Speculative Fiction

Speculative fiction is a broad category of fiction encompassing genres with certain elements that are nonexistent in terms of reality, recorded history, or nature and the present universe, covering various themes in the context of the supernatural, futuristic, and many other imaginative topics.

Under this umbrella category, the genres include, but are not limited to: science fiction, fantasy fiction, horror fiction, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history.

It can be used as an umbrella term for scienc ...more

New Releases Tagged "Speculative Fiction"

3 Days, 9 Months, 27 Years (The Time Traveler's Passport)

A Love Story from the End of the World: Stories

All Manner of Thing Shall Be (The Time Traveler's Passport)

The Hearth Witch's Guide to Magic & Murder (The Hemlock Saga, #1)

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For a Limited Time Only (The Time Traveler's Passport)

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For Whom the Belle Tolls (Hell's Belles, #1)

Lists

The House in the Cerulean Sea by T.J. Klune

Howl’s Moving Castle by Diana Wynne Jones

The Long Way to a Small, Angry Planet by Becky Chambers

A Psalm for the Wild-Built by Becky Chambers

CozySFF

368 books — 404 voters

The Last Guest House by Caroline Mitchell

Cult fction

359 books — 205 voters

Little Known Dystopias

260 books — 277 voters

2018 Mystery Thriller Horror

288 books — 290 voters

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

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3,651 books — 6,975 voters

Best Science Fiction & Fantasy Books

8,351 books — 24,664 voters

Speculative Fiction Books

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Quotes Tagged “Speculative Fiction”

“ Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in it Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable. Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow. And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time—for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception—they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness. The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions—that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose—with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance—a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees—yes, Mole Flies do, in fact, have knees!—before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen. ...more ”
― Ashim Shanker, Don't Forget to Breathe

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“ My first attempts were dreadful, utter trash! But that trash…it still brings me satisfaction to this day. For while creating, I learned how to lose myself, and I learned how to lose you. ”
― Sean Thomas McDonnell, The Midnight Vault

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