59 books
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Film Studies
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Regardless of how successful the Fifth Generation and New Taiwan cinemas have been in the international film milieu, this (limited) recognition usually is based on two aspects: the formal or the exotic. Their works are praised as highly formally innovative (in other words, how well the have mastered the new-wave visual language of the West -- thus, our modernist language) or exotic (as revealing the mystery of an inscrutable Other). This may explain why in the United States, mainland, Hong Kong,
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― Confronting Modernity in the Cinemas of Taiwan and Mainland China
― Confronting Modernity in the Cinemas of Taiwan and Mainland China
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At this point, [Tuco and Pablo] start scrapping like children, while Blondie looks secretly on. 'Please forgive me, brother', says the thoroughly ashamed Padre Ramirez. Tuco walks out, without turning back, then boastfully tells Blondie: 'My brother, he's crazy about me... even a tramp like me. No matter what happens, there'll always be a bowl of soup'. Blondie replies: 'Well, after a meal, there's nothing like a good cigar'. Tuco wipes away his tears and proceeds to eat the cigar, a broad grin
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― Sergio Leone: Something to Do With Death
― Sergio Leone: Something to Do With Death
