Reportage


27 śmierci Toby'ego Obeda
Chłopki: Opowieść o naszych babkach
The Shadow of the Sun
The Emperor: Downfall of An Autocrat
Z miłości? To współczuję. Opowieści z Omanu
Shah of Shahs
Krótko i szczęśliwie. Historie późnych miłości
Imperium
Nothing to Envy: Ordinary Lives in North Korea
Another Day of Life (Penguin Modern Classics)
Gottland
Polska odwraca oczy
Voices from Chernobyl: The Oral History of a Nuclear Disaster
War's Unwomanly Face
Travels with Herodotus
Un indovino mi disse by Tiziano TerzaniNelle terre estreme by Jon KrakauerBuonanotte, signor Lenin by Tiziano TerzaniLo Zen e l'arte della manutenzione della motocicletta by Robert M. PirsigWild by Cheryl Strayed
Reportage di viaggio
92 books — 31 voters
Tausend Zeilen Lüge by Juan MorenoWas weiße Menschen nicht über Rassismus hören wollen aber wis... by Alice HastersDeutsch für Profis. Wege zu gutem Stil. by Wolf SchneiderStorytelling für Journalisten by Marie LampertDeadline. Wie man besser schreibt by Constantin Seibt
Bücher für Reporter*innen
80 books — 2 voters

The Ride by Kostya KennedyAnd the Band Played On by Randy ShiltsUnder the Banner of Heaven by Jon KrakauerTilly by Monique Gray SmithBeneath the Bamboo by Stan Taylor
Best nonfiction
92 books — 26 voters

American Epidemic by John McMillianThe Original Watergate Stories (Kindle Single) by The Washington PostReporting Vietnam by Milton J. BatesBy-Line by Ernest HemingwayNever Speak to Strangers and Other Writing from Russia and th... by David Satter
Article Collections
93 books — 1 voter
Imperium by Ryszard KapuścińskiNickel and Dimed by Barbara EhrenreichThe Warmth of Other Suns by Isabel WilkersonIt's Our Turn to Eat by Michela WrongThe Race Beat by Gene Roberts
Great Reportage Books
58 books — 8 voters

Toby Muse
I roll into the Land of Lightning with a honey bear under my arm and a storm at my heels.
Toby Muse, Kilo: Inside the Deadliest Cocaine Cartels—From the Jungles to the Streets

Paolo Rumiz
Credo che per "entrare" nei luoghi il giornalista debba ascoltare la strada, cioè le voci deboli distanti dai riflettori dei media. Per farlo bene, deve accettare alcune regole di comportamento. Primo: sparire, mescolandosi alla gente se possibile fingendosi di non essere giornalista. Secondo: condividere, cioè dare qualcosa di suo - anche un semplice racconto - per trasformare l'intervista in un rapporto di scambio. Terzo: viaggiare lentamente per attraversare le periferie del mondo minore. Sol ...more
Paolo Rumiz, Tre uomini in bicicletta

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