Authors who make a cameo (or larger) appearance as characters in their own fiction.
| 1 |
Roverandom
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score: 299,
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3 people voted
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| 2 |
The New York Trilogy (New York Trilogy, #1-3)
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score: 297,
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3 people voted
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| 3 |
The Dark Tower (The Dark Tower, #7)
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score: 198,
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2 people voted
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| 4 |
JPod
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score: 197,
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2 people voted
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| 4 |
Oranges Are Not the Only Fruit
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score: 197,
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2 people voted
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| 6 |
Perelandra (The Space Trilogy, #2)
by
score: 100,
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1 person voted
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| 6 |
All the World's a Simulation
by
score: 100,
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1 person voted
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| 8 |
I, Lucifer
by
score: 99,
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1 person voted
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| 9 |
The Laughter of Dead Kings (Vicky Bliss, #6)
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score: 96,
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1 person voted
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| 10 |
A History of the World in 10½ Chapters
by
score: 95,
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1 person voted
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| 11 |
The Lost Diaries of Adrian Mole, 1999-2001 (Adrian Mole #7)
by
score: 94,
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1 person voted
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| 12 |
The Female Man
by
score: 93,
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1 person voted
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| 13 |
Midnight Movie
by
score: 92,
and
1 person voted
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People Who Voted On This List (7)
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message 1:
by
Themis-Athena (Lioness at Large)
(new)
Jan 10, 2012 02:03AM
What about the technique employed by Dostoevsky in The Brothers Karamazov, where in order to increase the immediacy of the narration he repeatedly steps out of the perspective of an omniscient narrator to convey that he himself was a witness to the events? (This is most noticeable in the trial scenes towards the end of the book, but there are phrases such as "I, and many of our fellow citizens thought ... / I remember quite clearly ... / My own impression was ..." etc. throughout the entire book.) Does this count?
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