Historical Fantasy

Historical fantasy is a subgenre of historical fiction that incorporates fantastic elements (such as magic) into the narrative. There is much crossover with other subgenres of fantasy; those classes as Arthurian, Celtic, or Dark Ages could just as easily be placed in Historical Fantasy. Stories fitting this classification generally take place prior to the 20th century.

Lady Tremaine
This Kingdom Will Not Kill Me (Maggie the Undying, #1)
Wolf Worm
Daughter of Egypt
Innamorata (The House of Teeth, #1)
The Fox and the Devil
The Geomagician
The Book of Fallen Leaves (The Autumn Empire, #1)
Aicha
The Beheading Game
The Fortune Tellers of Rue Daru
Sweetbitter Song
A Widow's Charm
Entwined (The Entwined Duology, #1)
The Quarter Queen
Babel
The Everlasting
Agnes Aubert's Mystical Cat Shelter
The Rose Bargain (The Rose Bargain, #1)
The Poet Empress
Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1)
The Thorn Queen (The Rose Bargain, #2)
The Sirens
The Devils (The Devils, #1)
Slewfoot: A Tale of Bewitchery
Emily Wilde’s Map of the Otherlands (Emily Wilde, #2)
The Amalfi Curse
The Familiar
Cleopatra
The Book of Lost Hours
Babel
His Majesty's Dragon (Temeraire, #1)
The Bear and the Nightingale (The Winternight Trilogy, #1)
Jonathan Strange & Mr Norrell
The Familiar
The Poppy War (The Poppy War, #1)
The Night Circus
The Invisible Life of Addie LaRue
She Who Became the Sun (The Radiant Emperor, #1)
The Golem and the Jinni (The Golem and the Jinni, #1)
Half a Soul (Regency Faerie Tales, #1)
Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1)
The City of Brass (The Daevabad Trilogy, #1)
The Song of Achilles
Circe

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Time travelers, gather ’round!   If you’re in the market for a temporary reprieve from our current era of history—perfectly...
Robert         Reid
9. Delicately Sylva moved the upper layers of paper and vellum away and saw, lying on the table, a small book. It was an ornately inscribed little volume with a beautifully worked golden motif; this was what had glittered and caught her attention. The book’s cover was edged in gold and in the centre of the cover was the motif: a letter O superimposed with the letter I, forming the symbol Φ, also marked out in gold.
Robert Reid, The Empress

Ezgi Yücebaş
...that means we’re in love,” His eyes were never leaving her lips, “madly so.” The spirits waltzed across the leaves, enclosing two lovers, singing their own melody as the bodies became one.
Ezgi Yücebaş, Curse of the Stars

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