Maggie Shipstead
I don't. Or, at least, I didn't with either of my published novels, and I don't with the novel I'm working on now. Welllll . . . actually, that's not entirely true. Seating Arrangements started out as a short story, and the story ended with essentially the same paragraph as the novel. But I didn't know what any of the action leading up to that paragraph would be. I'm not someone who outlines in advance--that kind of planning tends to kill the project for me, and I'm just not very good at it. For me to keep my writing momentum, it seems most important that I commit to a voice and structure and that I have a few plot waypoints out in the future that I'm writing toward. The way I originally drafted it, most chapters of Astonish Me ended where a piece of information was missing, and then the next chapter would usually jump back in time and supply that information. This made for pretty confusing reading and got simplified a bit as I edited, but the plot of the book evolved organically as I went.
More Answered Questions
Susanna
asked
Maggie Shipstead:
I love your novels, thanks for writing! I would like to know how you come up with the characters? When reading your books, it seems like you can describe what men and women of different ages are thinking and feeling so incredibly well. How did you gain the ability to imagine this? Is it something that you just understand or is it something you deliberately studied?
Jessica Rosner
asked
Maggie Shipstead:
My cousin died from cancer. I thought she was perfect, in the way people worship people who are a little older. She loved to dance, and when she was a teenager was accepted to the NY City Ballet. If she'd had different parents, she'd have gone. I got this book after she died. I know she would have loved this novel, and I thank you for helping me to picture her so clearly, reading it in her NY apartment ?
Maggie Shipstead
1,912 followers
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