Animation


The Animator's Survival Kit
The Illusion of Life: Disney Animation
Cartoon Animation
Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 1: The Walt Stanchfield Lectures
Timing for Animation
Character Animation Crash Course!( DVD not included)
Drawn to Life: 20 Golden Years of Disney Master Classes: Volume 2: The Walt Stanchfield Lectures
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation
Dream Worlds: Production Design for Animation: Production Design in Animation
Chuck Amuck: The Life and Times of an Animated Cartoonist
Acting for Animators: A Complete Guide to Performance Animation
The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History
Force: Dynamic Life Drawing for Animators (Force Drawing Series)
The Art of Pixar
Animation (Walt Disney Animation Studios: The Archive Series)
Understanding Comics by Scott McCloudHow to Draw Comics the Marvel Way by Stan LeeBig Book of Unique Names for Characters by Aimard R.MaknedaSteal Like an Artist by Austin KleonAnimation 1 by Preston Blair
Great books for Character Design
47 books — 19 voters
Vilppu Drawing Manual by Glenn V. VilppuJohn Howe Fantasy Art Workshop by John  HoweAtlas of Human Anatomy for the Artist by Stephen Rogers PeckThe Illusion of Life by Ollie JohnstonPoses for Artists Volume 4 - Couples Poses by Justin R. Martin
Art Books for Serious Students
33 books — 25 voters

Sooper Secrets and Boomerang Bloopers by Benjamin A. WilgusBrain Power by David Cody WeissCodename by Benjamin A. WilgusCodename by Scholastic IncCodename  by Scholastic Inc
Cartoon Network Books
28 books — 3 voters

Bryan Konietzko
More than one person told us that we simply couldn't pull it off. Luckily, we had a crew who believed in Avatar as much as we did, and they were dedicated to helping us try to prove the skeptics wrong. ...more
Bryan Konietzko

Mallory O'Meara
After my initial disappointment, I realized that Milicent being a normal, non-royal was more important to her position as a role model. It was more inspirational. She didn't have superpowers or a magic wand. She was simply intelligent and savvy and good at what she did. We need women to be allowed to be simply good at what they do. We need them on set, in meetings, behind cameras and pens and paintbrushes. We need them to be themselves, to be human: ordinary and flawed. That way, more girls can ...more
Mallory O'Meara, The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick

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