A Goodreads user
asked
Matthew FitzSimmons:
The plot of "Short Drop" is so complex, how did you outline it and keep all straight? I'm a first time author and have a problem in outlining a simple a linear novel.I'd love to know your outline secrets. (Please don't tell me you didn't use one.)
Matthew FitzSimmons
So I'll tell you my approach, but I think everyone has to find a method that works for them so take it with a grain of sand.
I worked from an Excel spreadsheet so that at a glance I could see chapters, POV, major plot points, characters featured in the chapter etc. That gave me a top down view that helped me notice if I was going too long without checking in with a certain character or plot point. I think Excel is optional, (I'm just comfortable with it) and there are lots of solutions but having a way to see the big picture was critical for me.
Beyond that, I'm what I'd call a "road trip outliner." What I mean by that is, I knew where I was starting and knew where I was ending. Beyond that I had several major stops (plot points/events) mapped out along the way but didn't always know how I was going to get from one to the other. I always left room for detours when I inevitably discovered a more interesting route as I wrote. And that was critical for me, the story became more complex as I went along as I kept finding ways to "raise the stakes" in the story and for the characters. When I began, the story wasn't nearly as complex or interesting as it became as I wrote/redrafted/edited.
So to sum up, I'd say that it's easier for me to plot if I know what I'm writing toward. Once I know that then it's about finding the most interesting way to get there.
Good luck with your writing!
I worked from an Excel spreadsheet so that at a glance I could see chapters, POV, major plot points, characters featured in the chapter etc. That gave me a top down view that helped me notice if I was going too long without checking in with a certain character or plot point. I think Excel is optional, (I'm just comfortable with it) and there are lots of solutions but having a way to see the big picture was critical for me.
Beyond that, I'm what I'd call a "road trip outliner." What I mean by that is, I knew where I was starting and knew where I was ending. Beyond that I had several major stops (plot points/events) mapped out along the way but didn't always know how I was going to get from one to the other. I always left room for detours when I inevitably discovered a more interesting route as I wrote. And that was critical for me, the story became more complex as I went along as I kept finding ways to "raise the stakes" in the story and for the characters. When I began, the story wasn't nearly as complex or interesting as it became as I wrote/redrafted/edited.
So to sum up, I'd say that it's easier for me to plot if I know what I'm writing toward. Once I know that then it's about finding the most interesting way to get there.
Good luck with your writing!
More Answered Questions
Sandy
asked
Matthew FitzSimmons:
Hi. Just saw a listing for "Cold Harbour" on amazon but couldn't find it here. Is it book #3 or a short story between books? "The Short Drop" made my Top Ten list last year & just finished "Poisonfeather". The ending has me looking forward to more adventures with Vaughn. Cheers, Sandy.
Kim
asked
Matthew FitzSimmons:
I see the Tinsley/Vaughn dynamic being in the thriller tradition of Hannibal Lecter/Will Graham or Clarice Starling, among others. Wonderful! Tinsley speaks the words that end up as the title of this book. How did you find that title. Did you have the phrase in mind, then worked it into the dialogue? Or did you choose this phrase--The Short Drop--out of the 100K+ words you wrote? Kudos, btw, on a successful 1st book!
Chris
asked
Matthew FitzSimmons:
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Nov 21, 2015 11:43AM