J. Carroll
asked
Amor Towles:
A Gentleman in Moscow is a delight. You have some wonderfully engaging characters in this story. I especially enjoy the scene in which Emile lends his chopper to Andre for the juggling performance. One of the things I appreciate most is the voice of the narration. It reminds me of Turgenev's unnamed sportsman in A Sportsman's Notebook. Did you in fact live at the Metropol while writing this?
Amor Towles
Dear Mr. Carroll,
When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to take a glance at the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit which prompted me, some years later, to set my book in the hotel. When I set out to write the book, I decided I wouldn't return to the hotel until I was at least two-thirds of the way into my first draft. Why? I didn't want the reality of the hotel to interfere with my imagining it.
When I was about two-thirds done, I returned to Moscow and spent a week at the Metropol in Suite 217—the very room in which the first Soviet constitution was drafted in the aftermath of the Revolution. At that point, I also began researching first hand accounts of the life in the hotel (which you can find in The Metropol section at amortowles.com). I had some sense of trepidation as I began that research, fearing the hotel in history would fall far short of the hotel in my tale. What I learned firsthand and from that research was that the life of the hotel was even more extraordinary than I had imagined.
Best,
Amor
When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to take a glance at the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit which prompted me, some years later, to set my book in the hotel. When I set out to write the book, I decided I wouldn't return to the hotel until I was at least two-thirds of the way into my first draft. Why? I didn't want the reality of the hotel to interfere with my imagining it.
When I was about two-thirds done, I returned to Moscow and spent a week at the Metropol in Suite 217—the very room in which the first Soviet constitution was drafted in the aftermath of the Revolution. At that point, I also began researching first hand accounts of the life in the hotel (which you can find in The Metropol section at amortowles.com). I had some sense of trepidation as I began that research, fearing the hotel in history would fall far short of the hotel in my tale. What I learned firsthand and from that research was that the life of the hotel was even more extraordinary than I had imagined.
Best,
Amor
More Answered Questions

A Goodreads user
asked
Amor Towles:
Not a question really, just wanted to say I got your A gentleman in Moscow book from the library and now I have to go and buy it because I loved it so much!!! It was BRILLIANT! will there be anymore adventures in Russia with hotels? That is my question. Thank you so much for an epic book!
Kia
asked
Amor Towles:
This question contains spoilers…
(view spoiler)[
Dear Mr. Towles,
Paralyzed with fear. Unable to move forward in A Gentleman in Moscow due to the massive trepidation caused by the last paragraph of Book One.
I am so heartily enamoured with Count Rostov, I may expire if death is his imminent fate. Please, may I have some sort of assurance that my heart won't be hacksawed into 1000 pieces so I can continue this delightful novel? Thanks.
(hide spoiler)]
Paralyzed with fear. Unable to move forward in A Gentleman in Moscow due to the massive trepidation caused by the last paragraph of Book One.
I am so heartily enamoured with Count Rostov, I may expire if death is his imminent fate. Please, may I have some sort of assurance that my heart won't be hacksawed into 1000 pieces so I can continue this delightful novel? Thanks. (hide spoiler)]
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