"Jaded readers want something more than the time-worn 'whodunit.' It is not enough to discover who inserted between the piano keys the knife that flew out and neatly slit the gullet of pretty Miss Rosamund Snow, as she essayed 'The Lost Chord.' The WHY is as important as the WHO or the HOW.
When the murder mystery embraces the psychological novel, the result is the 'psychothriller'—a story of substance in which the psychological overtones are as rich as the plot is intricate. Emotional suspense joins hands with all the coveted thrills and chills." —from the inside back cover of the first edition of Laura (1942), by Vera Caspary
When the murder mystery embraces the psychological novel, the result is the 'psychothriller'—a story of substance in which the psychological overtones are as rich as the plot is intricate. Emotional suspense joins hands with all the coveted thrills and chills." —from the inside back cover of the first edition of Laura (1942), by Vera Caspary
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