Adaptations

An adaptation can be anything from a book based on a movie or the retelling of a classic tale. It is when a story is adapted from another story form or source. Not merely a remake in all cases, some stories are only loosely adapted from original sources or legends.

The Hunger Games (The Hunger Games, #1)
Harry Potter and the Philosopher's Stone (Harry Potter, #1)
The Fault in Our Stars
Pride and Prejudice
The Perks of Being a Wallflower
Daisy Jones & The Six
Gone Girl
Catching Fire (The Hunger Games, #2)
The Great Gatsby
Harry Potter and the Chamber of Secrets (Harry Potter, #2)
The Handmaid's Tale
The Lightning Thief (Percy Jackson and the Olympians, #1)
Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)
Divergent (Divergent, #1)
Mockingjay (The Hunger Games, #3)

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The Lightning Thief by Rick RiordanEragon by Christopher PaoliniI Am Number Four by Pittacus LoreThe Sea of Monsters by Rick RiordanThe Golden Compass by Philip Pullman
Books that need a BETTER remake
76 books — 60 voters
Jaws by Peter BenchleyJurassic Park by Michael CrichtonSchindler’s List by Thomas KeneallyReady Player One by Ernest ClineCatch Me If You Can by Frank W. Abagnale
Books Filmed by Steven Spielberg
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To Kill a Mockingbird by Harper LeeMary Poppins by P.L. TraversPsycho by Robert BlochFahrenheit 451 by Ray BradburyBreakfast at Tiffany’s and Three Stories by Truman Capote
Classic Film Adaptations: The 1960s
174 books — 39 voters
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The Movie Made You Want to Read the Book
635 books — 497 voters

The Princess Bride by William GoldmanHarry Potter Series Box Set by J.K. RowlingHarry Potter and the Sorcerer's Stone by J.K. RowlingHarry Potter and the Prisoner of Azkaban by J.K. RowlingThe Chronicles of Narnia by C.S. Lewis
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130 books — 48 voters


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And there is yet another possibility: our interest piqued, we may actually read or see that so-called original after we have experienced the adaptation, thereby challenging the authority of any notion of priority. Multiple versions exist laterally, not vertically.
Linda Hutcheon, A Theory of Adaptation

Although adaptations are also aesthetic objects in their own right, it is only as inherently double or multilaminated works that they can be theorized as adaptations. An adaptation’s double nature does not mean, however, that proximity or fidelity to the adapted text should be the criterion of judgment or the focus of analysis.
Linda Hutcheon, A Theory of Adaptation

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