Trina
asked
Julia Glass:
I've been told novellas are the kiss of death. Did you write the Three Junes with a unifying device in mind? Or did you publish them as separate stories, e.g., in The New Yorker? Do you plan to write any more? I was really thrilled to find out that you were the judge in the Faulkner competition for novellas - thank you for giving mine an honorable mention:)
Julia Glass
You have asked a number of questions here! All interesting, however. First, "Three Junes" is decidedly a novel, though it did grow from a short story to a novella ("Collies," which won the Faulkner novella award, thus qualifying me to be a judge in a later year) and finally became a novel, of which "Collies" is the first part. You could still read that first part on its own, but I wouldn't say the same of the novel's second and third parts, which are fully interdependent with each other and with the first part. I couldn't conceive of their being published individually (and btw, I have never published anything in "The New Yorker," much as I would love to).
As for novellas being the "kiss of death," that's a harsh statement! If you mean they're hard to publish, that may be so--although an increasing number of online venues, including byliner.com and Kindle Singles, now offer opportunities for writers to e-publish (and be well paid for) pieces that are longer than stories and shorter than full-blown books. And I have seen debut books that are collections of novellas or a novella grouped with stories. Among my favorite authors are two masters of the novella: JIm Harrison and Rachel Ingalls. Their best books are trios of novellas, and that is how I discovered them both. I just read another magnificent trio of novellas, "The Liar's Wife," Mary Gordon's latest. I find that there is a very particular pleasure to reading a novella. It's like taking a three-day weekend trip instead of a two-week vacation. So if the novella is your favorite form as a writer, don't despair.
The closest I've come to writing a novella since "Collies" is my very long story "Chairs in the Rafters," which was originally published on dailylit.com and is now a Kindle Single. I thought I was writing a short story--rare for me now--but it became a bit ungainly at 40 or so pages. It's an inconvenient length I call a "novellini." I'd like to try for a few more, but in general I'm a card-carrying novelist.
Good luck with your own writing, Trina!
As for novellas being the "kiss of death," that's a harsh statement! If you mean they're hard to publish, that may be so--although an increasing number of online venues, including byliner.com and Kindle Singles, now offer opportunities for writers to e-publish (and be well paid for) pieces that are longer than stories and shorter than full-blown books. And I have seen debut books that are collections of novellas or a novella grouped with stories. Among my favorite authors are two masters of the novella: JIm Harrison and Rachel Ingalls. Their best books are trios of novellas, and that is how I discovered them both. I just read another magnificent trio of novellas, "The Liar's Wife," Mary Gordon's latest. I find that there is a very particular pleasure to reading a novella. It's like taking a three-day weekend trip instead of a two-week vacation. So if the novella is your favorite form as a writer, don't despair.
The closest I've come to writing a novella since "Collies" is my very long story "Chairs in the Rafters," which was originally published on dailylit.com and is now a Kindle Single. I thought I was writing a short story--rare for me now--but it became a bit ungainly at 40 or so pages. It's an inconvenient length I call a "novellini." I'd like to try for a few more, but in general I'm a card-carrying novelist.
Good luck with your own writing, Trina!
More Answered Questions
Carolbobarol
asked
Julia Glass:
This question contains spoilers…
(view spoiler)[
In I See You Everywhere the ending was abrupt and I’ve thought about it a lot. The only thing I come back to is that’s how suicide is, a fierce goodbye (as Kay Redfield Jamison says) Did the story start with the end in mind or did it evolve as the sisters' relationship was told? Did you consider other endings?
(hide spoiler)]
Julia Glass
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Jan 30, 2015 09:27AM · flag