Brendan Halpin
I've just finished a crime novel which is going out on submission. Trish Cook and I are also working on another collaboration which is top secret at this point. And I have an idea for an adventure series that I hope to start working on within the next couple of weeks.
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Alona Bagley
asked
Brendan Halpin:
My favorite is Donorboy because of how simple it is, told entirely in transcripts, journal entries, messages, emails; all sorts of points of views, but never really any point of view at all. Just what the people in the story thought was important enough to write down, to save, to remember. Many things are only shown by the beginning and the end. I love it. But I was wondering, was it ever hard to write like that?
Tole
asked
Brendan Halpin:
I really like your books because (apart from great style) you seem to write about a bunch of important issues, (mental health, queerness etc). Do you choose these things because you want to make statements about them, or are they just where you stories go? And how do you make sure you stay representative of marginalised groups you aren't necessarily a part of?
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