Jane, and felt there was far too little of her in the story.
Along with Blish, there were some elements of LeGuin in here too.


I agree. Moreover, my edition has Introduction by the author, which states:
Speaker for the Dead is a sequel, but it didn’t begin life that way—and you don’t have to read it that way, either. It was my intention all along for Speaker to be able to stand alone, for it to make sense whether you have read Ender’s Game or not. Indeed, in my mind this was the “real” book; if I hadn’t been trying to write Speaker for the Dead back in 1983, there would never have been a novel version of Ender’s Game at all.
...
What I discovered then—the spring of 1983—was that the book was unwritable. In order to make the Ender Wiggin of Speaker make any kind of sense, I had to have this really long, kind of boring opening chapter that brought him from the end of the Bugger War to the beginning of the story of Speaker some three thousand years later! It was outrageous. I couldn’t write it.

I'm pleasantly surprised by how much I'm enjoying the book. To the point of finding myself reading it past midnight despite knowing that I'll be woken up by a yelling toddler at 6am. Andrew hit the nail on the head talking about relationships. I'd broaden it to saying that Card does the human condition well. He treats emotions as serious and complex, which is refreshing for sci fi.
The one minor niggle for me is that Ender just seems a bit *too* absurdly good at reading and charming people, whilst being extremely intelligent, self-aware, deeply ethical etc... . He's practically the perfect human, and his 3000 years of relativistic stretch has a sort of Messianic feel to it.
Didn't know about Card's homophobia, thanks for the trivia Oleksandr! Turns out he's also a lifelong Mormon and had some pretty racist-sounding views about Obama. Quite hard to square with the sensitivity and nuance explored in the book. Well, that's probably spoilt the last few pages for me haha.
In the aftermath of his terrible war, Ender Wiggin disappeared, and a powerful voice arose: The Speaker for the Dead, who told the true story of the Bugger War.
Now, long years later, a second alien race has been discovered, but again the aliens' ways are strange and frightening...again, humans die. And it is only the Speaker for the Dead, who is also Ender Wiggin the Xenocide, who has the courage to confront the mystery...and the truth.
Speaker for the Dead, the second novel in Orson Scott Card's Ender Quintet, is the winner of the 1986 Nebula Award for Best Novel and the 1987 Hugo Award for Best Novel.