Folk Music


Chronicles, Volume One
Beeswing: Losing My Way and Finding My Voice 1967-1975
Electric Eden: Unearthing Britain's Visionary Music
Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Farina and Richard Farina
Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night That Split the Sixties
Folk Song in England
Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 (Culture, Politics, and Cold War)
Romancing the Folk: Public Memory and American Roots Music (Cultural Studies of the United States)
The Mayor of MacDougal Street
Singing from the Floor
The Bristol Sessions: Writings About the Big Bang of Country Music (Contributions to Southern Appalachian Studies, 12)
The Imagined Village: Culture, Ideology, and the English Folk Revival
The Folk Singers and the Bureau The FBI, the Folk Artists and the Suppression of the Communist Party, USA-1939-1956
Folk City: New York and the American Folk Music Revival
Exploring American Folk Music: Ethnic, Grassroots, and Regional Traditions in the United States (American Made Music Series)
Woody Guthrie
All of my words, if not well put or well taken, are well meant.
Woody Guthrie

Kate Molleson
The distinction between "classical" and "folk" music only really emerged in the late eighteenth and into the nineteenth centuries. The words only make sense (to the extent they do) when they're set in opposition to each other. The musicologist Matthew Gelbart has written a terrific book on the subject called The Invention of Folk Music and Art Music, in which he details how it used to be that musicians just played music: what mattered was the place and purpose, not so much who wrote the tune or ...more
Kate Molleson, Irish Pages, Vol. 12, No. 2: Scotland

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Queer As Folk Magic A digital book club focusing on folkloric and traditional magic. By undertaking close readings o…more
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