Kristin
asked
Michael Grant:
What was the most difficult part of the Gone series to write? Specifically, which moment of these adolescents losing the innocence they had? They all started the series as children; sure some where bullies or snobs, but through the series, many went to quite dark places. Was any specific moment more difficult to write than the others?
Michael Grant
I had some regret at killing off a couple of characters. Duck, for example. But while I'm writing I have enough distance from the characters that in general their trials and travails don't bother me. I've said before that my relationship with my characters is employer-employee, not father-child. I like to think I'm a decent enough employer - if you overlook the fact that I sort of, um, kill my disappointing employees - and I like them, I really do like them all, but there are times when I have to fire them... with extreme prejudice. And I'm fine with that, because I don't write for them, I write for you. I want you to have a good story. And I'll kill and kill and kill and . . . Okay, where's my Prozac?
More Answered Questions
Deniz
asked
Michael Grant:
I started reading your book, BZRK, a few days ago and I absolutely loved it. The way you write is so engaging for an audience. Sadie was definitely my favourite character in that book. How do you come up with an idea for a book? When you come up with the idea, what do you do to transform it into words?
Kieran
asked
Michael Grant:
what ever happened to Toto the Truth teller? If so will he make a cameo in Hero?
Sammm
asked
Michael Grant:
Previously asked this question but I don't think GR has a way for users to access their records if the question remains unanswered, so it'd be worded somewhat different (if you find both questions, just pick one to answer? that'd be lovely) I've not read Gone series, but I'm interested in superheroes; my question would be, could the spin-off Monster trilogy be read on its own?
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