Andrew
asked
Lois McMaster Bujold:
What are the demographics of your biggest fans? Obviously it must vary by novel, but there's probably a strong center of fans who are parents or of parenting age, given how family (and dynamics thereof) is a recurring theme in your work. Indeed, one of the top questions on Goodreads is about your family. Your portrayal of family dynamics makes your stories powerful as well as fresh in the SF market, in my opinion.
Lois McMaster Bujold
I don't actually know the answer to this question. I've certainly seen feedback from almost every conceivable F&SF-reading demographic, but I don't know what proportions they fall in. I've had fan mail from readers aged 11 to 84.
Family, and domesticity generally, tend very much to be spurned in these genres, certainly as positive portrayals or central subjects. I have a theory that this has its roots in SF-as-bildungsroman, where the primary psychological work of the protagonist (and of the identifying reader) is of separation from the family in order to achieve adult autonomy. Romance is the psychological opposite, the work of recreating the family, hence the often-seen antagonism between the two modes. So is romance or the private sphere felt as a threat to that autonomy, rather than its fruition? Good question for a paper, I think. (Not written by me.)
So, yeah, in my search for story ideas that aren't the same as the stories everyone else is writing, these themes recognizing the domestic are certainly under-explored ground.
Mind you, my original thinking was not so developed. It ran more to something like, "It seems as if every other hero or heroine is an orphan. Let's give my guy a family he can't so narrative-conveniently escape, and then see what happens..."
Ta, L.
I don't actually know the answer to this question. I've certainly seen feedback from almost every conceivable F&SF-reading demographic, but I don't know what proportions they fall in. I've had fan mail from readers aged 11 to 84.
Family, and domesticity generally, tend very much to be spurned in these genres, certainly as positive portrayals or central subjects. I have a theory that this has its roots in SF-as-bildungsroman, where the primary psychological work of the protagonist (and of the identifying reader) is of separation from the family in order to achieve adult autonomy. Romance is the psychological opposite, the work of recreating the family, hence the often-seen antagonism between the two modes. So is romance or the private sphere felt as a threat to that autonomy, rather than its fruition? Good question for a paper, I think. (Not written by me.)
So, yeah, in my search for story ideas that aren't the same as the stories everyone else is writing, these themes recognizing the domestic are certainly under-explored ground.
Mind you, my original thinking was not so developed. It ran more to something like, "It seems as if every other hero or heroine is an orphan. Let's give my guy a family he can't so narrative-conveniently escape, and then see what happens..."
Ta, L.
More Answered Questions
Maryam7107
asked
Lois McMaster Bujold:
Hi , i want perfect short story book . The pages are about 20-30?
Alanajames
asked
Lois McMaster Bujold:
Thank you for all the laughs and tears from your many books. I see from this thread that nothing new will be added to the Vorkosigan universe, so I look forward to your new directions. Can you tell us about your systems as an author - what is your work life like and how do you create your new contexts? One of the aspects I love to you as a writer is your variety and depth - any secrets to share as a writer?
Catherine Nemeth
asked
Lois McMaster Bujold:
In “The Assassins of Thesalon” Methani was unwillingly sundered and Penric thinks Tronio is likely to be as well since Tronio hasn’t accepted he did anything wrong. That implies if Tronio realizes & accepts he’s displeased the gods he might escape sundering? Or is he too “spoiled” to be accepted by a god in the short time before he’s executed? How does one become “unspoiled”, a lifetime of good works or another way?
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