Magical Realism

Magical realism is a fiction genre in which magical elements blend to create a realistic atmosphere that accesses a deeper understanding of reality. The story explains these magical elements as normal occurrences, presented in a straightforward manner that places the "real" and the "fantastic" in the same stream of thought. ...more

New Releases Tagged "Magical Realism"

More new releases tagged "magical realism"...

Most Read This Week

The Midnight Library (The Midnight World, #1)

The Seven Rings (The Lost Bride Trilogy, #3)

The Very Secret Society of Irregular Witches

Lists

The Goddess of Nothing At All by Cat Rector

Magic and Myth in Fiction

176 books — 34 voters

The Girl Who Chased the Moon by Sarah Addison Allen

Magical Realism in Small Town America

111 books — 160 voters

Like Water for Chocolate by Laura Esquivel

The Particular Sadness of Lemon Cake by Aimee Bender

Features Food Magic

68 books — 100 voters

The Master and Margarita by Mikhail Bulgakov

The Wind-Up Bird Chronicle by Haruki Murakami

One Hundred Years of Solitude by Gabriel García Márquez

Translated Speculative Fiction

382 books — 204 voters

Escape Reads

83 books — 136 voters

At the bottom of patience is heaven: Incoming Middle Grade & Young Adult Books Written by Black Authors for 2017

42 books — 45 voters

Magical Realism Books

Before the Coffee Gets Cold (Before the Coffee Gets Cold, #1)

The Strange and Beautiful Sorrows of Ava Lavender

More magical realism books...

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Fiction
Ficțion
Fiçtion

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Quotes Tagged “Magical Realism”

“ UNREQUITED LOVE: Look, you see me, a lonely girl having a drink. What do you do? LOST: Avoid eye contact at all costs? UNREQUITED LOVE: Oh come on, don’t you ever randomly flirt and find yourself falling in love with attractive young women? LOST: I’ve forgotten how. UNREQUITED LOVE: How peculiar. LOST: (Struggles, trying to find the right words.) No…I mean I did once, but I’ve forgotten most things about love I guess. It just comes with the territory of losing your heart. UNREQUITED LOVE: ...more ”
― Alyssa Ahle, Lost and Found: a stage play

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“ Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also cap Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled. ...more ”
― Terri Windling

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