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Luxembourg
“
In May 1830, when in Paris alone with little Maurice, she found herself going to museums—the Louvre, the Luxembourg. It was not the first time, but she returned again and again, "as if drunk and nailed to the Titians, the Tintorettos, the Rubens." She suddenly responded to painting as she had long before to music. Whatever métier, whatever trade or profession she would choose, she knew she would be an artist—in letters, in life, in her very being.
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― Infamous Woman: the life of George Sand
― Infamous Woman: the life of George Sand
“
This fountain commemorates Luxembourg’s two national poets—Lentz and Dicks,’” Jeffrey reads. “That had to be a tough name to get through school with.” I scowl slightly as Jeffrey reads on. “Mr. Lentz wrote the national motto. ‘Mir wëlle bleiwe wat mir sin’ . . . ‘We wish to remain what we are.’” It really explains this strange place, I think, as Jeffrey considers the fountain. The gargoyles, the old men, the cobblestones. Maybe it’s trying with all its might not to change in any way. Maybe Luxem
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― The Unchangeable Spots of Leopards
― The Unchangeable Spots of Leopards
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