Hard Boiled

Hard-boiled crime fiction is a literary style, most commonly associated with detective stories, distinguished by the unsentimental portrayal of violence and sex. Derived from the romantic tradition which emphasized the emotions of apprehension, awe, horror and terror, hardboiled fiction deviates from that tradition in the detective's cynical attitude towards those emotions. The attitude is conveyed through the detectives inner monologue describing to the audience what he is doing and feeling.

The genre's typical protagonist is a detective, who witnesses daily the violence of organized crime tha
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The Big Sleep (Philip Marlowe, #1)
The Maltese Falcon
Farewell, My Lovely (Philip Marlowe, #2)
The Long Goodbye (Philip Marlowe, #6)
Red Harvest (The Continental Op #1)
The Lady in the Lake (Philip Marlowe, #4)
The High Window (Philip Marlowe, #3)
The Little Sister (Philip Marlowe, #5)
The Thin Man
L.A. Confidential (L.A. Quartet, #3)
The Postman Always Rings Twice
Killing Floor (Jack Reacher, #1)
The Big Nowhere (L.A. Quartet, #2)
Trouble Is My Business (Philip Marlowe, #8)
The Black Dahlia (L.A. Quartet, #1)

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Raymond Chandler
The car slid along Los Angeles to Fifth, east to San Pedro, south again for block after block, quiet blocks and loud blocks, blocks where silent men sat on shaky front porches and blocks where noisy young toughs of both colors snarled and wise-cracked at one another in front of cheap restaurants and drug-stores and beer parlors full of slot machines. (Pickup on Noon Street)
Raymond Chandler, The Simple Art of Murder

Raymond Chandler
I don’t mind if you don’t like my manners. They’re pretty bad. I grieve over them during the long winter evenings.
Raymond Chandler, The Big Sleep

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