Liv asked Gillian Flynn:

When you write something like Gone Girl, or Sharp Objects, are you afraid of hurting your husband's or your mom's feelings with the things you say about those relationships that, granted, are not necessarily autobiographical, but that may contain half-truths drawn from real life? How do you handle that kind of situation?

Gillian Flynn Hi Bo,
Great question. I've learned that you can't worry and write at the same time. If you let yourself go down that road, then what you do (and believe me, I've done this) is write with a little nagging angel on your shoulder, who's wringing her hands and worrying that people might get upset. It's not a good way to write well. So I put everyone out of my head and write the story I need to write. Then I have a very important and useful conversation with those close to me. For instance, the mother in Sharp Objects is nothing like my mom and my husband and I are nothing like the Dunnes, but I think it's completely viable for them to ask me any questions they'd like—and I certainly want to know if they feel I've mined something unfairly from our relationships. (I try very hard to avoid the autobiographical, and if a character starts feeling too much like someone I know in real life, I take that as a sign I'm being lazy.) Thankfully I happen to be blessed with friends and family and a husband who love books and love that I'm a writer and respect that my imagination can take me to some very unsavory places that have nothing to do with them.
thanks,
Gillian

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