Narration


The Three Musketeers
Over the Edge (Troubleshooters, #3)
To Kill a Mockingbird
Black Beauty
Crime and Punishment
Three Eves (Marked #1-3)
The Perks of Being a Wallflower
Marked: Warfare and Sin City
Cocky Duke (Cocky Hero Club)
That Divine Life (Blackwell Djinn, #3)
Where the Red Fern Grows
The Phantom Tollbooth
The Gargoyle
A Wrinkle in Time (Time Quintet, #1)
Bambi: A Life in the Woods (Bambi, #1)
Wood, Talc And Mr. J by Chris   RoseSomething Bad by Dab10Shatter Me by Tahereh MafiThe Knife of Never Letting Go by Patrick NessParticles of Light by David Emerson Trim
Best Books to Experiment with Form
14 books — 25 voters
The Castle by Franz KafkaThe Kaleidoscope by Adrian MendozaThe Sound and the Fury by William FaulknerMrs. Dalloway by Virginia WoolfThe Brothers Karamazov by Fyodor Dostoevsky
Polyphonic Novels
19 books — 15 voters

The Martian by Andy WeirHarry Potter and the Sorcerer's Stone by J.K. RowlingBossypants by Tina FeyThe Hitchhiker's Guide to the Galaxy by Douglas AdamsThe Handmaid's Tale by Margaret Atwood
The Ultimate List of Audio Books
323 books — 155 voters
The Handmaid’s Tale by Margaret AtwoodNever Go with Your Gut by Gleb TsipurskyThe Matchmaker's Playbook by Rachel Van DykenTucker's Way / For Tucker by David  JohnsonIf You Tell by Gregg Olsen
Kindle Unlimited Audiobook
122 books — 17 voters

Harry Potter Audio Collection by J.K. RowlingThe Help by Kathryn StockettOutlander by Diana GabaldonReady Player One by Ernest ClineThe Graveyard Book by Neil Gaiman
Best Audio Narration
1,593 books — 1,090 voters
The Princess Diaries by Meg CabotReady Player One by Ernest ClineThe Hitchhiker's Guide to the Galaxy by Douglas AdamsThe Bell Jar by Sylvia PlathCharlie and the Chocolate Factory by Roald Dahl
Best Audiobooks read by Famous Actors
94 books — 26 voters

Thomas Hardy
...a true narrative like time and tide must run its course and would respect no man.
Thomas Hardy, Far From the Madding Crowd

Gertrude Stein
I think one is naturally impressed by anything having a beginning a middle and an ending when one is beginning writing and that it is a natural thing because when one is emerging from adolescence, which is really when one first begins writing one feels that one would not have been one emerging from adolescence if there had not been a beginning and a middle and an ending to anything.
Gertrude Stein, Narration: Four Lectures by Gertrude Stein

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