David Erik Nelson
I'm not a big fan of "inspiration." I used to really stress out about it, tying myself up in knots. But when I started making most of my money writing copy, it finally hit me that any art is primarily a craft. I've known plenty of of craftsmen--carpenters and mechanics and plumbers and doctors and so on--and none of them ever worried about getting inspired to frame a wall, replace a serpentine belt, seat a toilet, or sew up a gash. They do the work that presents itself. I do the same.
Of course, I know that sounds like gruff self-made-men bullshit, and presented as I have above it is indeed such BS. I was quick to embrace copywriting as a craft (after all, when you are seeing steady paychecks, it's pretty easy to see that a job is a job), but I struggled with getting inspired to work on fiction for a long time. And then one day I suddenly saw that it was all the same craft, and I was using all the same tools to do it. I stopped worrying about getting "inspired," and started just getting up early: 6am, 5:30am, early enough to be out of bed and coherent and sitting at the kitchen table before my kids woke up. And that's when I work on fiction, 30 minutes at a time, sometimes an hour. I write a page or four a day. I revise the same way (cutting a page or two a session). It's slow--especially as the fiction gets longer--but the stories get done and get revised, and then the get sold. I.e., the system works. To hell with "inspiration."
Of course, I know that sounds like gruff self-made-men bullshit, and presented as I have above it is indeed such BS. I was quick to embrace copywriting as a craft (after all, when you are seeing steady paychecks, it's pretty easy to see that a job is a job), but I struggled with getting inspired to work on fiction for a long time. And then one day I suddenly saw that it was all the same craft, and I was using all the same tools to do it. I stopped worrying about getting "inspired," and started just getting up early: 6am, 5:30am, early enough to be out of bed and coherent and sitting at the kitchen table before my kids woke up. And that's when I work on fiction, 30 minutes at a time, sometimes an hour. I write a page or four a day. I revise the same way (cutting a page or two a session). It's slow--especially as the fiction gets longer--but the stories get done and get revised, and then the get sold. I.e., the system works. To hell with "inspiration."
More Answered Questions
A Goodreads user
asked
David Erik Nelson:
I know that you are an award winning SciFi author, as well as the writer of DIY books. Which type of writing gives you the most satisfaction? And why?
David
asked
David Erik Nelson:
Where do you like to go for parts, especially now that there may be no more RadioShack?
Patti
asked
David Erik Nelson:
I remember you telling me (via Twitter) that you didn't use an agent for selling/marketing your books. I am actually a very shy person (I know, I know). So I feel like I need an agent. What do you think? How on earth do you even make connections to get one? And if I don't go that route, how do I know which publishers are trustworthy? (It's a YA book,set in Detroit, featuring characters of diverse backgrounds)
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