Robbi Holman
asked
Lois McMaster Bujold:
I have a small readership of some very narrow work (callback to our discussion of Mark & Kareen), and some of my readers are very pushy. Sometimes they try to bully me into making my characters become a certain way or do certain things. Does anyone ever try to get into your head to try to direct your characters and if so, do you ignore them or think about what they've asked/demanded?
Lois McMaster Bujold
Well, I always listen to commentary with interest, because it's a source of endless fascination to me the wildly varied ways people read and process the same text. But that's just a kind of mildly masochistic self-indulgence. Otherwise, I pretty much ignore them. My story, my characters; if they want to be in charge, they can write their own. If they want someone to take dictation, they can hire a stenographer.
Exceptions are readers with technical expertise in some element that has come up in the story -- medicine, for example -- who can give me advice or ideas or prevent me from making gaffes in matters of fact. Technical expertise can extend to certain characterization issues sometimes, so as almost always in writing, the boundaries are fuzzy and the true answer is, It Depends.
Note that there is also a difference between solicited critique, before a work is published with the explicit goal of test-driving it and uncovering flaws, and later commentary, after it's entirely too late to change anything and anyway the writer has already moved on to the next project. (If writers treat the latter with the same attention as the former, they will drive themselves crazy.)
Ta, L.
Exceptions are readers with technical expertise in some element that has come up in the story -- medicine, for example -- who can give me advice or ideas or prevent me from making gaffes in matters of fact. Technical expertise can extend to certain characterization issues sometimes, so as almost always in writing, the boundaries are fuzzy and the true answer is, It Depends.
Note that there is also a difference between solicited critique, before a work is published with the explicit goal of test-driving it and uncovering flaws, and later commentary, after it's entirely too late to change anything and anyway the writer has already moved on to the next project. (If writers treat the latter with the same attention as the former, they will drive themselves crazy.)
Ta, L.
More Answered Questions
Robbi Holman
asked
Lois McMaster Bujold:
Rereading the series. Again. Hunting around the internet looking at publishing dates vs. story chronology I found reference took a book called Test of Honor. No summary in anything I can find. Is this an old title for a book that was named something else late?
A Goodreads user
asked
Lois McMaster Bujold:
In Komarr, there is a scene where Miles pursuades Nikki to leave the bathroom by telling him that he once employed a ten-year-old girl. Was this covered in one of the earlier books? I am wracking my brain and can't seem to remember it, familiar as it sounds.
Albert C
asked
Lois McMaster Bujold:
Hi Lois, this is Albert from Minneapolis, we have met at CONvergence many years ago. I would like to know if you have been approached either via agent or directly on adapting your Barrayar stories to screen. Miles and his family are very interesting characters and that universe has many intriguing facets so I was wondering if you have any thoughts on it on TV or big screen?
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