Film Studies


Film Art: An Introduction
Men, Women, and Chain Saws: Gender in the Modern Horror Film
How to Read a Film: Movies, Media, Multimedia
Hitchcock/Truffaut
Film Theory and Criticism: Introductory Readings
What is Cinema? Volume I
In the Blink of an Eye: A Perspective on Film Editing
Making Movies
Cinema 1: The Movement-Image
Film Form: Essays In Film Theory
Sculpting in Time
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood
Film History: An Introduction
From Caligari to Hitler: A Psychological History of the German Film
The Time-Image
Dracula in Visual Media by John Edgar BrowningShattering Stereotypes by Alexandra BengtssonCountering Jihadi Cool by Caroline Joan S. PicartIn a Dream You Saw a Way to Survive by Clementine von RadicsTrans Liberation by Leslie Feinberg
I Saw the TV Glow primer
25 books — 2 voters
Without Empathy by Mk RaghavendraMondo Macabro  by Pete TombsI Was a Teenage Movie Maker by Donald F. GlutMen, Women, and Chain Saws by Carol J. CloverNightmare USA by Stephen Thrower
Film-Acres Delinquent Movie Ranch
280 books — 22 voters

The Art of Tangled by Jeff KurttiTale as Old as Time by Charles SolomonTreasure Planet by Jeff KurttiThe Art of the Little Mermaid by Jeff KurttiThe Art of Frozen by Charles Solomon
Books About Disney Movies
119 books — 8 voters
Me by Katharine HepburnThe Making of The African Queen Or How I went to Africa with ... by Katharine HepburnKate Remembered by A. Scott BergLIFE by LIFEI Know Where I'm Going by Charlotte Chandler
Katharine Hepburn
29 books — 9 voters

Though the actresses who played female boys were of all ages and performed in a vari- ety of acting styles, they were generally small, thin, white, and photogenic, and their performances combined boldness and vulnerability. Their femaleness al- lowed them to convey fragility and androgynous beauty. These performances demonstrate that cross-gender casting, which may seem like an inherently transgressive practice to twenty-first-century scholars, can also uphold conser- vative gender, class ...more
Laura Horak, Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934

Christopher Frayling
At this point, [Tuco and Pablo] start scrapping like children, while Blondie looks secretly on. 'Please forgive me, brother', says the thoroughly ashamed Padre Ramirez. Tuco walks out, without turning back, then boastfully tells Blondie: 'My brother, he's crazy about me... even a tramp like me. No matter what happens, there'll always be a bowl of soup'. Blondie replies: 'Well, after a meal, there's nothing like a good cigar'. Tuco wipes away his tears and proceeds to eat the cigar, a broad grin ...more
Christopher Frayling, Sergio Leone: Something to Do With Death

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DOCAM Book Club Book club for the Document Academy, an interdisciplinary and international group that explores i…more
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The Symposium "The Symposium" is a space wherein discussions around media covering the social and behavioural …more
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