Narration


The Three Musketeers (Trilogie des Mousquetaires #1)
Over the Edge (Troubleshooters, #3)
To Kill a Mockingbird
Black Beauty
Crime and Punishment
Three Eves (Marked #1-3)
The Perks of Being a Wallflower
Marked: Warfare and Sin City
Cocky Duke (Cocky Hero Club)
That Divine Life (Blackwell Djinn, #3)
Where the Red Fern Grows
The Phantom Tollbooth
The Gargoyle
A Wrinkle in Time (Time Quintet, #1)
Bambi: A Life in the Woods (Bambi, #1)
The Martian by Andy WeirHarry Potter and the Sorcerer's Stone by J.K. RowlingBossypants by Tina FeyThe Hitchhiker’s Guide to the Galaxy by Douglas AdamsThe Handmaid's Tale by Margaret Atwood
The Ultimate List of Audio Books
323 books — 155 voters

The Lightning-Struck Heart by T.J. KluneHim by Sarina BowenTell Me It's Real by T.J. KluneDirty Kiss by Rhys FordAmong the Living by Jordan Castillo Price
Best Audio Narration MM
528 books — 154 voters
The Halo Grower by Ryushiro HindemithHalf Asleep in Frog Pajamas by Tom RobbinsA Prayer for the Dying by Stewart O'NanIf on a Winter’s Night a Traveler by Italo CalvinoBright Lights, Big City by Jay McInerney
Books Narrated in the Second Person
41 books — 51 voters

Geek Girl by Holly SmaleCinders & Sparrows by Stefan BachmannHalf Bad by Sally GreenWords in Deep Blue by Cath CrowleyCarry On by Rainbow Rowell
YA Audiobooks with Accents
33 books — 11 voters
Harry Potter Audio Collection by J.K. RowlingThe Help by Kathryn StockettOutlander by Diana GabaldonReady Player One by Ernest ClineThe Graveyard Book by Neil Gaiman
Best Audio Narration
1,519 books — 1,050 voters

Jorge Luis Borges
But I will relate what happened with absolute honesty; that, perhaps, will help me understand it. After all, when one confesses to an act, one ceases to be an actor in it and becomes its witness, becomes a person that observes and narrates it and no longer the person that performed it.
Jorge Luis Borges, Brodie's Report

Gertrude Stein
I think one is naturally impressed by anything having a beginning a middle and an ending when one is beginning writing and that it is a natural thing because when one is emerging from adolescence, which is really when one first begins writing one feels that one would not have been one emerging from adolescence if there had not been a beginning and a middle and an ending to anything.
Gertrude Stein, Narration: Four Lectures by Gertrude Stein

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