Film Studies


Film Art: An Introduction
How to Read a Film: Movies, Media, Multimedia
Men, Women, and Chain Saws: Gender in the Modern Horror Film
Film Theory and Criticism: Introductory Readings
In the Blink of an Eye: A Perspective on Film Editing
What is Cinema? Volume I
Hitchcock/Truffaut
Making Movies
Cinema 1: The Movement-Image
Film Form: Essays In Film Theory
Sculpting in Time
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood
Film History: An Introduction
From Caligari to Hitler: A Psychological History of the German Film
Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
Shattering Stereotypes by Alexandra BengtssonIn a Dream You Saw a Way to Survive by Clementine von RadicsTrans Liberation by Leslie FeinbergSacred Gender by Ariana SerpentineOur Work Is Everywhere by Syan Rose
I Saw the TV Glow primer
23 books — 1 voter
Me by Katharine HepburnThe Making of The African Queen Or How I went to Africa with ... by Katharine HepburnKate Remembered by A. Scott BergLIFE by LIFEI Know Where I'm Going by Charlotte Chandler
Katharine Hepburn
27 books — 8 voters

The Art of Tangled by Jeff KurttiTale as Old as Time by Charles SolomonTreasure Planet by Jeff KurttiThe Art of Frozen by Charles SolomonThe Art of the Little Mermaid by Jeff Kurtti
Books About Disney Movies
117 books — 7 voters
Without Empathy by Mk RaghavendraMondo Macabro  by Pete TombsI Was a Teenage Movie Maker by Donald F. GlutMen, Women, and Chain Saws by Carol J. CloverNightmare USA by Stephen Thrower
Film-Acres Delinquent Movie Ranch
278 books — 21 voters

Christopher Frayling
At this point, [Tuco and Pablo] start scrapping like children, while Blondie looks secretly on. 'Please forgive me, brother', says the thoroughly ashamed Padre Ramirez. Tuco walks out, without turning back, then boastfully tells Blondie: 'My brother, he's crazy about me... even a tramp like me. No matter what happens, there'll always be a bowl of soup'. Blondie replies: 'Well, after a meal, there's nothing like a good cigar'. Tuco wipes away his tears and proceeds to eat the cigar, a broad grin ...more
Christopher Frayling, Sergio Leone: Something to Do With Death

A number of Chinese filmmakers, including Chen Kaige and Li Shaohong, imitated Zhang's visual style in the early 1990s by multiplying various erotic images of the oriental Other for global consumption. Consequently, these films, usually sponsored by multinational corporations and catering to the tastes of global audiences, can be perceived as following the same model -- the Zhang Yimou model. To a great degree, this model also marks the end of formal experiment for the Fifth Generation directors ...more
Tonglin Lu, Confronting Modernity in the Cinemas of Taiwan and Mainland China

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