Maggie Shipstead
Sometimes! Mostly it's just interest, wanting to get to the bottom of something. I grew up in California and didn't have any contact with WASP culture until I went to college in Massachusetts, and I was fascinated and puzzled by, you know, what preppy kids wore and what social codes people used to express wealth and status. That curiosity and "I don't get it" feeling is what eventually led me to write Seating Arrangements. And, with Astonish Me, I've always loved ballet and been intrigued by the lives of dancers. There's something so dramatic about the hierarchies of dance companies and how short (and vulnerable) dancers' careers often are and how they lead these very disciplined, physical lives. Once I started writing, I worked in other long-standing interests of mine, like Cold War defections and Orange County (where I grew up) and even the weirdness of Disneyland. Writing a novel takes so much time and thought--I couldn't possibly do it if I was intrigued by the subject I was digging into.
More Answered Questions
Kim
asked
Maggie Shipstead:
As a reader, I can get awfully wrapped up a book and its characters and sometimes find it difficult to let them go when the story ends. (That happened to me when I read Seating Arrangements.) As a writer, do you have this same difficulty? Some authors seem to explore a similar theme in a very different storyline but is it the theme or certain character traits the author wants to revisit?
Susanna
asked
Maggie Shipstead:
I love your novels, thanks for writing! I would like to know how you come up with the characters? When reading your books, it seems like you can describe what men and women of different ages are thinking and feeling so incredibly well. How did you gain the ability to imagine this? Is it something that you just understand or is it something you deliberately studied?
Maggie Shipstead
1,912 followers
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