Gothic Horror

Gothic horror is a genre of literature that has elements of both romance and horror. Although it is sometimes confused with paranormal romance, according to some horror writers, gothic horror is considered a more atmospheric type of literature.

See Gothic.
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New Releases Tagged "Gothic Horror"

The Girl with a Thousand Faces
Bone of My Bone
Solace House
Hunger and Thirst
She Waits Where Shadows Gather
The Temptation of Charlotte North
Japanese Gothic
Odessa
The Seventh Sister
Vile Lady Villains
May the Dead Keep You
Victorian Psycho
What Moves the Dead (Sworn Soldier, #1)
Hungerstone
Muñeca
Hazelthorn
What Feasts at Night (Sworn Soldier, #2)
Diavola
You Did Nothing Wrong
Blood on Her Tongue
The Hacienda
Honeysuckle
The Possession of Alba Díaz
Hunger and Thirst
Odessa
His Black Tongue
Luna Sanguis by Simon OkillDescent of Blood by Elizabeth MarxLuna Aeturnus by Simon OkillWildalone by Krassi ZourkovaAscent of Blood by Elizabeth Marx
Great Gothic Paranormal
85 books — 163 voters

The Cyclops by Emerson LittlefieldThe Quest for Freedom by Matthew D. Devitt1984 by George OrwellIt by Stephen  KingGood Omens by Terry Pratchett
SFF: Best Plot
40 books — 38 voters
1984 by George OrwellThe Ones Who Walk Away from Omelas by Ursula K. Le GuinA Wizard of Earthsea by Ursula K. Le GuinSomething Wicked This Way Comes by Ray BradburyStories of Your Life and Others by Ted Chiang
SFF: Best Themes
27 books — 18 voters


Dracula
Frankenstein: The 1818 Text
Mexican Gothic
The Picture of Dorian Gray
The Haunting of Hill House
Carmilla
Dr. Jekyll and Mr. Hyde
We Have Always Lived in the Castle
Rebecca
The Turn of the Screw
Interview with the Vampire (The Vampire Chronicles, #1)
Wuthering Heights
What Moves the Dead (Sworn Soldier, #1)
The Castle of Otranto
The Phantom of the Opera

C.C. Kell
Names change but blood remembers.
C.C. Kell, Legacy of the Eye

Andrew Joseph White
There is a difference between horrible things that have gone on forever, because you can almost convince yourself of the inevitably of an age-old cruelty, or almost it’s necessity. But not a new one. With a new one, the change is too great, the wound too new, and you cannot convince yourself that it is simply the way of the world.
Andrew Joseph White, The Spirit Bares Its Teeth

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